HAF 2025 Announces 25 In-Development Projects, Featuring Hirokazu Kore-eda and More
The Hong Kong-Asia Film Financing Forum (HAF) has unveiled 25 in-development projects for its 23rd edition, including works by Hirokazu Kore-eda, Aditya Vikram Sengupta, Sylvie Pialat, and more. A standalone animation section will also debut for the first time.

Scroll down for full list of projects
HAF 2025: Celebrating Cultural Diversity and Introducing New Animation Section
The Hong Kong-Asia Film Financing Forum (HAF) has announced 25 in-development projects selected for its 23rd edition, chosen from 276 submissions across 45 countries and regions. According to HKIFF Industry director Jacob Wong, the shortlisted projects are notable for their cultural diversity and exceptional storytelling across genres such as action, sci-fi, fantasy, suspense, and horror.
Nine of the selected projects are directed by women, and several involve collaborations between filmmakers from Asia, Europe, and North America. This highlights Hong Kong’s strategic role as a global hub for the film industry.
At least 13 of the selected projects, with budgets ranging from $200,000 to $5 million, have already secured partial funding.
Introduction of a Standalone Animation Section
For the first time, a dedicated animation section will be introduced at HAF to support the growth of animated feature production in the region. Projects at various stages of development and production will be unveiled in mid-February, coinciding with the announcement of HAF’s works-in-progress selections.
This animation section joins HAF’s existing initiatives, including the HKIFF Industry – CAA China Genre Initiative (HCG), launched last year to promote Chinese-language genre films. Although the second edition of this biannual HCG will be held in 2026, this year’s HKIFF Industry Project Market will feature a new script development award presented by CAA China.
HAF 2025 continues to solidify its reputation as a premier platform for fostering collaborations, showcasing diverse voices, and advancing the global film industry.
Acclaimed producers
HAF 2025 In-Development Projects Spotlight: Bold Debuts and Literary Adaptations
This year’s Hong Kong-Asia Film Financing Forum (HAF) features a diverse lineup of in-development projects, including several notable feature debuts supported by acclaimed producers and adaptations of celebrated novels.
Feature Debuts with Acclaimed Producers
- 49 Days: Directed by Hu Wei and produced by Sylvie Pialat (Timbuktu, Stranger By The Lake) and Nai An, this France-China collaboration follows a divorced Chinese couple reuniting in Paris to arrange their son’s funeral while confronting unresolved emotions from their past.
- Indigo Boy: Produced by Yeh Ju-Feng, this fantasy by MV and TVC director Bill Chia delves into themes of depression and mental health through the lens of two close friends who struggle with their inner battles and the concept of indigo children.
- Republic Of Mahalaxmi Apartment: Directed by Niladri Mukherjee and produced by Aditya Vikram Sengupta (Once Upon A Time In Calcutta), this Indian drama explores majority rule tensions, centering on a single mother who becomes an outcast in her housing estate after raising concerns about a malfunctioning elevator.
- Yellow: Produced by Cannes Palme d’Or winner Hirokazu Kore-eda (Shoplifters, Monster) for assistant director Miyoh Yamaura, the story follows a man grappling with guilt and self-punishment after a fatal car accident, who finds healing through the young son of his deceased friend.
Adaptations of Renowned Novels
- 2181 Overture: Directed by Wang Kunlin, this adaptation of Chinese sci-fi writer Gu Shi’s Hugo Award-shortlisted novelette centers on a scientist awakening from cryogenic hibernation, adjusting to a transformed world, and searching for her lost daughter using a book she left behind.
- The Age Of Goodbyes: Adapted from Li Zi Shu’s bestselling novel, this film by Edmund Yeo explores the intricate relationships between a woman, her stepdaughter, and the latter’s lover in 1970s Ipoh. Yeo’s previous work We, The Dead (Aqérat) earned him the Best Director award at the Tokyo International Film Festival.
Hong Kong-Led Co-Productions
- Something In The Way: Directed by Fan Ka Chun, this horror suspense thriller follows a detective with face blindness who must confront repressed memories of his missing mother to stop himself from succumbing to his own dark impulses.
- Open Fire: Directed by Sze Pak-lam and Lau Wing-tai (Guilt By Design), this crime-action disaster film tells the story of a firefighter racing to save his wife from a slum fire ignited by an Interpol raid on terrorism.
Showcasing Creativity and Collaboration
This year’s lineup underscores the strength of cultural diversity and collaboration across continents, with themes spanning from grief and guilt to mental health, social issues, and speculative science fiction. HAF continues to cement its position as a global platform for fostering exceptional storytelling and innovative filmmaking.
Returning projects
Highlights of Returning and Emerging Talent in HAF 2025 Lineup
This year’s Hong Kong-Asia Film Financing Forum (HAF) lineup showcases a mix of fresh talent and familiar filmmakers, with diverse narratives exploring personal struggles, societal issues, and psychological complexities.
HAF Film Lab Alumni
Three of the selected projects previously received six months of script development support through the HAF Film Lab:
- Gone With The Wind (Zhao Yanming): A coming-of-age drama about a high schooler’s mission to dismantle a gambling ring in his hometown on the Inner Mongolian prairie.
- Somatization (Sun Xiao): A sci-fi horror tale set in a town overrun by petrochemical plants, where a mysterious explosion turns residents into monsters.
- Waves Under The Sea (Chan Sileong): An LGBTQ+ drama about two seaside friends whose diverging life paths create distance between them.
Notable Returnees and Familiar Faces
- The Circumciser (Jun Robles Lana): A historical drama set in 1920s US-ruled Philippines, focusing on a 16-year-old boy who dreams of studying English rather than inheriting his father’s role as the village circumciser.
- Drive South Pray West (Panu Aree, Kong Rithdee): A poignant story of a Muslim teenager fleeing Thailand’s troubled south for Bangkok, where he must navigate justice for his deceased brother.
- Giant Salamander (Yang Heng): A tale of isolation, featuring a man who moves to Hunan Province to care for an old man and his mysterious hidden cave-dwelling salamander.
Prominent Collaborations and Complex Narratives
- A Stranger At My Door (Zheng Lu Xinyuan, produced by Stanley Kwan): This psychological drama follows an amateur film director haunted by her mother’s ghost while working on a film about her mother’s sexual abuse, finding solace in a French composer.
- Dead Tide (Kethsvin Chee, produced by Lee Sinje and Jin Ong): A psychological drama about a released murderer returning to his fishing village to seek redemption, only to become entangled with a mentally ill woman locked away in a room.
- Lanka (Saurav Rai): A psychological revenge drama centered on a feud between two Indian families that spirals into violence after a karate drill involving their children goes wrong.
Diverse Themes and Genres
These projects underscore HAF’s commitment to supporting culturally diverse narratives that span genres such as coming-of-age drama, sci-fi horror, psychological thrillers, and historical epics. Through its mix of returning talent and newcomers, HAF continues to be a critical platform for innovative storytelling and cinematic exploration.
Courtesy: Magnolia Pictures & Magnet Releasing
References
- ^ “是枝裕和氏 なぜ「後に残された人」の悲しみだけを撮るのか”. News Post Seven. 13 September 2015. Retrieved 13 January 2023.
- ^ 楊, 惠君; 謝, 璇. “專訪是枝裕和:我期待有一天,拍出屬於自己的《悲情城市》”. The Reporter. Retrieved 8 February 2021.
祖父母因為同姓氏無法在日本結婚,當年從奄美大島「私奔」到高雄後生下他父親,身為「灣生」後代的是枝裕和,卻是在侯孝賢的電影裡取得與父親成長的連結,視台灣如另一個故鄉。
- ^ Frater, Patrick (3 November 2020). “Koreeda Hirokazu and Huang Xi Share a Hou Hsiao-hsien Moment”. Variety. Retrieved 16 December 2020.
- ^ “是枝裕和監督の妻(嫁)や娘は?新作・次回作も調査!学歴は早稲田?” (in Japanese). 11 June 2018.
- ^ Jump up to:a b “是枝裕和 監督”. Location Japan (in Japanese). 22 May 2018. Retrieved 4 February 2021.
- ^ Jump up to:a b “Hirokazu Kore-eda: ‘They compare me to Ozu. But I’m more like Ken Loach'”. TheGuardian.com. 21 May 2015.
- ^ Jump up to:a b “40年も続く卒業後の社会人生活 だからこそ、”好き”を”仕事”にしたい!!”. DAIGAKU SHINBUN. 10 May 2016. Retrieved 13 January 2023.
- ^ Gerow, Aaron. “Documentarists of Japan #12: Koreeda Hirokazu”. Yamagata International Documentary Film Festival. Retrieved 11 May 2020.
- ^ Sesser, Stan (6 November 1994). “HIDDEN DEATH”. The New Yorker. ISSN 0028-792X. Retrieved 25 October 2024.
- ^ Paletz, Gabriel M.; Saito, Ayako (1 January 2003). “The halfway house of memory: an interview with Hirokazu Kore-eda”. CineAction: 52–60.
- ^ “YIDFF: Publications: DocBox: #13”. www.yidff.jp. Retrieved 25 October 2024.
- ^ “Venice Film Festival 1995”. mubi.com. Retrieved 5 February 2021.
- ^ “Buenos Aires International Film Festival”. festagent.com. Retrieved 5 February 2021.
- ^ “After Life (1998) awards & festivals on MUBI”. mubi.com. Retrieved 5 February 2021.
- ^ tokyoguy (3 February 2005). “Rie Takes Blue Ribbon”. japan-zone.com. Japan Zone. Retrieved 5 February 2021.
- ^ Coonan, Clifford (23 March 2009). “Japan shines at Asian Film Awards”. Variety. Retrieved 5 February 2021.
… Hirokazu Kore-eda nabbed the director honor for “Still Walking.”
- ^ “Still Walking (2008) awards & festivals on MUBI”. mubi.com. Retrieved 5 February 2021.
- ^ “2013 Official Selection”. Festival de Cannes. 19 April 2013. Retrieved 19 April 2013.
- ^ “Cannes Film Festival: Awards 2013”. Cannes. 26 May 2013. Retrieved 26 May 2013.
- ^ “Cannes: ‘Blue Is the Warmest Color’ Wins Fipresci Prize”. Variety. 26 May 2013. Retrieved 27 February 2018.
- ^ Tomlin, Raymond (12 October 2013). “VIFF 2013: Award Winners Announced for 2013 Film Festival”. www.vanramblings.com. Van Ramblings.
- ^ “2015 Official Selection”. Festival de Cannes. Archived from the original on 18 April 2015.
- ^ Lee, Maggie (21 May 2016). “Cannes Film Review: ‘After the Storm'”. Variety. Retrieved 30 December 2017.
- ^ Jump up to:a b 「海街diary」が5冠、「お盆の弟」が4冠 (in Japanese). Nikkan Sports News. Archived from the original on 6 December 2015. Retrieved 5 December 2015.
- ^ “Venice Competition Includes Films From George Clooney, Guillermo del Toro, Darren Aronofsky”. The Hollywood Reporter. Retrieved 25 May 2018.
- ^ Debruge, Peter (19 May 2018). “Japanese Director Hirokazu Kore-eda’s ‘Shoplifters’ Wins Palme d’Or at Cannes”. Variety. Retrieved 19 May 2018.
- ^ Dove, Steve (22 January 2019). “Foreign Language Film Oscar 2019 Nominees Include Roman, Cold War & More”. oscar.go.com. Retrieved 5 February 2021.
- ^ “66th San Sebastian Film Festival 2018 Awards”. sansebastianfestival.com. 29 September 2018. Retrieved 5 February 2021.
- ^ Wiseman, Andreas (16 July 2018). “Juliette Binoche, Ethan Hawke & Catherine Deneuve To Star In ‘The Truth’ Palme d’Or Winner Hirokazu Kore-eda”. Deadline. Retrieved 5 February 2021.
- ^ “Song Kang-ho to Follow ‘Parasite’ with Hirokazu Kore-eda’s Korean Movie Debut — First Details”. 26 August 2020.
- ^ Noh, Jean. “Japan’s Gaga buys Hirokazu Kore-eda’s ‘Broker’ ahead of Cannes debut (exclusive)”. Screen. Retrieved 20 May 2022.
- ^ Mateo, Alex (6 January 2022). “Maiko-san Chi no Makanai-san Manga Gets Live-Action Drama on Netflix”. Anime News Network. Retrieved 6 January 2022.
- ^ Brzeski, Patrick (17 November 2022). “Hirokazu Kore-eda Reveals Next Film, ‘Monster,’ for 2023 Release”. The Hollywood Reporter. Retrieved 16 June 2023.
- ^ Goodfellow, Melanie (18 November 2022). “Hirokazu Kore-Eda’s New Film ‘Monster’ Unveiled, As Gaga, Toho Set June 2023 Release”. Deadline. Archived from the original on 8 December 2023. Retrieved 16 June 2023.
- ^ D’Alessandro, Nancy; Tartaglione, Anthony; D’Alessandro, Anthony (17 May 2023). “‘Monster’: Hirokazu Kore-Eda Drama Receives Six-Minute Standing Ovation At Cannes World Premiere”. Deadline. Retrieved 16 June 2023.
- ^ C., Manon (27 May 2023). “Cannes Festival 2023: Queer Palm awarded to Kore-Eda’s Monster”. www.sortiraparis.com. Archived from the original on 16 June 2023. Retrieved 16 June 2023.
- ^ Debruge, Peter (27 May 2023). “Cannes Awards: ‘Anatomy of a Fall’ Takes Palme d’Or, ‘The Zone of Interest’ and ‘The Pot au Feu’ Among Winners”. Variety. Archived from the original on 30 May 2024. Retrieved 30 May 2024.
- ^ Merican, Sara (12 November 2024). “Netflix Unveils Japanese Series ‘Asura,’ Written & Directed By Hirokazu Kore-eda”. Deadline.
- ^ “The Films of Hirokazu Koreeda”. Harvard Film Archive. 25 February 2005. Archived from the original on 12 January 2018. Retrieved 24 February 2011.
- ^ Interview with Hirokazu Kore-eda, MUBI.com; accessed 27 February 2018.
- ^ “「ゴーイング マイ ホーム」は是枝監督、人生の総括 両親の死が作品に与えた影響明かす”. Cinema Today. 4 March 2013. Retrieved 7 January 2022.
- ^ Jump up to:a b “広島出身・綾瀬はるか、戦後特番で遺族手記を朗読 是枝監督と再タッグ”. Oricon. Retrieved 6 June 2022.
- ^ Jump up to:a b “WOWOWドラマ「有村架純の撮休」に柳楽優弥、満島真之介、伊藤沙莉ら豪華キャスト集結”. Eiga. 28 January 2020. Retrieved 7 January 2022.
- ^ Jump up to:a b “「舞妓さんちのまかないさん」Netflixでドラマ化!監督は是枝裕和、森七菜&出口夏希のW主演”. Natalie. 7 January 2022. Retrieved 7 January 2022.
- ^ “宮沢りえ×尾野真千子×蒼井優×広瀬すずが四姉妹に、昭和を代表する家族劇の傑作『阿修羅のごとく』是枝裕和監督が再ドラマ化”. Oricon (in Japanese). Retrieved 12 November 2024.
- ^ Shackleton, Liz (12 March 2023). “‘Drive My Car’ Wins Best Feature At Asian Film Awards; Tony Leung Takes Best Actor, Asian Contribution Award”. Deadline Hollywood. Retrieved 13 March 2023.