
Alain Delon, who passed away at 88, was a defining figure in postwar European cinema. His striking looks—sharp features and intense blue eyes—complemented his magnetic on-screen presence, where he embodied cool, suave characters. However, his roles often concealed a darker, morally ambiguous side, with Delon becoming renowned for his portrayal of anti-heroes. His reputation as a feline-like, effortlessly graceful star belied the icy steel beneath his elegant exterior, solidifying his place as one of the most significant figures in the cinematic world.
A breakthrough role
Alain Delon, born in 1935 in Sceaux, Paris, faced a turbulent childhood marked by his parents’ divorce, a disrupted education, and an unhappy period in the French Navy. Despite these challenges, Delon would go on to become one of the most iconic figures in French cinema, known for his striking looks and portrayal of morally complex characters. His career spanned several decades, leaving a lasting impact on European cinema.
Alain Delon’s career took off after being discovered at the 1957 Cannes Film Festival. His breakout role came in 1960 in René Clément’s Purple Noon, a French film that showcased his magnetic on-screen presence and solidified his status as a rising star. This film marked the beginning of Delon’s illustrious career, where he was often cast as a suave, enigmatic anti-hero.
Delon’s role in Purple Noon (1960) set the tone for his career, portraying a charming yet morally ambiguous character. His success continued with standout performances in films like Le Samouraï (1967) and The Leopard (1963), solidifying his image as the quintessential anti-hero. Often associated with cool detachment and intense beauty, Delon’s roles captured the complexities of dark characters wrapped in elegance and allure, making him an iconic figure in French and international cinema.
Courtesy: HD Retro Trailers
In Purple Noon (1960), Delon portrayed Tom Ripley, a charming but morally ambiguous character from Patricia Highsmith’s novel The Talented Mr. Ripley. Ripley is a forger and identity thief who manipulates his way into the life of a wealthy family. Delon’s performance as the anti-hero with his suave yet calculating demeanor helped solidify his status as one of the most iconic actors of the French New Wave.
Alain Delon’s portrayal of Tom Ripley in Purple Noon (1960) set the standard for future adaptations of Patricia Highsmith’s The Talented Mr. Ripley, influencing later portrayals by actors like Matt Damon and Andrew Scott. His performance was widely praised for its depth, blending charm with a dark, morally ambiguous character, and it marked Delon’s rise to stardom, establishing him as a key figure in European cinema.
Alain Delon’s portrayal of Tom Ripley in Purple Noon (1960) impressed audiences with its cool, enigmatic, and morally compromised character. His nuanced performance captured the essence of Highsmith’s creation, blending charm with a darker side. Highsmith herself was particularly impressed with Delon’s ability to bring her character to life, marking the role as one of the key moments in his career.
A 1960s icon
Following Purple Noon, Alain Delon continued to build a stellar career, taking on a wide variety of roles in both French and international cinema. He starred in films like Le Samouraï (1967), The Leopard (1963), and Rocco and His Brothers (1960), showcasing his versatile acting talent. These roles solidified his reputation as one of the most iconic actors of his era, known for his charismatic yet morally complex characters.
Alain Delon’s collaborations with Italian director Luchino Visconti on Rocco and His Brothers (1960) and The Leopard (1963) helped cement his position as one of cinema’s greats. Both films were critically acclaimed, further enhancing Delon’s reputation as a leading actor in international cinema, renowned for his ability to portray complex, enigmatic characters with depth and nuance.
In The Leopard, Delon portrays Tancredi Falconeri, a charismatic Sicilian nobleman. His performance, alongside Claudia Cardinale, is one of the film’s standout elements. Their on-screen chemistry contributes to the movie’s lasting impact, highlighting Delon’s ability to capture the complexity of his character, complementing the grand narrative directed by Luchino Visconti.
Courtesy: Ionel Grecescu
In La Piscine (1969), Delon starred alongside Romy Schneider in a gripping psychological thriller. The film showcased his ability to seamlessly shift between genres, capturing both the intrigue of crime dramas and the intensity of romantic tension. Delon’s portrayal of a complex character in the serene yet charged atmosphere of the film highlighted his versatility and continued to cement his place as one of France’s most compelling leading men.
In Borsalino (1970), Delon teamed up with his close friend Jean-Paul Belmondo in a popular gangster film. Their on-screen chemistry made the movie a hit, showcasing their talents in a stylish, action-packed story. Delon’s portrayal of a charming yet dangerous character further solidified his reputation as one of France’s top actors during this era. The film’s success reinforced his versatility and appeal across a range of genres, from thrillers to gangster films.
Alain Delon’s appeal extended beyond France, capturing international audiences, particularly in Japan, where he had a large following. His distinctive look and enigmatic roles made him a global star, admired for his on-screen charisma and versatile performances. Delon became a cultural icon, transcending national borders and leaving a lasting impact on cinema worldwide. His status as a French legend reached far beyond European audiences, cementing his place in global pop culture.
The anti-hero archetype
Delon’s performance in Le Samouraï (1967) as Jef Costello, a cold and calculated hitman, is considered his most iconic role. Directed by Jean-Pierre Melville, the film is a minimalist masterpiece that heavily influenced the crime and thriller genres. Delon’s portrayal of the “cool” anti-hero became a benchmark for the archetype in cinema, solidifying his status as a film legend. The film’s meticulous direction and Delon’s enigmatic presence have made it a timeless classic.
In Le Samouraï (1967), Alain Delon delivered one of his most memorable performances as Jef Costello, a stoic hitman who exudes coolness and precision. Directed by Jean-Pierre Melville, the film’s minimalist approach and Delon’s iconic portrayal of the anti-hero have made it a genre-defining classic. Its influence on crime thrillers is immense, with Delon’s performance being regarded as a hallmark of the “cool” anti-hero in cinema.
Courtesy: Janus Films
Michael Fassbender in The Killer (2023), Forest Whitaker in Ghost Dog: The Way of the Samurai (1999) and Ryan Gosling in Drive (2011) all owe a debt to Delon’s “angel of death” portrayal of the silent hitman. Delon wore a trench coat and fedora in the film: his costume has been endlessly analysed and much imitated.
Delon worked again with Melville in Le Cercle Rouge (The Red Circle, 1970) and Un Flic (A Cop, 1972), plus other great European auteurs like Michelangelo Antonioni, Louis Malle and Jean Luc-Godard, for whom he played twins in Nouvelle Vague (New Wave, 1990).
And don’t forget his role as Klein in Joseph Losey’s gripping Mr Klein (1976), a film set in wartime Paris with Delon playing an art dealer who begins to realise there is another Klein who is Jewish and a Gestapo target. The police begin to investigate him, suspecting he might be the man they are looking for.
It was the clinching proof, wrote film critic David Thomson, that Alain Delon “matters” as an actor.
Delon continued to work with renowned directors like Jean-Pierre Melville and Michelangelo Antonioni, cementing his reputation in Le Cercle Rouge (1970) and Mr. Klein (1976). His iconic portrayal of Jef Costello in Le Samouraï (1967) remains influential in the genre, inspiring actors like Ryan Gosling in Drive. Delon’s legacy as a versatile and enigmatic star of European cinema remains undeniable, with his intense, stoic roles shaping the portrayal of anti-heroes for years to come.

Alain Delon’s final role was as Julius Caesar in Asterix at the Olympic Games (2008). In 2019, he was awarded an honorary Palme d’Or at Cannes for his contributions to cinema. After suffering a stroke that same year, Delon withdrew from the public eye. His career spanned decades, leaving behind a legacy as one of the most iconic and enigmatic figures in European cinema.
After suffering a stroke in 2019, Alain Delon stepped back from public life. In that same year, he was honored with an honorary Palme d’Or at the Cannes Film Festival for his remarkable contributions to cinema. His last cinematic appearance was as Julius Caesar in Asterix at the Olympic Games (2008). Despite his retirement, Delon’s legacy remains influential, marked by decades of iconic roles that solidified his status as one of the most prominent figures in European cinema.
A complicated off-screen life
Alain Delon’s withdrawal from public life after his stroke in 2019 sparked widespread media speculation about his complex personal life. His privacy became a topic of fascination for the press, amplifying the intrigue surrounding his past relationships and personal struggles. Despite the attention, Delon’s professional legacy as one of European cinema’s greatest stars remains undiminished.
Alain Delon’s relationship with Austrian actress Romy Schneider was one of the most talked-about in cinema history. The two met in 1958 while filming Christine and became engaged, but their breakup in 1963 left Schneider heartbroken, reportedly devastating her. Their turbulent relationship, filled with passion and pain, became part of Delon’s mystique and influenced public perceptions of his personal life.

After his relationship with Romy Schneider, Alain Delon had romantic ties with French singer Dalida and Swedish actress Ann-Margret. He later settled with French actress Mireille Darc, who became his long-time companion and occasional co-star. Their partnership lasted from 1968 until 1982, marking one of the most significant relationships in Delon’s personal life.
Alain Delon’s outspoken political views, including his support for France’s far-right party, often scandalized the French public. His personal life was marked by controversies, including legal disputes with his children. His sons, Anthony and Alain-Fabien, had strained relationships with him, with public revelations about the difficulties of growing up in his shadow. Delon’s later years were filled with family disputes, including accusations of abuse and harassment against his assistant.
Alain Delon’s final years were marked by family disputes, with his children accusing his assistant of abuse and harassment. His son Anthony, also an actor, publicly spoke about the challenges of growing up under his father’s shadow. Delon’s relationships with his children were often strained, with Alain-Fabien also experiencing a difficult, long-term estrangement from his father. These issues added to the complexity of Delon’s personal life in his later years.

What will endure is the “Delon style”, both on and off the screen. He influenced fashion, cultural attitudes and the concept of the “modern man” during the 1960s and 1970s.
Back in April, the New Yorker posed a rhetorical question about Delon: can a film star ever be too good-looking? Look at the towering achievement of Delon’s films and you’ll have your answer.
Alain Delon’s cinematic legacy transcends his personal controversies. His performances, from brooding anti-heroes to charismatic figures, have become iconic. Delon’s style, both on and off-screen, shaped cultural norms, especially in the 1960s and 1970s. He set trends in fashion and masculinity, embodying the “modern man” with elegance. Despite challenges in his private life, Delon’s films remain timeless, continuing to influence both actors and audiences. His contribution to cinema and pop culture will undoubtedly endure.
Alain Delon’s legacy is marked by his intense screen presence, iconic roles, and influential style, shaping the modern man archetype in cinema. His performances, particularly in films like Le Samouraï and Purple Noon, have left a lasting impact. Delon’s personal life and controversial political views often made headlines, but his contributions to film remain paramount, with his style and charisma continuing to inspire new generations of actors and filmmakers. Delon’s cinematic legacy and cultural influence endure beyond his complex personal story.
References
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Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
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p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
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p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
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Delon’s lasting reputation may not be as an actor or even personality, but as a global style icon… Delon on-screen exudes a strong sex appeal that partly accounts for the sentiments that continue to accompany discussions of his films in cinephile forums.
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“Zelenskyy awards Order of Merit to Alain Delon – video”. Ukrainska Pravda. 18 April 2024. Retrieved 18 April 2024. - ^ “Alain Delon”. Rotten Tomatoes. Retrieved 22 July 2021.
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- References
- [edit]
- ^ “Alain Delon, a universal icon”. Campus France. 15 October 2024. Retrieved 15 October 2024.
- ^ Bergan, Ronald (18 August 2024). “Alain Delon obituary”. The Guardian. ISSN 0261-3077. Retrieved 15 October 2024.
- ^ “Chiffres Casting – JP Box-Office”. www.jpbox-office.com. Retrieved 15 October 2024.
- ^
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- ^ Jean-Louis Beaucarnot, Frédéric Dumoulin (2015). Dictionnaire étonnant des célébrités. First Éditions. p. 78.
- ^ “Family tree of Jean Marcel Delon”. Geneanet. Archived from the original on 5 January 2024. Retrieved 22 June 2020.
- ^ Henri Rode (1974). Le fascinant Monsieur Delon. Pac. p. 20.
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- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
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- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
- ^ van Renterghem, Marion (August 2017). “Alain Delon: ” Je me souviens “”. Vanity Fair. No. 49. pp. 38–47.
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Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
- ^ “Mort D’Un Pourri – Alain Delon 1977 Box Office” (in French). Box Office Story. Retrieved 4 October 2019.
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p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
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p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
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Delon’s lasting reputation may not be as an actor or even personality, but as a global style icon… Delon on-screen exudes a strong sex appeal that partly accounts for the sentiments that continue to accompany discussions of his films in cinephile forums.
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- ^ Chiesi, Roberto (2003). Alain Delon (in French). Gremese Editore. ISBN 978-88-7301-498-0.
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“Zelenskyy awards Order of Merit to Alain Delon – video”. Ukrainska Pravda. 18 April 2024. Retrieved 18 April 2024. - ^ “Alain Delon”. Rotten Tomatoes. Retrieved 22 July 2021.
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- References
- [edit]
- ^ “Alain Delon, a universal icon”. Campus France. 15 October 2024. Retrieved 15 October 2024.
- ^ Bergan, Ronald (18 August 2024). “Alain Delon obituary”. The Guardian. ISSN 0261-3077. Retrieved 15 October 2024.
- ^ “Chiffres Casting – JP Box-Office”. www.jpbox-office.com. Retrieved 15 October 2024.
- ^
- “Alain Delon: Tragic finale as film great’s family is torn apart”. 16 January 2024. Archived from the original on 26 February 2024. Retrieved 26 February 2024.
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- Renterghem, Marion Van (4 January 2018). “Alain Delon: ‘Women were all obsessed with me'”. British GQ. Archived from the original on 10 February 2022. Retrieved 7 July 2024.
- “The Many Lives of Alain Delon”. airmail.news. Archived from the original on 10 May 2024. Retrieved 7 July 2024.
- ^ Site Leonore – Dossier LH/717/13.
- ^ Jump up to:a b “Family tree of Jean Marcel DELON”. Geneanet. Archived from the original on 19 August 2024. Retrieved 22 June 2020.
- ^ Jean-Louis Beaucarnot, Frédéric Dumoulin (2015). Dictionnaire étonnant des célébrités. First Éditions. p. 78.
- ^ “Family tree of Jean Marcel Delon”. Geneanet. Archived from the original on 5 January 2024. Retrieved 22 June 2020.
- ^ Henri Rode (1974). Le fascinant Monsieur Delon. Pac. p. 20.
- ^ “Alain Delon Biography”. filmreference.com. Archived from the original on 8 October 2017. Retrieved 8 February 2018.
- ^ Cesbron, Mathilde (19 May 2019). “Alain Delon: “Sans les femmes, je serais mort””. Le Point (in French). Archived from the original on 17 April 2023. Retrieved 8 November 2020.
- ^ Ghislain Loustalot (11 March 2018). “Alain Delon: la jeunesse d’un mythe”. parismatch.com. Archived from the original on 22 October 2022. Retrieved 26 January 2023.
- ^ L’Équipe raconte L’Équipe: 70 ans de passion (in French). Paris: Groupe Robert Laffont. 15 October 2015. p. 166. ISBN 978-2-221-19144-6.
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
- ^ Vincent Quivy (2017). Alain Delon. Ange et voyou. Le Seuil. p. 17..
- ^ Bernard Viollet, Les Mystères de Delon, Flammarion, 2000.
- ^ “Alain Delon: S’il n’avait pas été star, aurait pu devenir proxénète”. 21 September 2018. Archived from the original on 12 January 2024. Retrieved 10 May 2024.
- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
- ^ van Renterghem, Marion (August 2017). “Alain Delon: ” Je me souviens “”. Vanity Fair. No. 49. pp. 38–47.
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- ^ Martin, Betty (7 March 1966). “Delon Gets Title Role in ‘Cervantes'”. Los Angeles Times. p. C22.
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- ^ “Box office Alain Delon”. www.boxofficestory.com. p. 34. Archived from the original on 26 March 2018. Retrieved 25 March 2018.
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Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
- ^ “Mort D’Un Pourri – Alain Delon 1977 Box Office” (in French). Box Office Story. Retrieved 4 October 2019.
- ^ “Le Gang – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ “Attention Les Enfants Regardents – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
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p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
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p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
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- References
- [edit]
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- ^
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- ^ Martin, Betty (7 March 1966). “Delon Gets Title Role in ‘Cervantes'”. Los Angeles Times. p. C22.
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- ^ “Sean O’Casey’s Autobiography Filmed as Young Cassidy“. Chicago Tribune. 15 November 1964. p. 13.
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- ^ Reisfeld, Bert. “Japan Film-makers Make Little Go Long Way”, Los Angeles Times 12 September 1965, pg. N5.
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- ^ Jump up to:a b “John Wayne-money-spinner” The Guardian, 31 December 1968.
- ^ “‘X’ Marks Spot For Only 1 of 1st MPAA Group: W7 ‘Girl'”. Daily Variety. 22 October 1968. p. 1.
- ^ “Don’t page Bronson now—unless you have a million” Reed, Rex. Chicago Tribune, 23 July 1972: J7.
- ^ Bronson Stars in Europe. Knapp, Dan. Los Angeles Times, 4 September 1971: a8.
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- ^ Histoire du Cinéma Français 1966–1970, eds. Maurice Bessy, Raymond Chirat and André Bernard; ISBN 978-2-85704-379-9; entry 235
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Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
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- ^ “Cannes: Thierry Frémaux Defends Palme d’Or for Controversial Alain Delon, “We’re Not Giving Him the Nobel Peace Prize””. 13 May 2019. Archived from the original on 13 May 2019. Retrieved 14 May 2019.
- ^ “Cannes Film Festival defends award to ‘imperfect’ Delon”. Reuters. 13 May 2019. Archived from the original on 14 May 2019. Retrieved 14 May 2019.
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- ^ “Alain Delon dialogue avec Volodymyr Zelensky et apporte son soutien au peuple ukrainien”. 23 September 2022. Archived from the original on 13 October 2022. Retrieved 13 October 2022.
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- ^ “Napoles, Monzon in Big Top Tonight”. The New York Times. 9 February 1974.
- ^ Roberts, Nesta (30 October 1968). “French actor’s bodyguard ‘shot'”. The Guardian. London. p. 3.
- ^ Hofmann, Paul (8 November 1968). “French Murder Case Develops into an ‘Affaire’: Slaying of Actor’s Bodyguard Stirs Rumors of Bizarre Scandal in High Places”. The New York Times. p. 2.
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- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 91, 94. ISBN 978-2-7564-0572-8.
p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 113, 208. ISBN 978-2-7564-0572-8.
p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
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- ^ “Alain Delon poursuivi en justice par Ari, son fils ” illégitime “”. Le Point. 19 September 2019. Archived from the original on 23 September 2019. Retrieved 23 September 2019.
- ^ “Reconnaissance de paternité d’Alain Delon: la demande d’Ari Boulogne renvoyée vers la Suisse”. Le Figaro (in French). 29 September 2021. Archived from the original on 19 March 2024. Retrieved 19 March 2024.
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- ^ Jump up to:a b Wydra, Thilo (2020). Eine Liebe in Paris – Romy und Alain. Heyne Verlag. p. 106. ISBN 978-3-641-27047-6.
- ^ Delon, Nathalie (13 April 2010). Pleure pas, c’est pas grave (in French). Flammarion. ISBN 978-2-08-123399-7.
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- ^ “L’actrice Nathalie Delon est morte”. 21 January 2021. Archived from the original on 16 March 2024. Retrieved 16 March 2024.
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- ^ Wood, Lana (2011). Natalie: A Memoir About Natalie Wood by Her Sister. Graymalkin Media. ISBN 978-1-935169-87-1.
- ^ Qui est qui en France, J. Lafitte, 2010, p. 686.
- ^ “Alain Delons Get Divorce”. Los Angeles Times. Paris. AP. 15 February 1969. p. b8.
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- References
- [edit]
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- ^ L’Équipe raconte L’Équipe: 70 ans de passion (in French). Paris: Groupe Robert Laffont. 15 October 2015. p. 166. ISBN 978-2-221-19144-6.
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
- ^ Vincent Quivy (2017). Alain Delon. Ange et voyou. Le Seuil. p. 17..
- ^ Bernard Viollet, Les Mystères de Delon, Flammarion, 2000.
- ^ “Alain Delon: S’il n’avait pas été star, aurait pu devenir proxénète”. 21 September 2018. Archived from the original on 12 January 2024. Retrieved 10 May 2024.
- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
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Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
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p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 113, 208. ISBN 978-2-7564-0572-8.
p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
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- ^ “Alain Delon receives a special award in Barcelona. Excerpt from La Vanguardia newspaper” (in Spanish).
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- ^ “Le Festival de Moscou, instrument politique de Nikita Mikhalkov”. Le Monde.fr (in French). 6 August 1999. Retrieved 8 April 2024.
- ^ Chiesi, Roberto (2003). Alain Delon (in French). Gremese Editore. ISBN 978-88-7301-498-0.
- ^ “Sofía Loren y Alain Delon en el Festival Internacional de Acapulco”. La Razón (in Spanish). 19 November 2011. Retrieved 18 August 2024.
- ^ “Lifetime Achievement Award”. Locarno Film Festival.
- ^ “The 2nd China-France Film Festival opens in Paris”. China.org.cn. Retrieved 18 August 2024.
- ^ “Alain Delon recibe un premio en Moscú tras ser atendido en una ambulancia”. Publico. 8 April 2012. Retrieved 18 August 2024.
- ^ “Gérard du cinéma 2012 : Tous les résultats”. Vodkaster (in French). 15 May 2012. Retrieved 18 August 2024.
- ^ Wiseman, Andreas (17 April 2019). “Cannes: Festival To Fete French Cinema Icon Alain Delon With Honorary Palme d’Or”. Deadline. Retrieved 19 April 2019.
- ^ Keslassy, Elsa (13 May 2019). “Cannes Film Festival Director: ‘We’re Not Giving Alain Delon the Nobel Peace Prize'”. Retrieved 14 May 2019.
- ^ “Delon, set for Cannes honor, says he is ‘irreproachable’ as an actor”. Reuters. 19 May 2019. Retrieved 19 May 2019 – via www.reuters.com.
- ^ “Décret du 10 mai 1995 portant promotion et nomination”. JORF. 1995 (112): 8055. 13 May 1995. PREX9511324D.
- ^ Jump up to:a b “Décret du 25 mars 2005 portant promotion et nomination”. JORF. 2005 (73): 5176. 27 March 2005. PREX0508238D.
- ^ “Alain Delon honoré à Marrakech”. O (in French). 8 October 2003. Retrieved 25 March 2024.
- ^ “3rd International Film Festival Of Marrakech. Troisième édition du…” Getty Images. 2 February 2013. Retrieved 25 March 2024.
- ^ “Указ Президента України №556/2023” [Decree of the President of Ukraine No. 556/2023]. Office of the President of Ukraine (in Ukrainian). 4 September 2023. Retrieved 18 April 2024.
“Zelenskyy awards Order of Merit to Alain Delon – video”. Ukrainska Pravda. 18 April 2024. Retrieved 18 April 2024. - ^ “Alain Delon”. Rotten Tomatoes. Retrieved 22 July 2021.
- ^ “Cinema Books: Biographies: Alain Delon”. Books about Cinema. Retrieved 21 October 2024.
- ^ “Alain Delon – Cinémathèque française”. cinema.encyclopedie.personnalites.bifi.fr. Retrieved 15 October 2024.
- References
- [edit]
- ^ “Alain Delon, a universal icon”. Campus France. 15 October 2024. Retrieved 15 October 2024.
- ^ Bergan, Ronald (18 August 2024). “Alain Delon obituary”. The Guardian. ISSN 0261-3077. Retrieved 15 October 2024.
- ^ “Chiffres Casting – JP Box-Office”. www.jpbox-office.com. Retrieved 15 October 2024.
- ^
- “Alain Delon: Tragic finale as film great’s family is torn apart”. 16 January 2024. Archived from the original on 26 February 2024. Retrieved 26 February 2024.
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- Renterghem, Marion Van (4 January 2018). “Alain Delon: ‘Women were all obsessed with me'”. British GQ. Archived from the original on 10 February 2022. Retrieved 7 July 2024.
- “The Many Lives of Alain Delon”. airmail.news. Archived from the original on 10 May 2024. Retrieved 7 July 2024.
- ^ Site Leonore – Dossier LH/717/13.
- ^ Jump up to:a b “Family tree of Jean Marcel DELON”. Geneanet. Archived from the original on 19 August 2024. Retrieved 22 June 2020.
- ^ Jean-Louis Beaucarnot, Frédéric Dumoulin (2015). Dictionnaire étonnant des célébrités. First Éditions. p. 78.
- ^ “Family tree of Jean Marcel Delon”. Geneanet. Archived from the original on 5 January 2024. Retrieved 22 June 2020.
- ^ Henri Rode (1974). Le fascinant Monsieur Delon. Pac. p. 20.
- ^ “Alain Delon Biography”. filmreference.com. Archived from the original on 8 October 2017. Retrieved 8 February 2018.
- ^ Cesbron, Mathilde (19 May 2019). “Alain Delon: “Sans les femmes, je serais mort””. Le Point (in French). Archived from the original on 17 April 2023. Retrieved 8 November 2020.
- ^ Ghislain Loustalot (11 March 2018). “Alain Delon: la jeunesse d’un mythe”. parismatch.com. Archived from the original on 22 October 2022. Retrieved 26 January 2023.
- ^ L’Équipe raconte L’Équipe: 70 ans de passion (in French). Paris: Groupe Robert Laffont. 15 October 2015. p. 166. ISBN 978-2-221-19144-6.
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
- ^ Vincent Quivy (2017). Alain Delon. Ange et voyou. Le Seuil. p. 17..
- ^ Bernard Viollet, Les Mystères de Delon, Flammarion, 2000.
- ^ “Alain Delon: S’il n’avait pas été star, aurait pu devenir proxénète”. 21 September 2018. Archived from the original on 12 January 2024. Retrieved 10 May 2024.
- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
- ^ van Renterghem, Marion (August 2017). “Alain Delon: ” Je me souviens “”. Vanity Fair. No. 49. pp. 38–47.
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- ^ Crowther, Bosley Archived 19 May 2011 at the Wayback Machine. The New York Times, film review, 28 January 1961.
- ^ “Powerless Gallic Critics: Parisian Theatregoers Flock to Play That Is Slashed And Stay Away From Another That Is Hailed”. Jean-Pierre Lendir. The New York Times 4 June 1961, p. X3.
- ^ “Two Stars Signed for ‘Lawrence’ Film” Hopper, Hedda. Chicago Daily Tribune 22 March 1961: b5.
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- ^ Crowther, Bosley (15 October 1963). “Screen”. The New York Times.
- ^ Jump up to:a b Thomas, Kevin (18 December 1965). “New Dream for Alain Delon”. Los Angeles Times. p. A12.
- ^ “Box office for 1963”. Box Office Story.
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- ^ French Movie Actor Bears Resemblance to Jimmy Dean Tinee, Mae. Chicago Tribune 16 February 1964, pg. G15.
- ^ Stafford, Jeff (10 May 2008). “L’insoumis: Vintage Alain Delon circa 1964”. FilmStruck. Archived from the original on 7 November 2019. Retrieved 4 October 2019.
- ^ Martin, Betty (10 April 1965). “Movie Call Sheet: ‘Rouge’ Heads for Broadway”. Los Angeles Times. p. 19.
- ^ Martin, Betty (7 March 1966). “Delon Gets Title Role in ‘Cervantes'”. Los Angeles Times. p. C22.
- ^ Weiler, A.H. (4 October 1964). “Local Views: Ritt’s Trio – New Liaisons”. The New York Times. p. X7.
- ^ “Sean O’Casey’s Autobiography Filmed as Young Cassidy“. Chicago Tribune. 15 November 1964. p. 13.
- ^ Jump up to:a b Vincendeau, Ginette (2014). “The perils of trans-national stardom: Alain Delon in Hollywood cinema”. Mise Au Point (6). doi:10.4000/map.1800. Archived from the original on 10 January 2020. Retrieved 4 October 2019.
- ^ Reisfeld, Bert. “Japan Film-makers Make Little Go Long Way”, Los Angeles Times 12 September 1965, pg. N5.
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- ^ Jump up to:a b “John Wayne-money-spinner” The Guardian, 31 December 1968.
- ^ “‘X’ Marks Spot For Only 1 of 1st MPAA Group: W7 ‘Girl'”. Daily Variety. 22 October 1968. p. 1.
- ^ “Don’t page Bronson now—unless you have a million” Reed, Rex. Chicago Tribune, 23 July 1972: J7.
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- ^ Histoire du Cinéma Français 1966–1970, eds. Maurice Bessy, Raymond Chirat and André Bernard; ISBN 978-2-85704-379-9; entry 235
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- ^ “Box office Alain Delon”. www.boxofficestory.com. p. 34. Archived from the original on 26 March 2018. Retrieved 25 March 2018.
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- ^ “L’Homme Presse – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
- ^ “Mort D’Un Pourri – Alain Delon 1977 Box Office” (in French). Box Office Story. Retrieved 4 October 2019.
- ^ “Le Gang – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ “Attention Les Enfants Regardents – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ Scott, Vernon (5 January 1979). “Alain Delon, France’s Answer to Clint Eastwood”. The Washington Post. p. D12.
- ^ “Movies: A Tough Guy Goes Soft on Hollywood” Mann, Roderick. Los Angeles Times, 25 February 1979: L 36.
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- ^ “Cannes Film Festival defends award to ‘imperfect’ Delon”. Reuters. 13 May 2019. Archived from the original on 14 May 2019. Retrieved 14 May 2019.
- ^ “Alain Delon: “Je ne meurs pas si facilement !” – France Dimanche”. 10 July 2021. Archived from the original on 10 July 2021.
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- ^ “Alain Delon dialogue avec Volodymyr Zelensky et apporte son soutien au peuple ukrainien”. 23 September 2022. Archived from the original on 13 October 2022. Retrieved 13 October 2022.
- ^ Abt, Sam (9 February 1974). “Napoles, Monzon in Big Top Tonight: Napoles Out to Tame Monzon”. The New York Times. p. 19.
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- ^ “Napoles, Monzon in Big Top Tonight”. The New York Times. 9 February 1974.
- ^ Roberts, Nesta (30 October 1968). “French actor’s bodyguard ‘shot'”. The Guardian. London. p. 3.
- ^ Hofmann, Paul (8 November 1968). “French Murder Case Develops into an ‘Affaire’: Slaying of Actor’s Bodyguard Stirs Rumors of Bizarre Scandal in High Places”. The New York Times. p. 2.
- ^ Pendreigh, Brian (22 August 2024). “Obituaries: Alain Delon, influential French actor who came to define the concept of cool”. The Scotsman. Retrieved 23 August 2024.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 91, 94. ISBN 978-2-7564-0572-8.
p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 113, 208. ISBN 978-2-7564-0572-8.
p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
- ^ “Alain Delon’s children file complaint against assistant”. Le Monde.fr. 5 July 2023. Archived from the original on 4 April 2024. Retrieved 4 April 2024.
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- ^ Jump up to:a b c Wydra, Thilo (2020). Eine Liebe in Paris – Romy und Alain. Heyne Verlag. ISBN 978-3-641-27047-6.
- ^ Jump up to:a b Lelait-Helo, David (2017). Romy. Éditions SW Télémaque. ISBN 978-2-7533-0320-1.
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- ^ à 12h09, Par Caroline Piquet Le 20 mai 2023; À 15h34, Modifié Le 20 Mai 2023 (20 May 2023). “Ari Boulogne, le fils illégitime d’Alain Delon, retrouvé mort à Paris”. leparisien.fr (in French). Archived from the original on 19 August 2024. Retrieved 19 August 2024.
- ^ Jump up to:a b Wydra, Thilo (2020). Eine Liebe in Paris – Romy und Alain. Heyne Verlag. p. 106. ISBN 978-3-641-27047-6.
- ^ Delon, Nathalie (13 April 2010). Pleure pas, c’est pas grave (in French). Flammarion. ISBN 978-2-08-123399-7.
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- ^ AlloCine (6 September 2016). “Marie-Antoinette ce soir sur Paris Première: le refus d’Alain Delon, le tournage à Versailles… Tout sur le film !”. AlloCiné (in French). Retrieved 20 April 2024.
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- ^ “Alain Delon, “Acteur mondial 2001″”. 5 November 2001.
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- ^ “In 1974, Delon receives the Valentino d’Or for Actor of the Year 74; Jeanne Moreau is present”.
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- ^ “Le Festival de Moscou, instrument politique de Nikita Mikhalkov”. Le Monde.fr (in French). 6 August 1999. Retrieved 8 April 2024.
- ^ Chiesi, Roberto (2003). Alain Delon (in French). Gremese Editore. ISBN 978-88-7301-498-0.
- ^ “Sofía Loren y Alain Delon en el Festival Internacional de Acapulco”. La Razón (in Spanish). 19 November 2011. Retrieved 18 August 2024.
- ^ “Lifetime Achievement Award”. Locarno Film Festival.
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- ^ “Alain Delon recibe un premio en Moscú tras ser atendido en una ambulancia”. Publico. 8 April 2012. Retrieved 18 August 2024.
- ^ “Gérard du cinéma 2012 : Tous les résultats”. Vodkaster (in French). 15 May 2012. Retrieved 18 August 2024.
- ^ Wiseman, Andreas (17 April 2019). “Cannes: Festival To Fete French Cinema Icon Alain Delon With Honorary Palme d’Or”. Deadline. Retrieved 19 April 2019.
- ^ Keslassy, Elsa (13 May 2019). “Cannes Film Festival Director: ‘We’re Not Giving Alain Delon the Nobel Peace Prize'”. Retrieved 14 May 2019.
- ^ “Delon, set for Cannes honor, says he is ‘irreproachable’ as an actor”. Reuters. 19 May 2019. Retrieved 19 May 2019 – via www.reuters.com.
- ^ “Décret du 10 mai 1995 portant promotion et nomination”. JORF. 1995 (112): 8055. 13 May 1995. PREX9511324D.
- ^ Jump up to:a b “Décret du 25 mars 2005 portant promotion et nomination”. JORF. 2005 (73): 5176. 27 March 2005. PREX0508238D.
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“Zelenskyy awards Order of Merit to Alain Delon – video”. Ukrainska Pravda. 18 April 2024. Retrieved 18 April 2024. - ^ “Alain Delon”. Rotten Tomatoes. Retrieved 22 July 2021.
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- ^ “Alain Delon – Cinémathèque française”. cinema.encyclopedie.personnalites.bifi.fr. Retrieved 15 October 2024.
- References
- [edit]
- ^ “Alain Delon, a universal icon”. Campus France. 15 October 2024. Retrieved 15 October 2024.
- ^ Bergan, Ronald (18 August 2024). “Alain Delon obituary”. The Guardian. ISSN 0261-3077. Retrieved 15 October 2024.
- ^ “Chiffres Casting – JP Box-Office”. www.jpbox-office.com. Retrieved 15 October 2024.
- ^
- “Alain Delon: Tragic finale as film great’s family is torn apart”. 16 January 2024. Archived from the original on 26 February 2024. Retrieved 26 February 2024.
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- Renterghem, Marion Van (4 January 2018). “Alain Delon: ‘Women were all obsessed with me'”. British GQ. Archived from the original on 10 February 2022. Retrieved 7 July 2024.
- “The Many Lives of Alain Delon”. airmail.news. Archived from the original on 10 May 2024. Retrieved 7 July 2024.
- ^ Site Leonore – Dossier LH/717/13.
- ^ Jump up to:a b “Family tree of Jean Marcel DELON”. Geneanet. Archived from the original on 19 August 2024. Retrieved 22 June 2020.
- ^ Jean-Louis Beaucarnot, Frédéric Dumoulin (2015). Dictionnaire étonnant des célébrités. First Éditions. p. 78.
- ^ “Family tree of Jean Marcel Delon”. Geneanet. Archived from the original on 5 January 2024. Retrieved 22 June 2020.
- ^ Henri Rode (1974). Le fascinant Monsieur Delon. Pac. p. 20.
- ^ “Alain Delon Biography”. filmreference.com. Archived from the original on 8 October 2017. Retrieved 8 February 2018.
- ^ Cesbron, Mathilde (19 May 2019). “Alain Delon: “Sans les femmes, je serais mort””. Le Point (in French). Archived from the original on 17 April 2023. Retrieved 8 November 2020.
- ^ Ghislain Loustalot (11 March 2018). “Alain Delon: la jeunesse d’un mythe”. parismatch.com. Archived from the original on 22 October 2022. Retrieved 26 January 2023.
- ^ L’Équipe raconte L’Équipe: 70 ans de passion (in French). Paris: Groupe Robert Laffont. 15 October 2015. p. 166. ISBN 978-2-221-19144-6.
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
- ^ Vincent Quivy (2017). Alain Delon. Ange et voyou. Le Seuil. p. 17..
- ^ Bernard Viollet, Les Mystères de Delon, Flammarion, 2000.
- ^ “Alain Delon: S’il n’avait pas été star, aurait pu devenir proxénète”. 21 September 2018. Archived from the original on 12 January 2024. Retrieved 10 May 2024.
- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
- ^ van Renterghem, Marion (August 2017). “Alain Delon: ” Je me souviens “”. Vanity Fair. No. 49. pp. 38–47.
- ^ Samuel Blumenfeld (24 July 2018). “” Plein Soleil “, naissance d’une étoile”. Le Monde (in French): 20. Archived from the original on 24 February 2024. Retrieved 24 July 2018.
- ^ Julien Sellier (2013). Romy Schneider: une vie de star, une fin tragique. Éditions Asap. p. 43.
- ^ Movie box office information Archived 10 July 2017 at the Wayback Machine at Box Office Story
- ^ Peary, Gerald. Interview with Patricia Highsmith Archived 18 May 2011 at the Wayback Machine, geraldpeary.com; accessed 8 February 2018.
- ^ Crowther, Bosley Archived 19 May 2011 at the Wayback Machine. The New York Times, film review, 28 January 1961.
- ^ “Powerless Gallic Critics: Parisian Theatregoers Flock to Play That Is Slashed And Stay Away From Another That Is Hailed”. Jean-Pierre Lendir. The New York Times 4 June 1961, p. X3.
- ^ “Two Stars Signed for ‘Lawrence’ Film” Hopper, Hedda. Chicago Daily Tribune 22 March 1961: b5.
- ^ Scheuer, Philip K. (21 December 1961). “Zanuck Pitching in as ‘Day’ Director: Three Units on D-Day Epic; Enemies-Below Duo Reunited”. Los Angeles Times. p. B13.
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- ^ Crowther, Bosley (15 October 1963). “Screen”. The New York Times.
- ^ Jump up to:a b Thomas, Kevin (18 December 1965). “New Dream for Alain Delon”. Los Angeles Times. p. A12.
- ^ “Box office for 1963”. Box Office Story.
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- ^ French Movie Actor Bears Resemblance to Jimmy Dean Tinee, Mae. Chicago Tribune 16 February 1964, pg. G15.
- ^ Stafford, Jeff (10 May 2008). “L’insoumis: Vintage Alain Delon circa 1964”. FilmStruck. Archived from the original on 7 November 2019. Retrieved 4 October 2019.
- ^ Martin, Betty (10 April 1965). “Movie Call Sheet: ‘Rouge’ Heads for Broadway”. Los Angeles Times. p. 19.
- ^ Martin, Betty (7 March 1966). “Delon Gets Title Role in ‘Cervantes'”. Los Angeles Times. p. C22.
- ^ Weiler, A.H. (4 October 1964). “Local Views: Ritt’s Trio – New Liaisons”. The New York Times. p. X7.
- ^ “Sean O’Casey’s Autobiography Filmed as Young Cassidy“. Chicago Tribune. 15 November 1964. p. 13.
- ^ Jump up to:a b Vincendeau, Ginette (2014). “The perils of trans-national stardom: Alain Delon in Hollywood cinema”. Mise Au Point (6). doi:10.4000/map.1800. Archived from the original on 10 January 2020. Retrieved 4 October 2019.
- ^ Reisfeld, Bert. “Japan Film-makers Make Little Go Long Way”, Los Angeles Times 12 September 1965, pg. N5.
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- ^ Ty, Burr (9 January 1998). “Le Samourai”. Entertainment Weekly. Archived from the original on 11 January 2020. Retrieved 4 October 2019.
- ^ Jump up to:a b “John Wayne-money-spinner” The Guardian, 31 December 1968.
- ^ “‘X’ Marks Spot For Only 1 of 1st MPAA Group: W7 ‘Girl'”. Daily Variety. 22 October 1968. p. 1.
- ^ “Don’t page Bronson now—unless you have a million” Reed, Rex. Chicago Tribune, 23 July 1972: J7.
- ^ Bronson Stars in Europe. Knapp, Dan. Los Angeles Times, 4 September 1971: a8.
- ^ “Luca Guadagnino talks ‘A Bigger Splash'”. Archived from the original on 19 August 2024. Retrieved 27 March 2024.
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- ^ Jump up to:a b Berger, Helmut (2013). Ich. Die Autobiographie: Unter Mitarbeit von Holde Heuer. Hey!. ISBN 978-3-942822-40-4.
- ^ Histoire du Cinéma Français 1966–1970, eds. Maurice Bessy, Raymond Chirat and André Bernard; ISBN 978-2-85704-379-9; entry 235
- ^ Sotinel, Thomas (18 August 2024). “Alain Delon, enduring star of French cinema, has died”. Archived from the original on 18 August 2024. Retrieved 20 August 2024.
- ^ “Alain Delon – documentaire: profession star – partie 1 de 2”. YouTube. 16 April 2022. Archived from the original on 19 August 2024. Retrieved 14 January 2023.
- ^ Kramer, Carol. “Top Sex Symbols of French Films Feud at Drop of Hat”, Chicago Tribune, 16 August 1970, pg. E-1.
- ^ “Box office Alain Delon”. www.boxofficestory.com. p. 34. Archived from the original on 26 March 2018. Retrieved 25 March 2018.
- ^ Swanson, Neely (2 October 2019). “”Mr. Klein” – Nothing small about it”. Easy Reader News. Archived from the original on 5 October 2019. Retrieved 4 October 2019.
- ^ “L’Homme Presse – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
- ^ “Mort D’Un Pourri – Alain Delon 1977 Box Office” (in French). Box Office Story. Retrieved 4 October 2019.
- ^ “Le Gang – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ “Attention Les Enfants Regardents – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ Scott, Vernon (5 January 1979). “Alain Delon, France’s Answer to Clint Eastwood”. The Washington Post. p. D12.
- ^ “Movies: A Tough Guy Goes Soft on Hollywood” Mann, Roderick. Los Angeles Times, 25 February 1979: L 36.
- ^ “Alain Delon becomes Swiss citizen”. 14 March 2000. Archived from the original on 10 June 2021. Retrieved 10 June 2021.
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- ^ Guen, Erwana Le (2 October 2019). “Alain Delon de retour au cinéma: découvrez la bande-annonce de Toute ressemblance”. Le Figaro.fr. Archived from the original on 19 August 2024. Retrieved 19 October 2019.
- ^ “Alain Delon revient à la chanson avec le compositeur de Lara Fabian: écoutez !”. 23 April 2019. Archived from the original on 23 April 2019. Retrieved 23 April 2019.
- ^ “Alain Delon & Shirley Bassey – Thought I’d Ring You”. Top40. Archived from the original on 30 April 2019. Retrieved 30 April 2019.
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- ^ “Cannes: Alain Delon to Receive Honorary Palme d’Or”. Variety. 17 April 2019. Archived from the original on 19 August 2024. Retrieved 23 April 2019.
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- ^ “Cannes: Thierry Frémaux Defends Palme d’Or for Controversial Alain Delon, “We’re Not Giving Him the Nobel Peace Prize””. 13 May 2019. Archived from the original on 13 May 2019. Retrieved 14 May 2019.
- ^ “Cannes Film Festival defends award to ‘imperfect’ Delon”. Reuters. 13 May 2019. Archived from the original on 14 May 2019. Retrieved 14 May 2019.
- ^ “Alain Delon: “Je ne meurs pas si facilement !” – France Dimanche”. 10 July 2021. Archived from the original on 10 July 2021.
- ^ “Alain Delon dévoile le visage de Hiromi, sa nouvelle compagne”. 3 July 2021. Archived from the original on 9 July 2021. Retrieved 12 July 2021.
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- ^ “Alain Delon dialogue avec Volodymyr Zelensky et apporte son soutien au peuple ukrainien”. 23 September 2022. Archived from the original on 13 October 2022. Retrieved 13 October 2022.
- ^ Abt, Sam (9 February 1974). “Napoles, Monzon in Big Top Tonight: Napoles Out to Tame Monzon”. The New York Times. p. 19.
- ^ “Alain Delon – Products – Introduction”. Archived from the original on 29 November 2011.
- ^ Rourke, Mary (5 October 1984). “French Actor Smells Success With New Fragrance for Women”. Los Angeles Times. p. i26.
- ^ “AIM”. members.aol.com. Archived from the original on 30 November 2007.
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- ^ “Napoles, Monzon in Big Top Tonight”. The New York Times. 9 February 1974.
- ^ Roberts, Nesta (30 October 1968). “French actor’s bodyguard ‘shot'”. The Guardian. London. p. 3.
- ^ Hofmann, Paul (8 November 1968). “French Murder Case Develops into an ‘Affaire’: Slaying of Actor’s Bodyguard Stirs Rumors of Bizarre Scandal in High Places”. The New York Times. p. 2.
- ^ Pendreigh, Brian (22 August 2024). “Obituaries: Alain Delon, influential French actor who came to define the concept of cool”. The Scotsman. Retrieved 23 August 2024.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 91, 94. ISBN 978-2-7564-0572-8.
p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 113, 208. ISBN 978-2-7564-0572-8.
p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
- ^ “Alain Delon’s children file complaint against assistant”. Le Monde.fr. 5 July 2023. Archived from the original on 4 April 2024. Retrieved 4 April 2024.
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- ^ Jump up to:a b c Wydra, Thilo (2020). Eine Liebe in Paris – Romy und Alain. Heyne Verlag. ISBN 978-3-641-27047-6.
- ^ Jump up to:a b Lelait-Helo, David (2017). Romy. Éditions SW Télémaque. ISBN 978-2-7533-0320-1.
- ^ Olga, Horstig-Primuz (1990). Moi, j’aime les acteurs. (JC Lattès) réédition numérique FeniXX. ISBN 978-2-7062-7015-4.
- ^ Dahse, Bettina (2002). Romy: ich hätte Ihnen so gern noch was gesagt– ; eine biographische Hommage. Hoffmann und Campe. ISBN 978-3-455-09354-4.
- ^ Dahse, Bettina (2002). Romy: ich hätte Ihnen so gern noch was gesagt– ; eine biographische Hommage (in German). Hoffmann und Campe. ISBN 978-3-455-09354-4.
- ^ “Romy Schneider et Alain Delon, leur passion magnifique exposée à Paris”. Konbini – Musique, cinéma, sport, food, news : le meilleur de la pop culture (in French). 3 April 2017. Archived from the original on 1 March 2024. Retrieved 1 March 2024.
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- ^ Gallagher, Mark (2017). “Alain Delon, International Man of Mystery”. In Rees-Roberts, Nick; Waldron, Darren (eds.). Alain Delon: Style, Stardom and Masculinity. Bloomsbury Publishing USA. p. 92. ISBN 978-1-5013-2012-5.
Delon’s lasting reputation may not be as an actor or even personality, but as a global style icon… Delon on-screen exudes a strong sex appeal that partly accounts for the sentiments that continue to accompany discussions of his films in cinephile forums.
- ^ “While Alain Delon had the privilege of starring in dozens of cinematic masterpieces like The Guépard, Purple Noon, and Le Samouraï, he also declined several iconic films and memorable roles. However, he never regretted t – Info3 – The future of news”. Info3. Retrieved 21 October 2024.
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- ^ Corps et Âme – via www.bdtheque.com.
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- ^ Balles perdues (Walter Hill) – via www.bdtheque.com.
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- ^ “Michaël Sanlaville prête la beauté d’Alain Delon à San-Antonio”. Le Figaro (in French). 26 June 2021. Retrieved 7 July 2024.
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- ^ “Exposition en 2020 de Nikas Safronov “Le secret de la lumière””. Gallerix (in French).
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- ^ “Alain Delon, “Acteur mondial 2001″”. 5 November 2001.
- ^ “Image of Alain Delon and Monica Vitti showing the ‘Ciak d’oro’ award”. www.bridgemanimages.com. Retrieved 25 March 2024.
- ^ “Addio ad Alain Delon”. Accademia Del Cinema Italiano – Premi David Di Donatello. Retrieved 18 August 2024.
- ^ “In 1974, Delon receives the Valentino d’Or for Actor of the Year 74; Jeanne Moreau is present”.
- ^ “Alain Delon receives an award in Senegal”.
- ^ “Delon receives an award for Best Actor in 1981”.
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- ^ Lluis. “1957 Premios Sant Jordi”. archivocine.com (in European Spanish). Retrieved 7 April 2024.
- ^ “Alain Delon receives a special award in Barcelona. Excerpt from La Vanguardia newspaper” (in Spanish).
- ^ “Berlinale: 1995 Prize Winners”. Archived from the original on 11 November 2013. Retrieved 1 January 2012.
- ^ “Le Festival de Moscou, instrument politique de Nikita Mikhalkov”. Le Monde.fr (in French). 6 August 1999. Retrieved 8 April 2024.
- ^ Chiesi, Roberto (2003). Alain Delon (in French). Gremese Editore. ISBN 978-88-7301-498-0.
- ^ “Sofía Loren y Alain Delon en el Festival Internacional de Acapulco”. La Razón (in Spanish). 19 November 2011. Retrieved 18 August 2024.
- ^ “Lifetime Achievement Award”. Locarno Film Festival.
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- ^ “Alain Delon recibe un premio en Moscú tras ser atendido en una ambulancia”. Publico. 8 April 2012. Retrieved 18 August 2024.
- ^ “Gérard du cinéma 2012 : Tous les résultats”. Vodkaster (in French). 15 May 2012. Retrieved 18 August 2024.
- ^ Wiseman, Andreas (17 April 2019). “Cannes: Festival To Fete French Cinema Icon Alain Delon With Honorary Palme d’Or”. Deadline. Retrieved 19 April 2019.
- ^ Keslassy, Elsa (13 May 2019). “Cannes Film Festival Director: ‘We’re Not Giving Alain Delon the Nobel Peace Prize'”. Retrieved 14 May 2019.
- ^ “Delon, set for Cannes honor, says he is ‘irreproachable’ as an actor”. Reuters. 19 May 2019. Retrieved 19 May 2019 – via www.reuters.com.
- ^ “Décret du 10 mai 1995 portant promotion et nomination”. JORF. 1995 (112): 8055. 13 May 1995. PREX9511324D.
- ^ Jump up to:a b “Décret du 25 mars 2005 portant promotion et nomination”. JORF. 2005 (73): 5176. 27 March 2005. PREX0508238D.
- ^ “Alain Delon honoré à Marrakech”. O (in French). 8 October 2003. Retrieved 25 March 2024.
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“Zelenskyy awards Order of Merit to Alain Delon – video”. Ukrainska Pravda. 18 April 2024. Retrieved 18 April 2024. - ^ “Alain Delon”. Rotten Tomatoes. Retrieved 22 July 2021.
- ^ “Cinema Books: Biographies: Alain Delon”. Books about Cinema. Retrieved 21 October 2024.
- ^ “Alain Delon – Cinémathèque française”. cinema.encyclopedie.personnalites.bifi.fr. Retrieved 15 October 2024.References
- [edit]
- ^ “Alain Delon, a universal icon”. Campus France. 15 October 2024. Retrieved 15 October 2024.
- ^ Bergan, Ronald (18 August 2024). “Alain Delon obituary”. The Guardian. ISSN 0261-3077. Retrieved 15 October 2024.
- ^ “Chiffres Casting – JP Box-Office”. www.jpbox-office.com. Retrieved 15 October 2024.
- ^
- “Alain Delon: Tragic finale as film great’s family is torn apart”. 16 January 2024. Archived from the original on 26 February 2024. Retrieved 26 February 2024.
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- “The Many Lives of Alain Delon”. airmail.news. Archived from the original on 10 May 2024. Retrieved 7 July 2024.
- ^ Site Leonore – Dossier LH/717/13.
- ^ Jump up to:a b “Family tree of Jean Marcel DELON”. Geneanet. Archived from the original on 19 August 2024. Retrieved 22 June 2020.
- ^ Jean-Louis Beaucarnot, Frédéric Dumoulin (2015). Dictionnaire étonnant des célébrités. First Éditions. p. 78.
- ^ “Family tree of Jean Marcel Delon”. Geneanet. Archived from the original on 5 January 2024. Retrieved 22 June 2020.
- ^ Henri Rode (1974). Le fascinant Monsieur Delon. Pac. p. 20.
- ^ “Alain Delon Biography”. filmreference.com. Archived from the original on 8 October 2017. Retrieved 8 February 2018.
- ^ Cesbron, Mathilde (19 May 2019). “Alain Delon: “Sans les femmes, je serais mort””. Le Point (in French). Archived from the original on 17 April 2023. Retrieved 8 November 2020.
- ^ Ghislain Loustalot (11 March 2018). “Alain Delon: la jeunesse d’un mythe”. parismatch.com. Archived from the original on 22 October 2022. Retrieved 26 January 2023.
- ^ L’Équipe raconte L’Équipe: 70 ans de passion (in French). Paris: Groupe Robert Laffont. 15 October 2015. p. 166. ISBN 978-2-221-19144-6.
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 24..
- ^ Vincent Quivy (2017). Alain Delon. Ange et voyou. Le Seuil. p. 17..
- ^ Bernard Viollet, Les Mystères de Delon, Flammarion, 2000.
- ^ “Alain Delon: S’il n’avait pas été star, aurait pu devenir proxénète”. 21 September 2018. Archived from the original on 12 January 2024. Retrieved 10 May 2024.
- ^ Violet, Bernard (2000). Les Mystères Delon (in French). Flammarion. pp. 59, 62, 67. “The couple first lived in an apartment located on the ground floor of rue Pré-aux-Clercs, in the VIIth arrondissement…; “Brigitte Auber is formal. She remembers perfectly that Alain accompanied her at her request to Saint-Paul-de-Vence, where she owns a house.”; “There, he found Willson in the company of his most famous foal, Rock Hudson, who was then filming the exteriors of A Farewell to Arms under the direction of Charles Vidor. Alain Delon’s essays in the Eternal City are going well, in the Cinecittà studios.”
- ^ Jump up to:a b Henri Rode (1974). Le Fascinant Monsieur Delon. Pac. p. 26.
- ^ Voir l’entretien donné par Renzo Barbieri à Graziano Origa en 2002.
- ^ van Renterghem, Marion (August 2017). “Alain Delon: ” Je me souviens “”. Vanity Fair. No. 49. pp. 38–47.
- ^ Samuel Blumenfeld (24 July 2018). “” Plein Soleil “, naissance d’une étoile”. Le Monde (in French): 20. Archived from the original on 24 February 2024. Retrieved 24 July 2018.
- ^ Julien Sellier (2013). Romy Schneider: une vie de star, une fin tragique. Éditions Asap. p. 43.
- ^ Movie box office information Archived 10 July 2017 at the Wayback Machine at Box Office Story
- ^ Peary, Gerald. Interview with Patricia Highsmith Archived 18 May 2011 at the Wayback Machine, geraldpeary.com; accessed 8 February 2018.
- ^ Crowther, Bosley Archived 19 May 2011 at the Wayback Machine. The New York Times, film review, 28 January 1961.
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- ^ Crowther, Bosley (15 October 1963). “Screen”. The New York Times.
- ^ Jump up to:a b Thomas, Kevin (18 December 1965). “New Dream for Alain Delon”. Los Angeles Times. p. A12.
- ^ “Box office for 1963”. Box Office Story.
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- ^ French Movie Actor Bears Resemblance to Jimmy Dean Tinee, Mae. Chicago Tribune 16 February 1964, pg. G15.
- ^ Stafford, Jeff (10 May 2008). “L’insoumis: Vintage Alain Delon circa 1964”. FilmStruck. Archived from the original on 7 November 2019. Retrieved 4 October 2019.
- ^ Martin, Betty (10 April 1965). “Movie Call Sheet: ‘Rouge’ Heads for Broadway”. Los Angeles Times. p. 19.
- ^ Martin, Betty (7 March 1966). “Delon Gets Title Role in ‘Cervantes'”. Los Angeles Times. p. C22.
- ^ Weiler, A.H. (4 October 1964). “Local Views: Ritt’s Trio – New Liaisons”. The New York Times. p. X7.
- ^ “Sean O’Casey’s Autobiography Filmed as Young Cassidy“. Chicago Tribune. 15 November 1964. p. 13.
- ^ Jump up to:a b Vincendeau, Ginette (2014). “The perils of trans-national stardom: Alain Delon in Hollywood cinema”. Mise Au Point (6). doi:10.4000/map.1800. Archived from the original on 10 January 2020. Retrieved 4 October 2019.
- ^ Reisfeld, Bert. “Japan Film-makers Make Little Go Long Way”, Los Angeles Times 12 September 1965, pg. N5.
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- ^ Jump up to:a b “John Wayne-money-spinner” The Guardian, 31 December 1968.
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- ^ “Don’t page Bronson now—unless you have a million” Reed, Rex. Chicago Tribune, 23 July 1972: J7.
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- ^ Histoire du Cinéma Français 1966–1970, eds. Maurice Bessy, Raymond Chirat and André Bernard; ISBN 978-2-85704-379-9; entry 235
- ^ Sotinel, Thomas (18 August 2024). “Alain Delon, enduring star of French cinema, has died”. Archived from the original on 18 August 2024. Retrieved 20 August 2024.
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- ^ Kramer, Carol. “Top Sex Symbols of French Films Feud at Drop of Hat”, Chicago Tribune, 16 August 1970, pg. E-1.
- ^ “Box office Alain Delon”. www.boxofficestory.com. p. 34. Archived from the original on 26 March 2018. Retrieved 25 March 2018.
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- ^ “L’Homme Presse – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
Ces résultats ne peuvent qu’affecter DELON producteur. Il est trop présent à l’écran et sa présence ne suscite plus d’attente du public. Ce sera bientôt la fin de cette période très faste des années 70 où l’acteur se permettait de produire des films risqués ou des projets personnels. Il devra revoir ses projets pour mettre en route des films plus sûrs financièrement dans un genre apprécié du public: le polar.
- ^ “Mort D’Un Pourri – Alain Delon 1977 Box Office” (in French). Box Office Story. Retrieved 4 October 2019.
- ^ “Le Gang – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ “Attention Les Enfants Regardents – Alain Delon 1977 Box Office” (in French). Box Office Story. Archived from the original on 20 September 2019. Retrieved 4 October 2019.
- ^ Scott, Vernon (5 January 1979). “Alain Delon, France’s Answer to Clint Eastwood”. The Washington Post. p. D12.
- ^ “Movies: A Tough Guy Goes Soft on Hollywood” Mann, Roderick. Los Angeles Times, 25 February 1979: L 36.
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- ^ “Cannes: Alain Delon to Receive Honorary Palme d’Or”. Variety. 17 April 2019. Archived from the original on 19 August 2024. Retrieved 23 April 2019.
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- ^ “Cannes: Thierry Frémaux Defends Palme d’Or for Controversial Alain Delon, “We’re Not Giving Him the Nobel Peace Prize””. 13 May 2019. Archived from the original on 13 May 2019. Retrieved 14 May 2019.
- ^ “Cannes Film Festival defends award to ‘imperfect’ Delon”. Reuters. 13 May 2019. Archived from the original on 14 May 2019. Retrieved 14 May 2019.
- ^ “Alain Delon: “Je ne meurs pas si facilement !” – France Dimanche”. 10 July 2021. Archived from the original on 10 July 2021.
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- ^ “Alain Delon dialogue avec Volodymyr Zelensky et apporte son soutien au peuple ukrainien”. 23 September 2022. Archived from the original on 13 October 2022. Retrieved 13 October 2022.
- ^ Abt, Sam (9 February 1974). “Napoles, Monzon in Big Top Tonight: Napoles Out to Tame Monzon”. The New York Times. p. 19.
- ^ “Alain Delon – Products – Introduction”. Archived from the original on 29 November 2011.
- ^ Rourke, Mary (5 October 1984). “French Actor Smells Success With New Fragrance for Women”. Los Angeles Times. p. i26.
- ^ “AIM”. members.aol.com. Archived from the original on 30 November 2007.
- ^ “Le samouraï”. The Criterion Collection. Archived from the original on 28 October 2007.
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- ^ “Napoles, Monzon in Big Top Tonight”. The New York Times. 9 February 1974.
- ^ Roberts, Nesta (30 October 1968). “French actor’s bodyguard ‘shot'”. The Guardian. London. p. 3.
- ^ Hofmann, Paul (8 November 1968). “French Murder Case Develops into an ‘Affaire’: Slaying of Actor’s Bodyguard Stirs Rumors of Bizarre Scandal in High Places”. The New York Times. p. 2.
- ^ Pendreigh, Brian (22 August 2024). “Obituaries: Alain Delon, influential French actor who came to define the concept of cool”. The Scotsman. Retrieved 23 August 2024.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 91, 94. ISBN 978-2-7564-0572-8.
p. 91… “an album of libertine photos showing Markovic in the company of Parisian personalities, including the wife of the former Prime Minister”. At the S.D.E.C.E., agent Karamel’s information is not dismissed without follow-up. Especially since it is, almost immediately, supported by the revelations of a certain Boriboj Akov, a Yugoslav prisoner, imprisoned for theft, receiving stolen goods and possession of weapons, in Fresnes prison. p. 94: On October 30, Inspector Georges Manceau of the Judicial Police is sent by Commissioner Samson to Fresnes prison to question the author of the letter addressed to Delon. Akov is talkative. He says that Stevan liked to photograph his conquests in lascivious poses. Photos that he then sold. The prisoner gives the names of some of the Yugoslav playboy’s victims, wives of industrialists who paid large sums of money to avoid being compromised. He talks about the sex parties that Markovic dragged him to… The revelations are explosive, serious and harmful to certain personalities.
- ^ Méfret, Jean-Pax (2011). La sale affaire Markovic. Paris: Pygmalion. pp. 113, 208. ISBN 978-2-7564-0572-8.
p. 113… “Jean-Charles Marchiani’s note on the information, which he described as “dubious”, passed on by the informant Karamel, was not put to bed by the all-powerful Director of Research at the SDECE: René Bertrand alias Colonel Beaumont. The officer, who is going through a rough patch – there are whispers in the D.S.T., the French counter-espionage service, that he could be a Soviet agent – is all the more interested in this “album of libertine photos”, which is also sought by Tito’s services, as he was a military attaché in Yugoslavia and still has some contacts there. p. 208: In October, Count Alexandre de Marenches succeeded General Guibaud as head of the SDECE The President of the Republic appointed him personally… In the space of a few days, he swept away the entire SDECE staff. Colonel Beaumont, the powerful director of the Research Department, was fired outright.
- ^ “Alain Delon’s children file complaint against assistant”. Le Monde.fr. 5 July 2023. Archived from the original on 4 April 2024. Retrieved 4 April 2024.
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