The Golden Globes 2025 kicked off with Hollywood’s top stars showcasing their fashion A-game on the red carpet.
The 82nd Golden Globes 2025 kicked off in spectacular fashion at the Beverly Hilton in Los Angeles, as Hollywood’s biggest names stole the spotlight with their jaw-dropping looks. Celebrities dazzled on the red carpet, bringing glamour, elegance, and a touch of boldness to the night.
Zendaya, as always, commanded attention in a striking custom Valentino gown, which combined contemporary flair with classic sophistication. The deep emerald green ensemble was a perfect match for her radiant complexion, while the sharp, dramatic silhouette added a touch of modern edge.
Ariana Grande, known for her stunning stage presence, embraced an ethereal vibe in a soft blush-toned Prada gown. The voluminous skirt, paired with a delicate bodice, created a dreamy, princess-like look that left everyone in awe. Her sleek ponytail and subtle makeup complemented her ensemble beautifully.
Other notable appearances included Margot Robbie, who wore a stunning vintage-inspired Chanel dress that blended timeless elegance with a hint of playful charm. Florence Pugh turned heads in a striking black and gold Miu Miu number, while Billie Eilish proved once again that she can blend edgy with chic in a daring, oversized dress by Gucci.
In a night where fashion met finesse, the red carpet truly became a stage where stars expressed their individual style, giving everyone a visual feast of creativity and beauty. Whether it was bold patterns, metallic hues, or daring silhouettes, the 2025 Golden Globes was a shining celebration of both Hollywood’s glitz and its star-studded talent.
With the 82nd edition of Hollywood’s party of the year, celebrities exude old Hollywood glamour and avant-garde experiments, which is nothing short of a stunning spectacle.
Here’s our roundup of the best-dressed stars at the Golden Globes 2025:
Zendaya’s Old Hollywood Glamour
Zendaya took everyone’s breath away when she arrived on the Golden Globes red carpet after nearly a decade in a dramatic custom burnt orange satin gown from Louis Vuitton and matching pointed-toe pumps. The gown’s exquisite draping and timeless silhouette gave off classic Hollywood vibes, while the modern cut and striking color added an unexpected contemporary edge. Her radiant skin and slicked-back hair highlighted the elegance of the ensemble, solidifying her place as one of the best-dressed stars of the evening.
Ariana Grande’s Ethereal Elegance
Ariana Grande embodied pure elegance in a soft blush-toned gown by Prada. The voluminous skirt and delicate bodice created a fairy-tale vibe, with Grande’s understated beauty shining through. Her sleek ponytail and natural makeup complemented the soft hues, and the ethereal gown gave her a princess-like presence. She brought a refreshing sense of romanticism to the red carpet, proving once again why she is a fashion icon.
Margot Robbie’s Vintage Charm
Margot Robbie wowed the crowd with her vintage-inspired Chanel creation. The stunning black gown, adorned with intricate details and a hint of sparkle, paid homage to classic Hollywood while embracing contemporary luxury. Robbie’s effortless beauty and grace made the look timeless, ensuring she captured attention as one of the top style stars of the evening.
Florence Pugh’s Bold Miu Miu Moment
Florence Pugh made a bold statement with her black and gold Miu Miu gown, exuding confidence and creativity. The striking pattern and structured silhouette gave off a fierce yet fashionable vibe. Pugh’s daring fashion choices continue to make her one of the most exciting red carpet icons, and this look was no exception.
Billie Eilish’s Edgy Gucci Elegance
Billie Eilish proved once again that she can effortlessly blend edgy and chic in her oversized Gucci gown. The unique design played with proportions, offering an avant-garde approach to red carpet fashion. Eilish’s individuality and confidence shone through, making this one of the most talked-about outfits of the evening.
The 82nd Golden Globes red carpet showcased a stunning array of fashion, with each star bringing their unique flair to the event. Whether embracing old Hollywood glamour or experimenting with bold new styles, the night was a testament to the incredible creativity and talent in the world of fashion.
Zendaya’s Old Hollywood Glamour
Zendaya stunned everyone on the Golden Globes red carpet in a custom burnt orange satin Louis Vuitton gown. The gown featured a strapless sweetheart neckline and a ball gown silhouette, paying homage to old Hollywood glamour. She paired her ensemble with matching pointy pump heels and elevated her look with a breathtaking diamond and emerald Bulgari necklace. Zendaya completed the vintage-inspired look with a perfectly curled bob hairstyle, exuding timeless elegance and capturing the essence of Hollywood’s golden age.
Ariana Grande’s Nod to the Regency Era
Ariana Grande took a step away from her usual powder pink hues and dazzled in a pale yellow Givenchy Haute Couture gown. The dress, a piece from the fashion house’s iconic 1966 collection, showcased a sleek strapless design with a beaded, sparkly bodice that added a touch of regality. The delicate yet striking gown exuded a sense of sophisticated elegance that harked back to the Regency era, giving Grande a refined and classic appearance. Her refined makeup and styled hair completed the picture-perfect ensemble, making her a standout on the red carpet.
Ariana Grande’s Regency-Inspired Elegance
Ariana Grande’s gown at the Golden Globes took inspiration from the Regency era of the early 1800s, with a silhouette featuring a raised waistline and a delicate bow at the back. The dress gracefully finished at her ankle, with the hemline forming a flower-petal shape, adding a touch of whimsy to the classic design. To complement her ensemble, Ariana accessorized with sleek white gloves and a stunning diamond necklace that added an extra layer of sophistication. She kept her signature look intact with a high ponytail and sleeked-back bangs, maintaining her polished and chic appearance. Her choice of a pale yellow hue, combined with intricate details, made her an unforgettable presence on the red carpet.
COURTESY: Access Hollywood
References
- ^ Environmental Audit Committee (19 February 2019). Fixing fashion: clothing consumption and sustainability (Report). UK Parliament.
- ^ Fletcher, Kate (2012). Fashion & sustainability: design for change. Laurence King Pub. ISBN 978-1-78067-196-3. OCLC 866622248.
- ^ Grace Heller, Sarah (2007). Fashion in Medieval France. United Kingdom: D.S. Brewer. p. 97.
- ^ Kaiser, Susan (2012). Fashion and Cultural Studies. London: Berg.
- ^ Jump up to:a b Kawamura, Yuniija. (2005). Fashion-ology : an introduction to fashion studies. Berg. ISBN 978-1859738146. OCLC 796077256.
- ^ Bourdieu, Pierre (1993). ‘Haute couture and haute culture,’ in Sociology in Question. Sage.
- ^ Agamben, Georgio (2009). ‘What is an apparatus?’ and other essays. Stanford University Press.
- ^ “Fédération de la Haute Couture et de la Mode”. Fédération de la Haute Couture et de la Mode. Retrieved 2020-09-19.
- ^ “Couture Fashion Week”. Couture Fashion Week. Retrieved November 26, 2023.
Couture Fashion Week New York Latest Designers
- ^ Jump up to:a b Benton, Angelique (March 2012). “Angelique Benton Fashion as Art/ Art as Fashion: Is Fashion, Art?” (PDF). The Ohio State University Journal. Archived (PDF) from the original on 2021-09-19 – via Ohio.
- ^ Dear, Alice (September 2020). “Gucci is selling ‘grass-stained’ jeans for £600, and people have a lot to say”. Heart.
- ^ Kaiser, Susan B. (2019). Fashion and Cultural Studies. Bloomsbury Visual Arts. ISBN 978-1350109605. OCLC 1057778310.
- ^ Jump up to:a b c Gronow, Jukka (1993). “Taste and Fashion: The Social Function of Fashion and Style”. Acta Sociologica. 36 (2): 89–90. doi:10.1177/000169939303600201. ISSN 0001-6993. JSTOR 4200841. S2CID 56514246. Retrieved 10 April 2021.
- ^ “Georg Simmel | German sociologist | Britannica”. 22 September 2023.
- ^ Blanchard, Mary W.; Crane, Diana; Joselit, Jenna Weissman (June 2002). “Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing”. The Journal of American History. 89 (1): 294. doi:10.2307/2700908.
- ^ al-Hassani, Woodcok and Saoud (2004), Muslim Heritage in Our World, FSTC publishing, pp. 38–39
- ^ Terrasse, H. (1958) ‘Islam d’Espagne’ une rencontre de l’Orient et de l’Occident”, Librairie Plon, Paris, pp.52–53.
- ^ Josef W. Meri & Jere L. Bacharach (2006). Medieval Islamic Civilization: A–K. Taylor & Francis. p. 162. ISBN 978-0415966917.
- ^ Jump up to:a b c d e f Braudel, Fernand Civilization and Capitalism, 15th–18th Centuries, Vol 1: The Structures of Everyday Life, William Collins & Sons, London 1981 ISBN 0-520-08114-5
- ^ Timothy Brook: “The Confusions of Pleasure: Commerce and Culture in Ming China” (University of California Press 1999); this has a whole section on fashion.
- ^ Jump up to:a b Feng, Ge (2015). Traditional Chinese rites and rituals. Zhengming Du. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-8783-0. OCLC 935642485.
- ^ Chow, Rey (2000). Modern Chinese literary and cultural studies in the age of theory: reimagining a field. Durham, NC: Duke University Press. ISBN 0-8223-8016-1. OCLC 51948712.
- ^ Finnane, Antonia (2008). Changing clothes in China : fashion, history, nation. New York: Columbia University Press. ISBN 978-0-231-14350-9. OCLC 84903948.
- ^ Jump up to:a b c Finnane, Antonia (2008). Changing clothes in China : fashion, history, nation. New York: Columbia University Press. ISBN 978-0-231-14350-9. OCLC 84903948.
- ^ Chaudhuri, K. N. (1990). Asia before Europe : economy and civilisation of the Indian Ocean from the rise of Islam to 1750. Cambridge [England]: Cambridge University Press. ISBN 0-521-30400-8. OCLC 20014228.
- ^ Jump up to:a b c d Green, Toby (2019). A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution. Chicago: University of Chicago Press. ISBN 9780226644578. OCLC 1051687994.
- ^ Ribeiro, Aileen (2003). Dress and Morality. Berg. pp. 116–117. ISBN 9781859737828.
- ^ Jump up to:a b Laver, James: The Concise History of Costume and Fashion, Abrams, 1979.
- ^ Heller, Sarah-Grace (2007). Fashion in Medieval France. Cambridge; Rochester, NY: Boydell and Brewer. pp. 49–50. ISBN 9781843841104.
- ^ Boitani, Piero (1986-07-31). English Medieval Narrative in the Thirteenth and Fourteenth Centuries. Cambridge University Press. ISBN 9780521311496.
- ^ Jump up to:a b “Jeans Calças Modelos Ideais”. Conceito M. 19 November 2014. Archived from the original on 19 April 2015. Retrieved 26 April 2015.
- ^ Thornton, Peter. Baroque and Rococo Silks.
- ^ Claire B. Shaeffer (2001). Couture sewing techniques “Originating in mid- 19th-century Paris with the designs of an Englishman named Charles Frederick Worth, haute couture represents an archaic tradition of creating garments by hand with painstaking care and precision”. Taunton Press, 2001
- ^ Parkins, Ilya (2013). “Introduction: Reputation, Celebrity and the “Professional” Designer”. Poiret, Dior and Schiaparelli: Fashion, Femininity and Modernity (English ed.). London: Bloomsbury Publishing. p. 10. ISBN 9780857853288.
- ^ Stella Bruzzi (2012). Undressing Cinema: Clothing and identity in the movies. p. 196.
- ^ “GVRL In Artemis – Document – Unisex Clothing”. go.gale.com.
- ^ “GVRL In Artemis – Document – Clothing for Men”. go.gale.com.
- ^ Elizabeth Currid-Halkett and Sarah Williams (February 10, 2014). “New York’s Fashion Industry Reveals a New Truth About Economic Clusters”. Harvard Business Review. Retrieved May 8, 2023.
- ^ Lemire, B., & Riello, G (2008). “East & West: Textiles and Fashion in Early Modern Europe”. Journal of Social History, 41(4), 887–916.
- ^ “Ancient China | Chinese Culture: Communicating through Fashion”. you.stonybrook.edu. Retrieved 2024-04-18.
- ^ “Wearing History — Chinese Dress Since 1949”. en.chinaculture.org. Retrieved 2024-04-18.
- ^ “The Fabric of India: Textiles in a Changing World”. Victoria and Albert Museum. 2015-09-29. Retrieved 2024-04-18.
- ^ nyastadesigns (2020-09-02). “Ancient Japanese Era Fashion”. Textile Value Chain. Retrieved 2024-04-18.
- ^ Jump up to:a b c “fashion industry | Design, Fashion Shows, Marketing, & Facts”. Encyclopedia Britannica. 10 August 2023.
- ^ “How Bargain Fashion Chains Will Keep Themselves Cut-Rate – New York Magazine”. NYMag.com. 15 June 2012. Retrieved 26 April 2015.
- ^ “Inside front cover”. Polym. Chem. 5 (21): 6112. 2014-09-30. doi:10.1039/c4py90069c. ISSN 1759-9954.
- ^ “”Resistance Is in Our Blood”: 5 Ukrainian Designers Reflect on Their New Reality a Year on From the Russian Invasion”. Vogue. 2023-02-24. Archived from the original on 2023-04-07.
- ^ “How ‘dopamine dressing’ became TikTok’s latest happiness hack”. New York Post. 2022-09-01. Archived from the original on 2023-05-26.
- ^ “How the Ugg Boot Became Fashion’s Hottest New Shoe—Again”. Vogue. 2023-03-28. Archived from the original on 2023-05-29.
- ^ “Why Is Everyone Wearing These Cartoonish Red Boots?”. Vogue. 2023-02-16. Archived from the original on 2023-07-28.
- ^ “Anya Taylor-Joy Showed Up In Character to the Super Mario Premiere”. Vogue. 2023-04-02. Archived from the original on 2023-06-28.
- ^ “Uniform Dressing Ruled at Tokyo and Seoul Fashion Week”. Vogue. 2023-03-25. Archived from the original on 2023-06-09.
- ^ “‘Dopamine dressing’ is taking over Pinterest — here’s what it means”. TODAY.com. 2022-06-09. Retrieved 2023-08-25.
- ^ “The Best Street Style Photos From the Fall 2023 Shows in Shanghai”. Vogue. 2023-03-23. Archived from the original on 2023-07-28.
- ^ “Should we all be dopamine dressing?”. Harper’s BAZAAR. 2022-01-10. Retrieved 2023-08-25.
- ^ “How To Embrace Dopamine Dressing This Summer”. British Vogue. 2022-01-17. Retrieved 2023-08-25.
- ^ “The ultimate fashion trends to know for Spring-Summer 2023”. Vogue France (in French). 2022-10-14. Retrieved 2023-08-25.
- ^ Yardeni, Yoni (2023-08-08). “The Best Men’s Western Shirts To Channel Your Inner Cowboy”. HiConsumption. Retrieved 2023-08-25.
- ^ “14 Rootin’, Tootin’ Western Shirts to Buck the Other Button-Ups in Your Stable”. GQ. 2022-08-03. Retrieved 2023-08-25.
- ^ Cheong, Charissa. “Now that Gen Z has pronounced the death of skinny jeans, men are flocking to TikTok to show off what they’re wearing instead”. Insider. Retrieved 2023-08-25.
- ^ Vogue France
- ^ Nudelman, Geoff. “Best Men’s Soccer Style 2021”. AskMen. Retrieved 2023-08-25.
- ^ Averill, Graham (2023-03-01). “Best Western Wear to Live Out Your ‘Yellowstone’ Fantasies”. Men’s Journal. Retrieved 2023-08-25.
- ^ Aktar, Alev (2023-06-12). “Men put their spin on naked dressing trend: ‘Freedom'”. New York Post. Retrieved 2023-06-13.
- ^ “The big GQ guide to Spring/Summer 2023 menswear trends”. British GQ. 2022-07-28. Retrieved 2023-08-25.
- ^ “Funny t-shirts”. 0sTees.com | Funny T-shirt, Movie T-shirt, TV Shirt & Video Game Tees. Retrieved 2023-08-25.
- ^ “The ‘Yellowstone’ series is a hit, and so is western wear. Here’s how to dress the part”. The Manual. 2023-04-04. Retrieved 2023-08-25.
- ^ “Does pop culture influence fashion?”. www.sundaynews.co.zw. 11 October 2015. Retrieved 2016-03-07.
- ^ Carlos, Marjon (6 February 2016). “The Fashion in Beyoncé’s New Video Is as Powerful as Its Politics”. Vogue. Archived from the original on 2016-12-21. Retrieved 2016-03-07.
- ^ Jump up to:a b Dazed (8 April 2015). “Vivienne Westwood’s top ten political moments”. Dazed. Retrieved 2016-03-07.
- ^ Wetzler, Tiahn (2020). “Social media influencer marketing”. Adjust.
- ^ McCall, Tyler (September 15, 2022). “Drag Queens Are the New VIPs of Fashion Week”. The CUT, New York magazine. Retrieved September 19, 2022.
- ^ “Consumer Needs & Marketing”. smallbusiness.chron.com. Retrieved 2016-05-30.
- ^ “Strategyn”. Strategyn. Retrieved 2016-05-30.
- ^ Jump up to:a b “Consumer Research Methods”. www.consumerpsychologist.com. Retrieved 2016-05-30.
- ^ Parker, Christopher J.; Wenyu, Lu (2019-05-13). “What influences Chinese fashion retail? Shopping motivations, demographics and spending”. Journal of Fashion Marketing and Management. 23 (2): 158–175. doi:10.1108/JFMM-09-2017-0093. ISSN 1361-2026. S2CID 170031856.
- ^ Piacentini, Maria (2004). “Symbolic consumption in teenagers’ clothing choices”. Journal of Consumer Behaviour. 3 (3): 251–262. doi:10.1002/cb.138.
- ^ Rissman, Rebecca (2016-08-15). Women in Fashion. ABDO. ISBN 9781680774856.
- ^ “Political & Economic Factors That Influenced Fashion in the 1960s | The Classroom | Synonym”. classroom.synonym.com. Retrieved 2016-05-30.
- ^ “Home : Berg Fashion Library”. www.bergfashionlibrary.com. Retrieved 2016-03-10.
- ^ Spears, Brian. “Top 6 Tech Trends in the Fashion Industry”. apparel.edgl.com. Retrieved 2016-03-10.
- ^ Parker, Christopher J.; Wang, Huchen (2016). “Examining hedonic and utilitarian motivations for m-commerce fashion retail app engagement”. Journal of Fashion Marketing and Management. 20 (4): 487–506. doi:10.1108/JFMM-02-2016-0015.
- ^ “The Impact of Technology on Fashion Today”. Site Name. Archived from the original on 2016-03-10. Retrieved 2016-03-10.
- ^ “How Machine Vision Is About to Change the Fashion World”. MIT Technology Review. Retrieved 2016-03-10.
- ^ “PLEASE Stop Saying Fashion is the 2nd Most Polluting Industry After Oil”. Ecocult. 2017-05-09. Retrieved 2018-12-10.
- ^ Bick, Rachel; Halsey, Erika; Ekenga, Christine C. (December 2018). “The global environmental injustice of fast fashion”. Environmental Health. 17 (1): 92. doi:10.1186/s12940-018-0433-7. PMC 6307129. PMID 30591057.
- ^ Jump up to:a b Liu, Jianli; Liang, Jianyao; Ding, Jiannan; Zhang, Guangming; Zeng, Xianyi; Yang, Qingbo; Zhu, Bo; Gao, Weidong (August 2021). “Microfiber pollution: an ongoing major environmental issue related to the sustainable development of textile and clothing industry”. Environment, Development and Sustainability. 23 (8): 11240–11256. doi:10.1007/s10668-020-01173-3. S2CID 230284901.
- ^ Laville, Sandra (2017-11-28). “Stella McCartney calls for overhaul of ‘incredibly wasteful’ fashion industry”. The Guardian. ISSN 0261-3077. Retrieved 2024-02-23.
- ^ “These facts show how unsustainable the fashion industry is”. World Economic Forum.
- ^ Beall, Abigail. “Why clothes are so hard to recycle”. www.bbc.com. Retrieved 2021-12-28.
- ^ Niinimäki, Kirsi; Peters, Greg; Dahlbo, Helena; Perry, Patsy; Rissanen, Timo; Gwilt, Alison (2020-04-07). “The environmental price of fast fashion”. Nature Reviews Earth & Environment. 1 (4): 189–200. doi:10.1038/s43017-020-0039-9. ISSN 2662-138X.
- ^ Cronin, A.M. (25 September 2015). “Fashion is the 2nd Largest Water Polluter in the World! How to Reduce Your Clothing Footprint”. OneGreenPlanet. Retrieved 12 January 2024.
- ^ Regan, Helen (September 28, 2020). “Asian rivers are turning black. And our colorful closets are to blame”. CNN. Retrieved October 3, 2020.
- ^ “Textiles”. Sew Guide. 16 April 2017.
- ^ Peters, Greg; Li, Mengyu; Lenzen, Manfred (2021-05-01). “The need to decelerate fast fashion in a hot climate – A global sustainability perspective on the garment industry”. Journal of Cleaner Production. 295: 126390. doi:10.1016/j.jclepro.2021.126390. ISSN 0959-6526.
- ^ Glover, Simon (2020-08-27). “Fashion emissions to ‘double Paris limit by 2030′”. Ecotextile News. Retrieved 2025-01-03.
- ^ “ROADMAP TO NET ZERO: DELIVERING SCIENCE-BASED TARGETS IN THE APPAREL SECTOR” (PDF).
- ^ Entwistle, Joanne; Rocamora, Agnès (August 2006). “The Field of Fashion Materialized: A Study of London Fashion Week”. Sociology. 40 (4): 735–751. doi:10.1177/0038038506065158. ISSN 0038-0385.
- ^ “Fashion”. WWD.
- ^ Lauren, Lynn. “Examples of Traditional Advertising”.
- ^ Tran, Shannon (2018). Style Wise. Bloomsbury. p. 6. ISBN 9781501323836.
- ^ Burke, Peter (1992). The fabrication of Louis XIV. New Haven: Yale University Press.
- ^ “Fashion Advertising, Sales Promotion, and Public Relations”, Marketing Fashion, Fairchild Publications, 2012, pp. 427–458, doi:10.5040/9781501303869.ch-014, ISBN 9781501303869
- ^ “Gazette du Bon Ton: A Journal of Good Taste”. www.abebooks.com. Archived from the original on 2019-06-17. Retrieved 2018-07-04.
- ^ “How social media is changing fashion?”. HuffPost. January 18, 2017.
- ^ “Tax, Genevieve. (2010-02-24) Fashion’s Own Sense of Season. The New Islander. Retrieved on 2011-06-29″.
- ^ Thompson, S.B.N., Hussein, Y., Jones, N. Designing for the famous – psychology of building a brand in haute couture shoe design and fashion. Design Principles & Practices: An International Journal 2011;5(5):1–25.
- ^ “People are boycotting H&M over ‘racist’ hoodie”. The Independent. 2018-01-09. Retrieved 2019-10-29.
- ^ “Is this Gap advert racist?”. 2016-04-06. Retrieved 2019-10-29.
- ^ Kell, John (2016-04-05). “Gap Apologizes for ‘Racist’ Ad”. Entrepreneur. Retrieved 2019-10-29.
- ^ Gallucci, Nicole (22 December 2017). “Jimmy Choo pulls Cara Delevingne ad after online backlash”. Mashable. Retrieved 2019-10-29.
- ^ “‘Misogynist’ YSL Ads Shock Parisians Ahead of International Women’s Day”. adage.com. 2017-03-07. Retrieved 2019-10-29.
- ^ Sherman, G., & Perlman, S. (2010). Fashion public relations. New York: Fairchild Books. In Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
- ^ “How Social Media Contributed to the Rise of Fast Fashion”. Retrieved 2018-10-02.
- ^ Westfield, A. M. (2002) The Role of Public Relations in Redefining Brands in the Fashion Industry, University of Southern California, Los Angeles, California.
- ^ Experian. (2012). Getting the most from social: An integrated marketing approach. Retrieved from www.experian.com.au/assets/social/getting-the-most-from-social.pdf in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
- ^ Dalto, A. (2010, September). Brands tempt female bloggers with ‘swag’. O’Dwyer’s Communications and New Media: The Fashion Issue, 24(9), 12–13. Archived 2015-09-24 at the Wayback Machine in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
- ^ Noricks, C. (2006). Social media sites are often the first experience a consumer has with a fashion brand. From style to strategy: An exploratory investigation of public relations practice in the fashion industry. Unpublished master’s thesis, San Diego State University, San Diego, CA. in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
- ^ Wright, M. (Feb 11, 2011). “How premium fashion brands are maximizing their social media ROI”. Mashable. Archived from the original on Jan 18, 2021. in Cassidy, L. & Fitch, K. (2013) Beyond the Catwalk: Fashion Public Relations and Social Media in Australia, Asia Pacific Public Relations Journal, vol. 14, No. 1 & 2, Murdoch University.
- ^ Jump up to:a b Brownmiller, Susan (1984). Femininity. New York: Lindon Press.
- ^ Mosmann, Petra (2016). “A feminist fashion icon: Germaine Greer’s paisley coat”. Australian Feminist Studies. 31 (87): 87. doi:10.1080/08164649.2016.1174928. S2CID 148120100.
- ^ Greer, Germaine (1971). The Female Eunuch. London: Paladin.
- ^ Jump up to:a b Mosmann, Petra (2016). “A feminist fashion icon: Germaine Greer’s paisley coat”. Australian Feminist Studies. 31 (87): 88. doi:10.1080/08164649.2016.1174928. S2CID 148120100.
- ^ Jump up to:a b “Fashion Week’s Anti-Trump Runway Politics”. The New Yorker. 21 February 2017.
- ^ “7 Ways Fashion Joined the Political Conversation in 2017”. Fashionista. Retrieved 2018-08-16.
- ^ “Fashion Gets Political: On and Off the Runway Statements”. The Hollywood Reporter. Retrieved 2018-08-16.
- ^ “Are fashion and politics the perfect fit?”. BBC News. 15 February 2017.
- ^ “Here’s Why You’ll See White Bandanas Everywhere During Fashion Month”. InStyle. Archived from the original on 2020-05-09. Retrieved 2017-04-11.
- ^ “Fashion for a Cause”. The Times of India. 2013-02-04. Archived from the original on 2013-05-01. Retrieved 2013-02-15.
- ^ Woodman, Anne (2013-01-26). “Fashion for a cause”. Clayton News Star. Archived from the original on 2013-04-11. Retrieved 2013-02-15.
- ^ “Fashion for a cause”. Chatham Daily News. 2013-02-07. Archived from the original on 2013-05-27. Retrieved 2013-02-15.
- ^ luc, karie angell (2013-01-16). “‘Fashion for a Cause’ aids families and kids”. Northbrook Star. Archived from the original on 2013-06-07. Retrieved 2013-02-15.
- ^ “Fashion for a cause”. Capital Gazette. Archived from the original on 2013-04-07. Retrieved 2013-02-15.
- ^ “One man’s trash is another man’s fashion”. NBC News/ AP. 2008-07-02. Retrieved 2013-02-15.
- ^ Simon, Stephanie (2009-01-13). “Trashion Trend: Dumpster Couture Gets a Boost at Green Inaugural Ball”. Wall Street Journal. Retrieved 2013-02-15.
- ^ Busch, Otto von (2014). “Fashion Hacking”. Design as Future-Making: 47–57. doi:10.5040/9781474293907-0009. ISBN 9781474293907.
- ^ Barthes, Roland (1983). The Fashion System. Berkeley: Univ. of California Press.
- ^ Molnar, Andrea K (1998). Transformations in the Use of Traditional Textiles of Ngada (Western Flores, Eastern Indonesia): Commercialization, Fashion and Ethnicity. Consuming Fashion: Adorning the Transnational Body: Berg. pp. 39–55 [42].
- ^ Ted Polhemus and Lynn Procter (1978). Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. p. 12.
- ^ Barnard, Malcolm (1996). Fashion as communication. London: Routledge.
- ^ Hamilton Hill, Margot; Bucknell, Peter A. (1987). The Evolution of Fashion: Pattern and Cut from 1066 to 1930 (5 ed.). London: Batsford. p. vii. ISBN 9780713458183. Retrieved 20 November 2020.
- ^ Ted Polhemus and Lynn Procter (1978). Fashion and Anti-fashion: An Anthropology of Clothing and Adornment. Thames and Hudson. pp. 12–13.
- ^ “Design details by larger companies is what often | Outspoken”. outspoken.wpshower.com. 9 June 2013. Retrieved 2018-08-16.
- ^ IPFrontline.com Archived 2007-05-10 at the Wayback Machine: Intellectual Property in Fashion Industry, WIPO press release, December 2, 2005
- ^ INSME announcement Archived 2007-09-29 at the Wayback Machine: WIPO-Italy International Symposium, 30 November – 2 December 2005