5 Bollywood Celeb-Inspired Outfits to Rock This Christmas Dinner

Try These Celeb-Inspired Christmas Outfits This Season

Christmas is one of the most awaited festivals around the world, where people come together to celebrate love, joy, and unity. The beautiful décor, the twinkling Christmas lights, and the aroma of festive food create an atmosphere of warmth and excitement. It’s the perfect time to bring out your best attire and shine in style. From the classic red and white to bold metallics and glitters, Christmas offers the chance to dress up and feel fabulous.

This year, take a little inspiration from your favorite Bollywood celebrities, who always seem to be dressed to the nines. Whether you’re attending an intimate family dinner or a glamorous Christmas party, Bollywood stars know how to nail the holiday look. Here are some celebrity-approved outfit ideas to help you make a statement this festive season:

Katrina Kaif – Elegance in Red

If you’re aiming for an elegant and chic look this Christmas dinner, Katrina Kaif’s stunning red midi-dress should be at the top of your list. The actress flawlessly styled a deep-neckline, full-sleeve, body-hugging satin dress that showcased both sophistication and a touch of allure. The cinched waistline accentuated her figure, while the small slit from the front added just the right amount of drama. This graceful yet bold choice embodies the perfect balance of poise and festive charm. To complete the look, she paired the dress with silver strappy heels, adding a touch of sparkle to her ensemble. Katrina’s red dress is the ultimate Christmas dinner look, exuding effortless elegance and making her the center of attention.

Suhana Khan – The 90s Glam Show

Suhana Khan, the heartthrob of Gen Z, transported us straight to the glamorous 90s at the premiere of her film Archies. She stole the spotlight in a dazzling bodycon dark-red gown that perfectly encapsulated the era’s chic vibe. The gown featured a V-neckline and fine straps, exuding a sense of class, elegance, and modern sophistication. Adorned with tiny embedded shiny red stones, the gown shimmered with every movement, making it a showstopper. Suhana paired her gown with simple high heels and let her hair cascade freely, keeping the focus on the dress. This 90s-inspired look is ideal for those looking to turn heads at a Christmas dinner, adding an extra layer of glamour to your festive celebration.

Alia Bhatt – The Floral-Coded Queen

Alia Bhatt’s red floral dress strikes the perfect balance between a playful flower shop vibe and a powerful boss lady look. The actress opted for a stunning bodycon short dress with a deep neckline and minimal plaits that highlighted her effortless beauty. She paired the dress with a matching structured blazer, designed with soft shoulder pad detailing that added a sophisticated edge. The blazer’s unique design, lacking pockets but featuring an impeccable fit, exuded a sense of tailored perfection. This ensemble is ideal for Christmas brunches and dinners, combining elegance with a touch of boldness that Alia effortlessly carries. Whether you’re attending a festive gathering or a more formal affair, this floral-coded look is sure to impress.

Shraddha Kapoor – The Definition of Red-Fire

Shraddha Kapoor turned heads with a fiery red short dress at the success party of her film Stree. The actress exuded confidence in a strapless bodycon dress, designed with minimal folds across the front bodice, which enhanced its sleek, figure-hugging silhouette. What truly set the dress apart was the attached long front trail, adding a dramatic and iconic flair to the look. This fiery red ensemble is the perfect combination of sassy and elegant, making it an ideal choice for Christmas celebrations. Shraddha completed the look with black tied-up heels and her hair styled in soft waves, giving the outfit a chic yet bold finish. Whether you’re looking to stand out at a holiday party or a festive dinner, this red-hot look is bound to make a statement.

Ananya Panday – The GenZ Queen

Ananya Panday, a true fashion icon for Gen Z, nailed the Christmas party look with her stunning no-strap bodycon red dress. The mesh finish on top added a playful yet chic vibe, while the short red dress featured black and red fabric roses stitched around the waistline and neckline, adding a unique touch to the festive ensemble. Scattered roses around the bottom hem gave the dress a whimsical, feminine feel, perfectly embodying the spirit of the season. Ananya’s look is the ideal choice for anyone looking to combine fun and sophistication at a Christmas celebration, making a bold yet stylish statement.

COURTESY: zoom

References

  1. ^ Environmental Audit Committee (19 February 2019). Fixing fashion: clothing consumption and sustainability (Report). UK Parliament.
  2. ^ Fletcher, Kate (2012). Fashion & sustainability: design for change. Laurence King Pub. ISBN 978-1-78067-196-3OCLC 866622248.
  3. ^ Grace Heller, Sarah (2007). Fashion in Medieval France. United Kingdom: D.S. Brewer. p. 97.
  4. ^ Kaiser, Susan (2012). Fashion and Cultural Studies. London: Berg.
  5. Jump up to:a b Kawamura, Yuniija. (2005). Fashion-ology : an introduction to fashion studies. Berg. ISBN 978-1859738146OCLC 796077256.
  6. ^ Bourdieu, Pierre (1993). ‘Haute couture and haute culture,’ in Sociology in Question. Sage.
  7. ^ Agamben, Georgio (2009). ‘What is an apparatus?’ and other essays. Stanford University Press.
  8. ^ “Fédération de la Haute Couture et de la Mode”Fédération de la Haute Couture et de la Mode. Retrieved 2020-09-19.
  9. ^ “Couture Fashion Week”. Couture Fashion Week. Retrieved November 26, 2023. Couture Fashion Week New York Latest Designers
  10. Jump up to:a b Benton, Angelique (March 2012). “Angelique Benton Fashion as Art/ Art as Fashion: Is Fashion, Art?” (PDF). The Ohio State University JournalArchived (PDF) from the original on 2021-09-19 – via Ohio.
  11. ^ Dear, Alice (September 2020). “Gucci is selling ‘grass-stained’ jeans for £600, and people have a lot to say”Heart.
  12. ^ Kaiser, Susan B. (2019). Fashion and Cultural Studies. Bloomsbury Visual Arts. ISBN 978-1350109605OCLC 1057778310.
  13. Jump up to:a b c Gronow, Jukka (1993). “Taste and Fashion: The Social Function of Fashion and Style”Acta Sociologica36 (2): 89–90. doi:10.1177/000169939303600201ISSN 0001-6993JSTOR 4200841S2CID 56514246. Retrieved 10 April 2021.
  14. ^ “Georg Simmel | German sociologist | Britannica”. 22 September 2023.
  15. ^ Blanchard, Mary W.; Crane, Diana; Joselit, Jenna Weissman (June 2002). “Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing”The Journal of American History89 (1): 294. doi:10.2307/2700908.
  16. ^ al-Hassani, Woodcok and Saoud (2004), Muslim Heritage in Our World, FSTC publishing, pp. 38–39
  17. ^ Terrasse, H. (1958) ‘Islam d’Espagne’ une rencontre de l’Orient et de l’Occident”, Librairie Plon, Paris, pp.52–53.
  18. ^ Josef W. Meri & Jere L. Bacharach (2006). Medieval Islamic Civilization: A–KTaylor & Francis. p. 162. ISBN 978-0415966917.
  19. Jump up to:a b c d e f Braudel, Fernand Civilization and Capitalism, 15th–18th Centuries, Vol 1: The Structures of Everyday Life, William Collins & Sons, London 1981 ISBN 0-520-08114-5
  20. ^ Timothy Brook: “The Confusions of Pleasure: Commerce and Culture in Ming China” (University of California Press 1999); this has a whole section on fashion.
  21. Jump up to:a b Feng, Ge (2015). Traditional Chinese rites and rituals. Zhengming Du. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-8783-0OCLC 935642485.
  22. ^ Chow, Rey (2000). Modern Chinese literary and cultural studies in the age of theory: reimagining a field. Durham, NC: Duke University Press. ISBN 0-8223-8016-1OCLC 51948712.
  23. ^ Finnane, Antonia (2008). Changing clothes in China : fashion, history, nation. New York: Columbia University Press. ISBN 978-0-231-14350-9OCLC 84903948.
  24. Jump up to:a b c Finnane, Antonia (2008). Changing clothes in China : fashion, history, nation. New York: Columbia University Press. ISBN 978-0-231-14350-9OCLC 84903948.
  25. ^ Chaudhuri, K. N. (1990). Asia before Europe : economy and civilisation of the Indian Ocean from the rise of Islam to 1750. Cambridge [England]: Cambridge University Press. ISBN 0-521-30400-8OCLC 20014228.
  26. Jump up to:a b c d Green, Toby (2019). A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution. Chicago: University of Chicago Press. ISBN 9780226644578OCLC 1051687994.
  27. ^ Ribeiro, Aileen (2003). Dress and Morality. Berg. pp. 116–117. ISBN 9781859737828.
  28. Jump up to:a b Laver, James: The Concise History of Costume and Fashion, Abrams, 1979.
  29. ^ Heller, Sarah-Grace (2007). Fashion in Medieval France. Cambridge; Rochester, NY: Boydell and Brewer. pp. 49–50. ISBN 9781843841104.
  30. ^ Boitani, Piero (1986-07-31). English Medieval Narrative in the Thirteenth and Fourteenth Centuries. Cambridge University Press. ISBN 9780521311496.
  31. Jump up to:a b “Jeans Calças Modelos Ideais”Conceito M. 19 November 2014. Archived from the original on 19 April 2015. Retrieved 26 April 2015.
  32. ^ Thornton, Peter. Baroque and Rococo Silks.
  33. ^ Claire B. Shaeffer (2001). Couture sewing techniques “Originating in mid- 19th-century Paris with the designs of an Englishman named Charles Frederick Worth, haute couture represents an archaic tradition of creating garments by hand with painstaking care and precision”. Taunton Press, 2001
  34. ^ Parkins, Ilya (2013). “Introduction: Reputation, Celebrity and the “Professional” Designer”Poiret, Dior and Schiaparelli: Fashion, Femininity and Modernity (English ed.). London: Bloomsbury Publishing. p. 10. ISBN 9780857853288.
  35. ^ Stella Bruzzi (2012). Undressing Cinema: Clothing and identity in the movies. p. 196.
  36. ^ “GVRL In Artemis – Document – Unisex Clothing”go.gale.com.
  37. ^ “GVRL In Artemis – Document – Clothing for Men”go.gale.com.
  38. ^ Elizabeth Currid-Halkett and Sarah Williams (February 10, 2014). “New York’s Fashion Industry Reveals a New Truth About Economic Clusters”Harvard Business Review. Retrieved May 8, 2023.
  39. ^ Lemire, B., & Riello, G (2008). “East & West: Textiles and Fashion in Early Modern Europe”. Journal of Social History, 41(4), 887–916.
  40. ^ “Ancient China | Chinese Culture: Communicating through Fashion”you.stonybrook.edu. Retrieved 2024-04-18.
  41. ^ “Wearing History — Chinese Dress Since 1949”en.chinaculture.org. Retrieved 2024-04-18.
  42. ^ “The Fabric of India: Textiles in a Changing World”Victoria and Albert Museum. 2015-09-29. Retrieved 2024-04-18.
  43. ^ nyastadesigns (2020-09-02). “Ancient Japanese Era Fashion”Textile Value Chain. Retrieved 2024-04-18.
  44. Jump up to:a b c “fashion industry | Design, Fashion Shows, Marketing, & Facts”Encyclopedia Britannica. 10 August 2023.
  45. ^ “How Bargain Fashion Chains Will Keep Themselves Cut-Rate – New York Magazine”NYMag.com. 15 June 2012. Retrieved 26 April 2015.
  46. ^ “Inside front cover”Polym. Chem5 (21): 6112. 2014-09-30. doi:10.1039/c4py90069cISSN 1759-9954.
  47. ^ “”Resistance Is in Our Blood”: 5 Ukrainian Designers Reflect on Their New Reality a Year on From the Russian Invasion”Vogue. 2023-02-24. Archived from the original on 2023-04-07.
  48. ^ “How ‘dopamine dressing’ became TikTok’s latest happiness hack”New York Post. 2022-09-01. Archived from the original on 2023-05-26.
  49. ^ “How the Ugg Boot Became Fashion’s Hottest New Shoe—Again”Vogue. 2023-03-28. Archived from the original on 2023-05-29.
  50. ^ “Why Is Everyone Wearing These Cartoonish Red Boots?”Vogue. 2023-02-16. Archived from the original on 2023-07-28.
  51. ^ “Anya Taylor-Joy Showed Up In Character to the Super Mario Premiere”Vogue. 2023-04-02. Archived from the original on 2023-06-28.
  52. ^ “Uniform Dressing Ruled at Tokyo and Seoul Fashion Week”Vogue. 2023-03-25. Archived from the original on 2023-06-09.
  53. ^ “‘Dopamine dressing’ is taking over Pinterest — here’s what it means”TODAY.com. 2022-06-09. Retrieved 2023-08-25.
  54. ^ “The Best Street Style Photos From the Fall 2023 Shows in Shanghai”Vogue. 2023-03-23. Archived from the original on 2023-07-28.
  55. ^ “Should we all be dopamine dressing?”Harper’s BAZAAR. 2022-01-10. Retrieved 2023-08-25.
  56. ^ “How To Embrace Dopamine Dressing This Summer”British Vogue. 2022-01-17. Retrieved 2023-08-25.
  57. ^ “The ultimate fashion trends to know for Spring-Summer 2023”Vogue France (in French). 2022-10-14. Retrieved 2023-08-25.
  58. ^ Yardeni, Yoni (2023-08-08). “The Best Men’s Western Shirts To Channel Your Inner Cowboy”HiConsumption. Retrieved 2023-08-25.
  59. ^ “14 Rootin’, Tootin’ Western Shirts to Buck the Other Button-Ups in Your Stable”GQ. 2022-08-03. Retrieved 2023-08-25.
  60. ^ Cheong, Charissa. “Now that Gen Z has pronounced the death of skinny jeans, men are flocking to TikTok to show off what they’re wearing instead”Insider. Retrieved 2023-08-25.
  61. ^ Vogue France
  62. ^ Nudelman, Geoff. “Best Men’s Soccer Style 2021”AskMen. Retrieved 2023-08-25.
  63. ^ Averill, Graham (2023-03-01). “Best Western Wear to Live Out Your ‘Yellowstone’ Fantasies”Men’s Journal. Retrieved 2023-08-25.
  64. ^ Aktar, Alev (2023-06-12). “Men put their spin on naked dressing trend: ‘Freedom'”New York Post. Retrieved 2023-06-13.
  65. ^ “The big GQ guide to Spring/Summer 2023 menswear trends”British GQ. 2022-07-28. Retrieved 2023-08-25.
  66. ^ “Funny t-shirts”0sTees.com | Funny T-shirt, Movie T-shirt, TV Shirt & Video Game Tees. Retrieved 2023-08-25.
  67. ^ “The ‘Yellowstone’ series is a hit, and so is western wear. Here’s how to dress the part”The Manual. 2023-04-04. Retrieved 2023-08-25.
  68. ^ “Does pop culture influence fashion?”www.sundaynews.co.zw. 11 October 2015. Retrieved 2016-03-07.
  69. ^ Carlos, Marjon (6 February 2016). “The Fashion in Beyoncé’s New Video Is as Powerful as Its Politics”Vogue. Archived from the original on 2016-12-21. Retrieved 2016-03-07.
  70. Jump up to:a b Dazed (8 April 2015). “Vivienne Westwood’s top ten political moments”Dazed. Retrieved 2016-03-07.
  71. ^ Wetzler, Tiahn (2020). “Social media influencer marketing”. Adjust.
  72. ^ McCall, Tyler (September 15, 2022). “Drag Queens Are the New VIPs of Fashion Week”. The CUT, New York magazine. Retrieved September 19, 2022.
  73. ^ “Consumer Needs & Marketing”smallbusiness.chron.com. Retrieved 2016-05-30.
  74. ^ “Strategyn”Strategyn. Retrieved 2016-05-30.
  75. Jump up to:a b “Consumer Research Methods”www.consumerpsychologist.com. Retrieved 2016-05-30.
  76. ^ Parker, Christopher J.; Wenyu, Lu (2019-05-13). “What influences Chinese fashion retail? Shopping motivations, demographics and spending”Journal of Fashion Marketing and Management23 (2): 158–175. doi:10.1108/JFMM-09-2017-0093ISSN 1361-2026S2CID 170031856.
  77. ^ Piacentini, Maria (2004). “Symbolic consumption in teenagers’ clothing choices”. Journal of Consumer Behaviour3 (3): 251–262. doi:10.1002/cb.138.
  78. ^ Rissman, Rebecca (2016-08-15). Women in Fashion. ABDO. ISBN 9781680774856.
  79. ^ “Political & Economic Factors That Influenced Fashion in the 1960s | The Classroom | Synonym”classroom.synonym.com. Retrieved 2016-05-30.
  80. ^ “Home : Berg Fashion Library”www.bergfashionlibrary.com. Retrieved 2016-03-10.
  81. ^ Spears, Brian. “Top 6 Tech Trends in the Fashion Industry”apparel.edgl.com. Retrieved 2016-03-10.
  82. ^ Parker, Christopher J.; Wang, Huchen (2016). “Examining hedonic and utilitarian motivations for m-commerce fashion retail app engagement”Journal of Fashion Marketing and Management20 (4): 487–506. doi:10.1108/JFMM-02-2016-0015.
  83. ^ “The Impact of Technology on Fashion Today”Site Name. Archived from the original on 2016-03-10. Retrieved 2016-03-10.
  84. ^ “How Machine Vision Is About to Change the Fashion World”MIT Technology Review. Retrieved 2016-03-10.
  85. ^ “PLEASE Stop Saying Fashion is the 2nd Most Polluting Industry After Oil”Ecocult. 2017-05-09. Retrieved 2018-12-10.
  86. ^ Bick, Rachel; Halsey, Erika; Ekenga, Christine C. (December 2018). “The global environmental injustice of fast fashion”Environmental Health17 (1): 92. doi:10.1186/s12940-018-0433-7PMC 6307129PMID 30591057.
  87. Jump up to:a b Liu, Jianli; Liang, Jianyao; Ding, Jiannan; Zhang, Guangming; Zeng, Xianyi; Yang, Qingbo; Zhu, Bo; Gao, Weidong (August 2021). “Microfiber pollution: an ongoing major environmental issue related to the sustainable development of textile and clothing industry”. Environment, Development and Sustainability23 (8): 11240–11256. doi:10.1007/s10668-020-01173-3S2CID 230284901.
  88. ^ Laville, Sandra (2017-11-28). “Stella McCartney calls for overhaul of ‘incredibly wasteful’ fashion industry”The GuardianISSN 0261-3077. Retrieved 2024-02-23.
  89. ^ “These facts show how unsustainable the fashion industry is”World Economic Forum.
  90. ^ Beall, Abigail. “Why clothes are so hard to recycle”www.bbc.com. Retrieved 2021-12-28.
  91. ^ Niinimäki, Kirsi; Peters, Greg; Dahlbo, Helena; Perry, Patsy; Rissanen, Timo; Gwilt, Alison (2020-04-07). “The environmental price of fast fashion”Nature Reviews Earth & Environment1 (4): 189–200. doi:10.1038/s43017-020-0039-9ISSN 2662-138X.
  92. ^ Cronin, A.M. (25 September 2015). “Fashion is the 2nd Largest Water Polluter in the World! How to Reduce Your Clothing Footprint”. OneGreenPlanet. Retrieved 12 January 2024.
  93. ^ Regan, Helen (September 28, 2020). “Asian rivers are turning black. And our colorful closets are to blame”CNN. Retrieved October 3, 2020.
  94. ^ “Textiles”Sew Guide. 16 April 2017.
  95. ^ Entwistle, Joanne; Rocamora, Agnès (August 2006). “The Field of Fashion Materialized: A Study of London Fashion Week”Sociology40 (4): 735–751. doi:10.1177/0038038506065158ISSN 0038-0385.
  96. ^ “Fashion”WWD.
  97. ^ Lauren, Lynn. “Examples of Traditional Advertising”.
  98. ^ Tran, Shannon (2018). Style Wise. Bloomsbury. p. 6. ISBN 9781501323836.
  99. ^ Burke, Peter (1992). The fabrication of Louis XIV. New Haven: Yale University Press.
  100. ^ “Fashion Advertising, Sales Promotion, and Public Relations”, Marketing Fashion, Fairchild Publications, 2012, pp. 427–458, doi:10.5040/9781501303869.ch-014ISBN 9781501303869
  101. ^ “Gazette du Bon Ton: A Journal of Good Taste”www.abebooks.com. Archived from the original on 2019-06-17. Retrieved 2018-07-04.
  102. ^ “How social media is changing fashion?”HuffPost. January 18, 2017.
  103. ^ “Tax, Genevieve. (2010-02-24) Fashion’s Own Sense of Season. The New Islander. Retrieved on 2011-06-29″.
  104. ^ Thompson, S.B.N., Hussein, Y., Jones, N. Designing for the famous – psychology of building a brand in haute couture shoe design and fashion. Design Principles & Practices: An International Journal 2011;5(5):1–25.
  105. ^ “People are boycotting H&M over ‘racist’ hoodie”The Independent. 2018-01-09. Retrieved 2019-10-29.
  106. ^ “Is this Gap advert racist?”. 2016-04-06. Retrieved 2019-10-29.
  107. ^ Kell, John (2016-04-05). “Gap Apologizes for ‘Racist’ Ad”Entrepreneur. Retrieved 2019-10-29.
  108. ^ Gallucci, Nicole (22 December 2017). “Jimmy Choo pulls Cara Delevingne ad after online backlash”Mashable. Retrieved 2019-10-29.
  109. ^ “‘Misogynist’ YSL Ads Shock Parisians Ahead of International Women’s Day”adage.com. 2017-03-07. Retrieved 2019-10-29.
  110. ^ Sherman, G., & Perlman, S. (2010). Fashion public relations. New York: Fairchild Books. In Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
  111. ^ “How Social Media Contributed to the Rise of Fast Fashion”. Retrieved 2018-10-02.
  112. ^ Westfield, A. M. (2002) The Role of Public Relations in Redefining Brands in the Fashion Industry, University of Southern California, Los Angeles, California.
  113. ^ Experian. (2012). Getting the most from social: An integrated marketing approach. Retrieved from www.experian.com.au/assets/social/getting-the-most-from-social.pdf in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
  114. ^ Dalto, A. (2010, September). Brands tempt female bloggers with ‘swag’. O’Dwyer’s Communications and New Media: The Fashion Issue, 24(9), 12–13. Archived 2015-09-24 at the Wayback Machine in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
  115. ^ Noricks, C. (2006). Social media sites are often the first experience a consumer has with a fashion brand. From style to strategy: An exploratory investigation of public relations practice in the fashion industry. Unpublished master’s thesis, San Diego State University, San Diego, CA. in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
  116. ^ Wright, M. (Feb 11, 2011). “How premium fashion brands are maximizing their social media ROI”Mashable. Archived from the original on Jan 18, 2021. in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
  117. Jump up to:a b Brownmiller, Susan (1984). Femininity. New York: Lindon Press.
  118. ^ Mosmann, Petra (2016). “A feminist fashion icon: Germaine Greer’s paisley coat”Australian Feminist Studies31 (87): 87. doi:10.1080/08164649.2016.1174928S2CID 148120100.
  119. ^ Greer, Germaine (1971). The Female Eunuch. London: Paladin.
  120. Jump up to:a b Mosmann, Petra (2016). “A feminist fashion icon: Germaine Greer’s paisley coat”Australian Feminist Studies31 (87): 88. doi:10.1080/08164649.2016.1174928S2CID 148120100.
  121. Jump up to:a b “Fashion Week’s Anti-Trump Runway Politics”The New Yorker. 21 February 2017.
  122. ^ “7 Ways Fashion Joined the Political Conversation in 2017”Fashionista. Retrieved 2018-08-16.
  123. ^ “Fashion Gets Political: On and Off the Runway Statements”The Hollywood Reporter. Retrieved 2018-08-16.
  124. ^ “Are fashion and politics the perfect fit?”BBC News. 15 February 2017.
  125. ^ “Here’s Why You’ll See White Bandanas Everywhere During Fashion Month”InStyle. Archived from the original on 2020-05-09. Retrieved 2017-04-11.
  126. ^ “Fashion for a Cause”The Times of India. 2013-02-04. Archived from the original on 2013-05-01. Retrieved 2013-02-15.
  127. ^ Woodman, Anne (2013-01-26). “Fashion for a cause”Clayton News Star. Archived from the original on 2013-04-11. Retrieved 2013-02-15.
  128. ^ “Fashion for a cause”Chatham Daily News. 2013-02-07. Archived from the original on 2013-05-27. Retrieved 2013-02-15.
  129. ^ luc, karie angell (2013-01-16). “‘Fashion for a Cause’ aids families and kids”Northbrook Star. Archived from the original on 2013-06-07. Retrieved 2013-02-15.
  130. ^ “Fashion for a cause”Capital Gazette. Archived from the original on 2013-04-07. Retrieved 2013-02-15.
  131. ^ “One man’s trash is another man’s fashion”NBC News/ AP. 2008-07-02. Retrieved 2013-02-15.
  132. ^ Simon, Stephanie (2009-01-13). “Trashion Trend: Dumpster Couture Gets a Boost at Green Inaugural Ball”Wall Street Journal. Retrieved 2013-02-15.
  133. ^ Busch, Otto von (2014). “Fashion Hacking”Design as Future-Making: 47–57. doi:10.5040/9781474293907-0009ISBN 9781474293907.
  134. ^ Barthes, Roland (1983). The Fashion System. Berkeley: Univ. of California Press.
  135. ^ Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity. Consuming Fashion: Adorning the Transnational Body: Berg. pp. 39–55 [42].
  136. ^ Ted Polhemus and Lynn Procter (1978). Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. p. 12.
  137. ^ Barnard, Malcolm (1996). Fashion as communication. London: Routledge.
  138. ^ Hamilton Hill, Margot; Bucknell, Peter A. (1987). The Evolution of Fashion: Pattern and Cut from 1066 to 1930 (5 ed.). London: Batsford. p. vii. ISBN 9780713458183. Retrieved 20 November 2020.
  139. ^ Ted Polhemus and Lynn Procter (1978). Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. pp. 12–13.
  140. ^ “Design details by larger companies is what often | Outspoken”outspoken.wpshower.com. 9 June 2013. Retrieved 2018-08-16.
  141. ^ IPFrontline.com Archived 2007-05-10 at the Wayback Machine: Intellectual Property in Fashion Industry, WIPO press release, December 2, 2005
  142. ^ INSME announcement Archived 2007-09-29 at the Wayback Machine: WIPO-Italy International Symposium, 30 November – 2 December 2005
Mukesh Singh Profile He is an IITian, Electronics & Telecom Engineer and MBA in TQM with more than 15 years wide experience in Education sector, Quality Assurance & Software development . He is TQM expert and worked for numbers of Schools ,College and Universities to implement TQM in education sectors He is an author of “TQM in Practice” and member of “Quality circle forum of India”, Indian Institute of Quality, New Delhi & World Quality Congress . His thesis on TQM was published during world quality congress 2003 and he is also faculty member of Quality Institute of India ,New Delhi He is a Six Sigma Master Black Belt from CII. He worked in Raymond Ltd from 1999-2001 and joined Innodata Software Ltd in 2001 as a QA Engineer. He worked with the Dow Chemical Company (US MNC) for implementation of Quality Systems and Process Improvement for Software Industries & Automotive Industries. He worked with leading certification body like ICS, SGS, DNV,TUV & BVQI for Systems Certification & Consultancy and audited & consulted more than 1000 reputed organization for (ISO 9001/14001/18001/22000/TS16949,ISO 22001 & ISO 27001) and helped the supplier base of OEM's for improving the product quality, IT security and achieving customer satisfaction through implementation of effective systems. Faculty with his wide experience with more than 500 Industries (Like TCS, Indian Railways, ONGC, BPCL, HPCL, BSE( Gr Floor BOI Shareholdings), UTI, ONGC, Lexcite.com Ltd, eximkey.com, Penta Computing, Selectron Process Control, Mass-Tech, United Software Inc, Indrajit System, Reymount Commodities, PC Ware, ACI Laptop ,Elle Electricals, DAV Institutions etc), has helped the industry in implementing ISMS Risk Analysis, Asset Classification, BCP Planning, ISMS Implementation FMEA, Process Control using Statistical Techniques and Problem Solving approach making process improvements in various assignments. He has traveled to 25 countries around the world including US, Europe and worldwide regularly for corporate training and business purposes.
Back To Top