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Film Industry Nollywood film industry

January 8, 2025January 8, 2025Er Mukesh Singh

‘Everybody Loves Jenifa’ Tops Nollywood Charts with N1.46bn Box Office Success

‘Everybody Loves Jenifa’ Sets New Nollywood Record with N1.466bn Grossing in Less Than a Month

In an exciting update, Everybody Loves Jenifa has officially become Nollywood’s highest-grossing film of all time, surpassing N1.466 billion in box office earnings in less than a month since its release. The film, which premiered in cinemas on December 11, has captivated audiences in Nigeria and Ghana, making history as it continues to earn at the box office.

The film’s producers shared the exciting news with fans, expressing heartfelt gratitude for their support. “Everybody Loves Jenifa has officially hit a historic N1.466 billion and counting at the box office, making it the highest-grossing film of all time!” the post reads, celebrating the film’s monumental success.

A message of appreciation was directed to the movie’s audiences, saying, “A massive thank you to our incredible audiences in Nigeria and Ghana for making this dream a reality! Your support is everything.”

The post also hinted at even greater milestones ahead, adding, “On to even greater heights! Still showing in cinemas near you—experience the magic on the big screen.”

With the film continuing to be a favorite in cinemas, it’s clear that Everybody Loves Jenifa is a major success for Nollywood, cementing its place in the industry’s history.

The overwhelming success of Everybody Loves Jenifa underscores the growing impact of Nollywood on the global film industry. The movie’s ability to reach such impressive box office numbers so quickly is a testament to its strong fanbase and the increasing demand for Nigerian films.

Fans have shown massive support, making the film not only a national hit but also a regional one, with audiences in both Nigeria and Ghana flocking to cinemas to see the latest installment of the beloved Jenifa franchise. The star power of Funke Akindele, who plays the titular character, Jenifa, has also contributed significantly to the movie’s success, with her immense popularity ensuring strong viewership across various demographics.

In the social media post, the team behind the film encouraged audiences who haven’t yet seen the movie to experience it on the big screen, suggesting that the magic of Everybody Loves Jenifa is best appreciated in cinemas.

As the film continues to make waves in cinemas, it’s expected to break even more records, inspiring Nollywood filmmakers to push boundaries and create films that resonate with a wider audience. The film’s historic earnings are seen as a bright sign of Nollywood’s future, as the industry gains more recognition and continues to thrive globally.

For those who haven’t caught the magic yet, Everybody Loves Jenifa remains available in cinemas, making it a must-see for anyone looking to experience a piece of Nollywood history.

Courtesy: FAAN TV

References

^ “Facts About Nigerian Movies and History”. Total Facts about Nigeria. Retrieved 22 October 2014.
^ Jump up to:^a ^b ^c Onikeku, Qudus (January 2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. The Journal of Human Communications: A Journal of …. Academia. Retrieved 12 February 2015.
^ Jump up to:^a ^b ^c Onuzulike, Uchenna (2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. Nollywood Journal. Archived from the original on 31 January 2014. Retrieved 12 February 2014.
^ Igwe, Charles (6 November 2015). “How Nollywood became the second largest film industry”. BritichCouncil.com.
^ Onishi, Norimitsu (16 September 2002). “Step Aside, L.A. and Bombay, for Nollywood”. New York Times.
^ “History of Nollywood”. Nificon. Archived from the original on 26 March 2011. Retrieved 15 October 2014.
^ Jump up to:^a ^b ^c Ayengho, Alex (23 June 2012). “INSIDE NOLLYWOOD: What is Nollywood?”. E24-7 Magazine. NovoMag. Archived from the original on 24 February 2021. Retrieved 18 February 2015.
^ Jump up to:^a ^b “”Nollywood”: What’s in a Name?”. Nigeria Village Square. 3 July 2005. Archived from the original on 10 March 2021. Retrieved 20 February 2015.
^ Jump up to:^a ^b ^c ^d ^e ^f ^g ^h Apara, Seun (22 September 2013). “Nollywood at 20: Half Baked Idea”. 360Nobs.com. Retrieved 20 February 2015.
^ Izorya, Stanislaus (January 2017). “Nollywood in Diversity for IJC”. International Journal of Communication (21): 37–46.
^ Onishi, Norimitsu (16 September 2002), “Step Aside, L.A. and Bombay, for Nollywood”, The New York Times, retrieved 21 September 2023
^ Jump up to:^a ^b “Yoruba Movies | Yoruba Films”. Yoruba Movies. Retrieved 17 July 2017.
^ Sheme, Ibrahim (13 December 2010). “Bahaushe Mai Ban Haushi”. Ibrahimsheme.blogspot.com. Retrieved 8 February 2015.
^ Gana, Babagana M. (1 June 2012). “Hausa-English code-switching in Kanywood Films”. International Journal of Linguistics. Archived from the original on 16 February 2013.
^ “Nollywood: Lights, camera, Africa”. The Economist. 16 December 2010. Retrieved 20 February 2015.
^ “Nollywood Producers Guild USA Kick off Film Production With Arrival of Annie Macaulay Idibia”.
^ “Nollywood USA emerging”. 8 June 2013.
^ Brown, DeNeen (23 May 2013). “Nollywood USA: African Movie Makers Expand Filming to D.C. Area”. The Washington Post.
^ “Stolen, a Nollywood-USA movie by Robert Peters”. Archived from the original on 4 July 2012.
^ Miller, Jade L. (3 June 2016). Nollywood Central: The Nigerian Videofilm Industry. Bloomsbury Publishing. ISBN 978-1-84457-694-4.
^ Jump up to:^a ^b Husseini, Shaibu. “A YEAR OF MIXED FORTUNES FOR NOLLYWOOD”. Ehizoya Films. Ehizoya Golden Entertainment. Archived from the original on 6 September 2021. Retrieved 9 July 2014.
^ Jump up to:^a ^b ^c Olamide (31 December 2013). “Group Wants ‘Nollywood’ Renamed to ‘Naiwood'”. yabaleftonline.com. Archived from the original on 27 January 2014. Retrieved 17 February 2015.
^ “NOLLYWOODTUBE”. NOLLYWOODTUBE. 12 May 2024. Retrieved 12 May 2024.
^ Ekeanyanwu, Nnamdi Tobechukwu. “Nollywood, New Communication Technologies and Indigenous Cultures in a Globalized World: The NigerianDilemma”. Covenant University. Department of Mass Communication, College of Human Development. Retrieved 20 February 2015.^{[dead link]}
^ Jump up to:^a ^b Angelo, Mike (30 November 2013). “Nollywood At 20: Organisers’ Flaws… Top Names Erased From Award List”. Retrieved 20 February 2015.
^ Tolu (1 January 2014). “Why ‘Nollywood’ Has to be Renamed to ‘Naiwood'”. Information Nigeria. Retrieved 11 March 2015.
^ Bada, Gbenga. “Hon. Rotimi Makinde sparks off controversy over Nollywood @ 20 celebrations”. MOMO. Movie Moments. Archived from the original on 1 January 2014. Retrieved 17 February 2015.
^ McCain, Carmen (30 July 2011). “NOLLYWOOD AND ITS TERMINOLOGY MIGRAINES”. NigeriaFilms.com. Archived from the original on 6 September 2015. Retrieved 20 February 2015.
^ “Nollywood New releases in 2021”.
^ Jump up to:^a ^b Oyeniya, Adegboyega (8 November 2013). “Nollywood at 20?”. The Punch Newspaper. The Punch NG. Archived from the original on 8 November 2013. Retrieved 20 February 2015.
^ “Nigeria: October 1 Will Open New Chapter in My Life – Kunle Afolayan”. allAfrica.com. 9 August 2014. Retrieved 15 October 2014.
References
[edit]
^ “Facts About Nigerian Movies and History”. Total Facts about Nigeria. Retrieved 22 October 2014.
^ Jump up to:^a ^b ^c Onikeku, Qudus (January 2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. The Journal of Human Communications: A Journal of …. Academia. Retrieved 12 February 2015.
^ Jump up to:^a ^b ^c Onuzulike, Uchenna (2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. Nollywood Journal. Archived from the original on 31 January 2014. Retrieved 12 February 2014.
^ Igwe, Charles (6 November 2015). “How Nollywood became the second largest film industry”. BritichCouncil.com.
^ Onishi, Norimitsu (16 September 2002). “Step Aside, L.A. and Bombay, for Nollywood”. New York Times.
^ “History of Nollywood”. Nificon. Archived from the original on 26 March 2011. Retrieved 15 October 2014.
^ Jump up to:^a ^b ^c Ayengho, Alex (23 June 2012). “INSIDE NOLLYWOOD: What is Nollywood?”. E24-7 Magazine. NovoMag. Archived from the original on 24 February 2021. Retrieved 18 February 2015.
^ Jump up to:^a ^b “”Nollywood”: What’s in a Name?”. Nigeria Village Square. 3 July 2005. Archived from the original on 10 March 2021. Retrieved 20 February 2015.
^ Jump up to:^a ^b ^c ^d ^e ^f ^g ^h Apara, Seun (22 September 2013). “Nollywood at 20: Half Baked Idea”. 360Nobs.com. Retrieved 20 February 2015.
^ Izorya, Stanislaus (January 2017). “Nollywood in Diversity for IJC”. International Journal of Communication (21): 37–46.
^ Onishi, Norimitsu (16 September 2002), “Step Aside, L.A. and Bombay, for Nollywood”, The New York Times, retrieved 21 September 2023
^ Jump up to:^a ^b “Yoruba Movies | Yoruba Films”. Yoruba Movies. Retrieved 17 July 2017.
^ Sheme, Ibrahim (13 December 2010). “Bahaushe Mai Ban Haushi”. Ibrahimsheme.blogspot.com. Retrieved 8 February 2015.
^ Gana, Babagana M. (1 June 2012). “Hausa-English code-switching in Kanywood Films”. International Journal of Linguistics. Archived from the original on 16 February 2013.
^ “Nollywood: Lights, camera, Africa”. The Economist. 16 December 2010. Retrieved 20 February 2015.
^ “Nollywood Producers Guild USA Kick off Film Production With Arrival of Annie Macaulay Idibia”.
^ “Nollywood USA emerging”. 8 June 2013.
^ Brown, DeNeen (23 May 2013). “Nollywood USA: African Movie Makers Expand Filming to D.C. Area”. The Washington Post.
^ “Stolen, a Nollywood-USA movie by Robert Peters”. Archived from the original on 4 July 2012.
^ Miller, Jade L. (3 June 2016). Nollywood Central: The Nigerian Videofilm Industry. Bloomsbury Publishing. ISBN 978-1-84457-694-4.
^ Jump up to:^a ^b Husseini, Shaibu. “A YEAR OF MIXED FORTUNES FOR NOLLYWOOD”. Ehizoya Films. Ehizoya Golden Entertainment. Archived from the original on 6 September 2021. Retrieved 9 July 2014.
^ Jump up to:^a ^b ^c Olamide (31 December 2013). “Group Wants ‘Nollywood’ Renamed to ‘Naiwood'”. yabaleftonline.com. Archived from the original on 27 January 2014. Retrieved 17 February 2015.
^ “NOLLYWOODTUBE”. NOLLYWOODTUBE. 12 May 2024. Retrieved 12 May 2024.
^ Ekeanyanwu, Nnamdi Tobechukwu. “Nollywood, New Communication Technologies and Indigenous Cultures in a Globalized World: The NigerianDilemma”. Covenant University. Department of Mass Communication, College of Human Development. Retrieved 20 February 2015.^{[dead link]}
^ Jump up to:^a ^b Angelo, Mike (30 November 2013). “Nollywood At 20: Organisers’ Flaws… Top Names Erased From Award List”. Retrieved 20 February 2015.
^ Tolu (1 January 2014). “Why ‘Nollywood’ Has to be Renamed to ‘Naiwood'”. Information Nigeria. Retrieved 11 March 2015.
^ Bada, Gbenga. “Hon. Rotimi Makinde sparks off controversy over Nollywood @ 20 celebrations”. MOMO. Movie Moments. Archived from the original on 1 January 2014. Retrieved 17 February 2015.
^ McCain, Carmen (30 July 2011). “NOLLYWOOD AND ITS TERMINOLOGY MIGRAINES”. NigeriaFilms.com. Archived from the original on 6 September 2015. Retrieved 20 February 2015.
^ “Nollywood New releases in 2021”.
^ Jump up to:^a ^b Oyeniya, Adegboyega (8 November 2013). “Nollywood at 20?”. The Punch Newspaper. The Punch NG. Archived from the original on 8 November 2013. Retrieved 20 February 2015.
^ “Nigeria: October 1 Will Open New Chapter in My Life – Kunle Afolayan”. allAfrica.com. 9 August 2014. Retrieved 15 October 2014.
References
[edit]
^ “Facts About Nigerian Movies and History”. Total Facts about Nigeria. Retrieved 22 October 2014.
^ Jump up to:^a ^b ^c Onikeku, Qudus (January 2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. The Journal of Human Communications: A Journal of …. Academia. Retrieved 12 February 2015.
^ Jump up to:^a ^b ^c Onuzulike, Uchenna (2007). “Nollywood: The Influence of the Nigerian Movie Industry on African Culture”. Nollywood Journal. Archived from the original on 31 January 2014. Retrieved 12 February 2014.
^ Igwe, Charles (6 November 2015). “How Nollywood became the second largest film industry”. BritichCouncil.com.
^ Onishi, Norimitsu (16 September 2002). “Step Aside, L.A. and Bombay, for Nollywood”. New York Times.
^ “History of Nollywood”. Nificon. Archived from the original on 26 March 2011. Retrieved 15 October 2014.
^ Jump up to:^a ^b ^c Ayengho, Alex (23 June 2012). “INSIDE NOLLYWOOD: What is Nollywood?”. E24-7 Magazine. NovoMag. Archived from the original on 24 February 2021. Retrieved 18 February 2015.
^ Jump up to:^a ^b “”Nollywood”: What’s in a Name?”. Nigeria Village Square. 3 July 2005. Archived from the original on 10 March 2021. Retrieved 20 February 2015.
^ Jump up to:^a ^b ^c ^d ^e ^f ^g ^h Apara, Seun (22 September 2013). “Nollywood at 20: Half Baked Idea”. 360Nobs.com. Retrieved 20 February 2015.
^ Izorya, Stanislaus (January 2017). “Nollywood in Diversity for IJC”. International Journal of Communication (21): 37–46.
^ Onishi, Norimitsu (16 September 2002), “Step Aside, L.A. and Bombay, for Nollywood”, The New York Times, retrieved 21 September 2023
^ Jump up to:^a ^b “Yoruba Movies | Yoruba Films”. Yoruba Movies. Retrieved 17 July 2017.
^ Sheme, Ibrahim (13 December 2010). “Bahaushe Mai Ban Haushi”. Ibrahimsheme.blogspot.com. Retrieved 8 February 2015.
^ Gana, Babagana M. (1 June 2012). “Hausa-English code-switching in Kanywood Films”. International Journal of Linguistics. Archived from the original on 16 February 2013.
^ “Nollywood: Lights, camera, Africa”. The Economist. 16 December 2010. Retrieved 20 February 2015.
^ “Nollywood Producers Guild USA Kick off Film Production With Arrival of Annie Macaulay Idibia”.
^ “Nollywood USA emerging”. 8 June 2013.
^ Brown, DeNeen (23 May 2013). “Nollywood USA: African Movie Makers Expand Filming to D.C. Area”. The Washington Post.
^ “Stolen, a Nollywood-USA movie by Robert Peters”. Archived from the original on 4 July 2012.
^ Miller, Jade L. (3 June 2016). Nollywood Central: The Nigerian Videofilm Industry. Bloomsbury Publishing. ISBN 978-1-84457-694-4.
^ Jump up to:^a ^b Husseini, Shaibu. “A YEAR OF MIXED FORTUNES FOR NOLLYWOOD”. Ehizoya Films. Ehizoya Golden Entertainment. Archived from the original on 6 September 2021. Retrieved 9 July 2014.
^ Jump up to:^a ^b ^c Olamide (31 December 2013). “Group Wants ‘Nollywood’ Renamed to ‘Naiwood'”. yabaleftonline.com. Archived from the original on 27 January 2014. Retrieved 17 February 2015.
^ “NOLLYWOODTUBE”. NOLLYWOODTUBE. 12 May 2024. Retrieved 12 May 2024.
^ Ekeanyanwu, Nnamdi Tobechukwu. “Nollywood, New Communication Technologies and Indigenous Cultures in a Globalized World: The NigerianDilemma”. Covenant University. Department of Mass Communication, College of Human Development. Retrieved 20 February 2015.^{[dead link]}
^ Jump up to:^a ^b Angelo, Mike (30 November 2013). “Nollywood At 20: Organisers’ Flaws… Top Names Erased From Award List”. Retrieved 20 February 2015.
^ Tolu (1 January 2014). “Why ‘Nollywood’ Has to be Renamed to ‘Naiwood'”. Information Nigeria. Retrieved 11 March 2015.
^ Bada, Gbenga. “Hon. Rotimi Makinde sparks off controversy over Nollywood @ 20 celebrations”. MOMO. Movie Moments. Archived from the original on 1 January 2014. Retrieved 17 February 2015.
^ McCain, Carmen (30 July 2011). “NOLLYWOOD AND ITS TERMINOLOGY MIGRAINES”. NigeriaFilms.com. Archived from the original on 6 September 2015. Retrieved 20 February 2015.
^ “Nollywood New releases in 2021”.
^ Jump up to:^a ^b Oyeniya, Adegboyega (8 November 2013). “Nollywood at 20?”. The Punch Newspaper. The Punch NG. Archived from the original on 8 November 2013. Retrieved 20 February 2015.
^ “Nigeria: October 1 Will Open New Chapter in My Life – Kunle Afolayan”. allAfrica.com. 9 August 2014. Retrieved 15 October 2014.

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Er Mukesh Singh

Mukesh Singh Profile He is an IITian, Electronics & Telecom Engineer and MBA in TQM with more than 15 years wide experience in Education sector, Quality Assurance & Software development . He is TQM expert and worked for numbers of Schools ,College and Universities to implement TQM in education sectors He is an author of “TQM in Practice” and member of “Quality circle forum of India”, Indian Institute of Quality, New Delhi & World Quality Congress . His thesis on TQM was published during world quality congress 2003 and he is also faculty member of Quality Institute of India ,New Delhi He is a Six Sigma Master Black Belt from CII. He worked in Raymond Ltd from 1999-2001 and joined Innodata Software Ltd in 2001 as a QA Engineer. He worked with the Dow Chemical Company (US MNC) for implementation of Quality Systems and Process Improvement for Software Industries & Automotive Industries. He worked with leading certification body like ICS, SGS, DNV,TUV & BVQI for Systems Certification & Consultancy and audited & consulted more than 1000 reputed organization for (ISO 9001/14001/18001/22000/TS16949,ISO 22001 & ISO 27001) and helped the supplier base of OEM's for improving the product quality, IT security and achieving customer satisfaction through implementation of effective systems. Faculty with his wide experience with more than 500 Industries (Like TCS, Indian Railways, ONGC, BPCL, HPCL, BSE( Gr Floor BOI Shareholdings), UTI, ONGC, Lexcite.com Ltd, eximkey.com, Penta Computing, Selectron Process Control, Mass-Tech, United Software Inc, Indrajit System, Reymount Commodities, PC Ware, ACI Laptop ,Elle Electricals, DAV Institutions etc), has helped the industry in implementing ISMS Risk Analysis, Asset Classification, BCP Planning, ISMS Implementation FMEA, Process Control using Statistical Techniques and Problem Solving approach making process improvements in various assignments. He has traveled to 25 countries around the world including US, Europe and worldwide regularly for corporate training and business purposes.

Website https://hotaaj.com

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