Pinewood Studios Unveils New Facilities for Budget-Friendly Films -

A New Indie Film Hub at Pinewood Studios to Boost Low-Budget UK Films

Pinewood Studios, renowned for being the home of major blockbusters, is taking a significant step to encourage more independent filmmaking in the UK. A new indie film hub is set to open, specifically aimed at supporting low-budget films and providing filmmakers with a cost-effective environment to create their projects.

What the Indie Film Hub Offers

The new hub will offer state-of-the-art facilities tailored for indie filmmakers. This includes affordable studio spaces, top-tier equipment, and professional technical support to help filmmakers bring their creative visions to life. The initiative is designed to give filmmakers access to the resources they need without the high financial burden often associated with larger production studios.

Supporting UK’s Creative Talent

The move is expected to make a significant impact on the UK’s film industry, providing a platform for emerging talent and fostering new, diverse voices in cinema. By lowering the barriers to entry, the indie film hub aims to democratize the filmmaking process and give fresh filmmakers the opportunity to bring their stories to the screen.

A Thriving Indie Film Scene

Pinewood Studios’ new initiative is part of a broader push to reinvigorate the UK’s indie film scene. Many filmmakers struggle to find affordable studio spaces that can accommodate their visions, but this hub will bridge

New Indie Film Hub at Pinewood Studios to Support Low-Budget UK Films

Pinewood Studios, long known for hosting major film productions, is now setting its sights on supporting independent filmmakers. A new indie film hub will open its doors, offering a range of facilities and resources designed specifically for low-budget UK films.

State-of-the-Art Facilities for Indie Filmmakers

The newly established hub will provide independent filmmakers with access to sound stages—large, soundproofed warehouses where films are typically shot—as well as production offices and workshop spaces. Located in Iver Heath, Buckinghamshire, the facility is strategically positioned to offer affordable production options while maintaining the high-quality standards associated with Pinewood Studios.

Supporting Creative Visionaries

This initiative is set to provide filmmakers with the infrastructure they need to bring their creative ideas to life, without the financial strain of high-end studios. The hub aims to democratize the filmmaking process by offering affordable access to sound stages, offices, and equipment that are often out of reach for smaller productions.

COURTESY: In Depth Cine

Why It Matters for the UK Film Industry

With the rising costs of film production, many independent filmmakers face challenges in finding affordable spaces to create their work. Pinewood’s indie film hub is poised to address this gap by offering an accessible environment that supports both emerging talent and experienced filmmakers. This initiative promises to fuel innovation in the UK’s independent film sector, encouraging more diverse and unique voices to emerge.

Key Features of the Hub:

Sound Stages: Large, soundproofed spaces for shooting film scenes.
Production Offices: Dedicated office spaces for pre-production and administrative work.
Workshop Areas: Facilities for building sets, props, and preparing equipment.
Affordable Rental Rates: Competitive pricing aimed at supporting low-budget productions.
Professional Technical Support: Access to technical expertise in lighting, sound, and film editing.

Enhancing the UK Film Scene

By providing independent filmmakers with access to these high-end resources, Pinewood Studios is setting the stage for the next generation of UK filmmakers. This initiative reflects a broader effort to foster innovation, creativity, and collaboration within the UK film industry. With a focus on supporting smaller, independent productions, the hub is expected to become a key resource for filmmakers looking to break into the industry or produce groundbreaking work on a budget.

Through this new hub, Pinewood Studios continues to play an integral role in shaping the future of filmmaking in the UK.

Pinewood Studios to Launch Indie Film Hub Offering Comprehensive Support for Low-Budget UK Films

Pinewood Studios, famed for its work on major Hollywood blockbusters, is expanding its offerings to support the burgeoning independent film scene in the UK. The studio is set to open a new indie film hub next summer, providing a full range of affordable services designed to assist low-budget filmmakers throughout their production process.

Comprehensive Services for Independent Filmmakers

The new hub will offer indie filmmakers access to sound stages, production offices, and workshop spaces at Pinewood’s site in Iver Heath, Buckinghamshire. In addition to these facilities, filmmakers will be able to rent a variety of production tools and services, including:

Camera Hire: A wide selection of industry-standard cameras available for rent, ensuring high-quality footage on any budget.
Drone Photography: Access to state-of-the-art drones for aerial shots, enhancing production value with stunning visuals.
Post-Production Services: Facilities and technical support for editing, sound design, and visual effects, allowing filmmakers to complete their projects under one roof.

Why This Hub is a Game Changer

With the high costs of film production often putting independent filmmakers at a disadvantage, this new hub aims to level the playing field by offering a range of affordable resources that cater to every aspect of filmmaking. Whether it’s shooting on sound stages, capturing footage with drones, or fine-tuning the final cut in post-production, the hub will provide an all-in-one solution for low-budget projects.

COURTESY: Landbound

Supporting UK’s Creative Talent

By offering access to high-end resources at a fraction of the cost of larger studios, this initiative is expected to stimulate the growth of the UK’s independent film industry. It will provide emerging filmmakers with the opportunity to bring their creative ideas to life while maintaining professional production standards.

Key Features of the Indie Film Hub:

Affordable Sound Stages: Large, soundproof spaces for filming without the high price tag.
Production Offices and Workshop Space: A one-stop location for all pre-production and set-building needs.
Camera Hire: A variety of professional cameras available for rent to suit any filming style or budget.
Drone Photography: Aerial filming services for breathtaking shots that elevate a project’s production value.
Post-Production Services: On-site facilities for editing, sound design, and visual effects, providing filmmakers with everything they need to complete their project.

A Boost for the UK Film Industry

This initiative reflects Pinewood Studios’ commitment to nurturing the next generation of filmmakers and supporting the growth of the UK film industry. By providing affordable access to state-of-the-art equipment and facilities, the indie film hub is set to encourage more creativity, diversity, and innovation in UK cinema.

Opening next summer, this new hub promises to become an essential resource for indie filmmakers, ensuring that great ideas have the space, support, and tools they need to thrive on the big screen.

The launch of the new indie film hub at Pinewood Studios comes at a pivotal moment, coinciding with the passing of the UK government’s Independent Film Tax Credit into law. This tax credit, designed to provide financial support to low-budget filmmakers, is expected to further encourage creativity and production within the UK’s indie film sector.

Independent Film Tax Credit: A Boost for Low-Budget Filmmakers

The government’s new tax credit offers filmmakers significant financial relief by providing tax incentives for qualifying productions. This initiative is aimed at stimulating the UK film industry, making it more accessible for independent filmmakers to produce high-quality work without the burden of excessive costs. The tax credit is seen as a key step in fostering innovation, diversity, and artistic expression within the film industry.

Synergy Between the Hub and Tax Credit

With the opening of Pinewood’s indie film hub and the introduction of the Independent Film Tax Credit, filmmakers now have a unique opportunity to maximize their resources. The combined support of affordable production facilities and financial incentives positions the UK as an increasingly attractive destination for independent filmmakers from both within the country and abroad.

This synergy is expected to significantly impact the growth and success of the indie film community, allowing filmmakers to access top-tier resources, reduce production costs, and focus on their creative vision. The launch of the hub, in tandem with this new tax law, signals a promising future for independent cinema in the UK.

The government’s Independent Film Tax Credit provides a substantial financial incentive for filmmakers, offering a 53% tax break on productions with a budget under £15 million. This generous tax relief is designed to support low-budget filmmakers and make the process of creating independent films more financially viable.

How the Tax Credit Works

Filmmakers producing independent films with a budget under £15 million can claim up to 53% of their production costs back through the tax credit. This is a significant financial boost, enabling filmmakers to allocate more resources towards creative aspects such as casting, production design, and post-production, rather than being weighed down by costs.

COURTESY: Standard Story Company

Impact on the Indie Film Industry

This tax break is a game-changer for the independent film sector, making it easier for filmmakers to bring their projects to life without the need for major studio backing. The 53% tax relief not only encourages UK-based filmmakers but also attracts international filmmakers to shoot their films in the UK, further strengthening the country’s position as a hub for independent cinema.

Synergy with Pinewood’s Indie Film Hub

The introduction of the tax credit aligns perfectly with the opening of Pinewood Studios’ indie film hub, which will offer affordable sound stages, production offices, and post-production facilities. With both financial support and access to top-tier resources, filmmakers now have the opportunity to maximize their creative potential while keeping costs low, making this a golden age for independent filmmaking in the UK.

James Bond producer Barbara Broccoli praised the launch of the new indie film hub at Pinewood Studios and the introduction of the Independent Film Tax Credit, stating, “This is a good day for independent film.”

Her comments highlight the significant positive impact these initiatives will have on the independent film sector. Broccoli, known for her role in producing some of the world’s most iconic films, recognizes that the new facilities and financial incentives will provide an essential platform for emerging filmmakers, allowing them to create high-quality productions with lower budgets.

A Boost for Creativity and Innovation

Broccoli’s statement reflects the broader industry sentiment that the combination of affordable resources and substantial tax breaks will encourage creativity and innovation in independent filmmaking. The UK’s growing reputation as a hub for indie films is set to attract both homegrown talent and international filmmakers, further elevating the country’s status as a global leader in the film industry.

The new Pinewood facilities, alongside the tax relief, will undoubtedly foster new voices and diverse stories, ensuring the continued vitality and evolution of the independent film sector.

Barbara Broccoli continued, “It is essential to the British film industry that independent films get produced and supported. Independent cinema is where fresh talent and innovative ideas thrive, and it’s crucial to provide the resources and financial backing to nurture these creative endeavors.”

Her statement underscores the importance of independent films in the UK’s cultural and economic landscape. Independent filmmakers often push boundaries, exploring new narratives and techniques that mainstream cinema might not embrace. With the combination of the new indie film hub at Pinewood Studios and the 53% tax break for qualifying productions, these initiatives will play a crucial role in ensuring that the UK remains a fertile ground for creative experimentation and filmmaking excellence.

Broccoli’s endorsement highlights the broader significance of these developments, not only for filmmakers but for the future of the British film industry as a whole.

COURTESY: J. Horton Films

Barbara Broccoli further emphasized, “This will ensure the promotion of new talent both in front of and behind the camera.”

Her statement reflects the importance of providing a platform for emerging filmmakers, actors, and crew members to showcase their skills. The new indie film hub at Pinewood Studios, along with the Independent Film Tax Credit, creates an ecosystem where fresh talent can thrive. This initiative is designed not only to boost the production of independent films but also to cultivate the next generation of industry professionals, from directors and writers to actors and technical crew.

By offering affordable facilities and financial support, the scheme opens up opportunities for diverse and new voices to be heard, encouraging a more inclusive and dynamic film industry in the UK. This initiative will foster creativity and help establish the UK as a global leader in independent cinema.

Culture Secretary Lisa Nandy visited Pinewood Studios on Tuesday and praised the new state-of-the-art facility, stating, “Pinewood’s new state-of-the-art facility will be a huge boost for the UK’s indie filmmakers, offering first-rate infrastructure and on-site expertise to bring more British productions to the big screen.”

Nandy’s statement highlights the significant impact this development will have on the UK’s independent film sector. The new facilities are designed to provide cutting-edge resources and expert support that will make it easier for indie filmmakers to bring their visions to life. This includes access to sound stages, production offices, workshop spaces, and other essential services, which will help filmmakers produce high-quality films on lower budgets.

By improving infrastructure and offering specialized support, this initiative is expected to drive more British productions to cinemas, strengthening the UK’s position as a hub for creative filmmaking. Nandy’s comments underscore the government’s commitment to supporting the growth and success of independent cinema, ensuring that it continues to play a vital role in the UK’s cultural and economic fabric.

Pinewood Studios, which opened its doors in 1936, has a rich history of contributing to the global film industry. Over the years, the studio has played a pivotal role in the production of 174 Oscar-winning films, establishing itself as one of the most iconic film production facilities in the world.

The studios have been home to some of the most famous film franchises, including the James Bond series, and have hosted the production of numerous critically acclaimed movies across various genres. Its state-of-the-art facilities and expertise have attracted filmmakers from all over the world, making it a key player in shaping the cinematic landscape.

As the new indie film hub opens at Pinewood, it continues the legacy of fostering creativity and innovation, providing the next generation of filmmakers with the tools and resources to bring their stories to life. With its longstanding history and commitment to excellence, Pinewood remains a symbol of the UK’s vibrant film industry.

Recent releases at Pinewood Studios have included major Hollywood blockbusters such as Deadpool and Wolverine, starring Ryan Reynolds and Hugh Jackman, respectively. These films showcase the studio’s ability to host high-profile productions, attracting A-list talent and global attention.

Additionally, Pinewood has been the site for other highly anticipated films like The Little Mermaid and Indiana Jones and the Dial of Destiny, further cementing its reputation as a top-tier production facility. These films, with their vast budgets and complex production requirements, highlight the studio’s capacity to handle large-scale projects while maintaining its role as a creative hub for filmmakers across the globe.

With these major Hollywood productions, Pinewood continues to play a central role in both the UK and international film industries, while also expanding its commitment to supporting independent filmmakers with the new hub for low-budget films.

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References
[edit]
^ Jump up to:^a ^b “Table 8: Cinema Infrastructure – Capacity”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 6: Share of Top 3 distributors (Excel)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
^ “Table 1: Feature Film Production – Genre/Method of Shooting”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 11: Exhibition – Admissions & Gross Box Office (GBO)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
^ Jump up to:^a ^b ^c “BFI Screenonline: UK Feature Films Produced 1912–2023”. Archived from the original on 4 March 2018. Retrieved 30 June 2008.
^ “The Directors’ Top Ten Directors”. British Film Institute. Archived from the original on 14 May 2011. Retrieved 2 November 2010.
^ “Powell, Michael (1905–1990)”. British Film Institute. Archived from the original on 16 October 2018. Retrieved 25 January 2011.
^ “Reed, Carol (1906–1976)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “Caine, Michael (1933-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Connery, Sean (1930-)”. British Film Institute. Archived from the original on 18 October 2018. Retrieved 11 December 2010.
^ “Winslet, Kate (1975-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Harry Potter becomes highest-grossing film franchise”. The Guardian. London. 11 September 2007. Archived from the original on 26 July 2013. Retrieved 2 November 2010.
^ “Scott, Sir Ridley (1937-)”. British Film Institute. Archived from the original on 26 September 2018. Retrieved 25 January 2011.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “UK film – the vital statistics”. UK Film Council. Archived from the original on 11 December 2011. Retrieved 22 October 2010.
^ “UK cinema box office”. Cinema Exhibitor’s Association. Archived from the original on 12 April 2013. Retrieved 18 March 2013.
^ “UK cinema annual admissions”. Cinema Exhibitor’s Association. Retrieved 18 March 2013.^{[permanent dead link]}
^ British Film Institute | The BFI 100 bfi.org
^ Jump up to:^a ^b “Baftas fuel Oscars race”. BBC News. 26 February 2001. Archived from the original on 26 July 2013. Retrieved 14 February 2011.
^ “Louis Le Prince”. Local Heroes. BBC Education. 28 November 1999. Archived from the original on 28 November 1999. Retrieved 14 August 2011.
^ Howells, Richard (Summer 2006). “Louis Le Prince: the body of evidence”. Screen. 47 (2). Oxford Journals: 179–200. doi:10.1093/screen/hjl015. ISSN 0036-9543.
^ “Who’s Who of Victorian Cinema”. www.victorian-cinema.net. Archived from the original on 5 November 2015. Retrieved 28 September 2016.
^ Davidson, Ewan. “Blackfriars Bridge”. BFI Screenonline Database. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
^ McKernan, Luke. “Booth, W.R. (1869-1938)”. BFI Screenonlinee. Archived from the original on 20 May 2016. Retrieved 24 April 2019.
^ Gifford, Denis. “Walter Robert Booth”. Who’s Who of Victorian Cinema. Archived from the original on 15 March 2012. Retrieved 24 April 2019.
^ “World’s first colour moving pictures discovered” Archived 14 September 2017 at the Wayback Machine. BBC News, 12 September 2012. Retrieved on 29 July 2013.
^ McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897–1925. University of Exeter Press. ISBN 978-0859892964.
^ Mills, Ted (31 March 2016). “The First Film Adaptation of Alice in Wonderland (1903)”. Open Culture. Archived from the original on 17 May 2017. Retrieved 19 May 2017.
^ “FDA – What We Do”. Film Distributors’ Association. Archived from the original on 27 March 2022. Retrieved 18 April 2022.
^ Estel Eforgan (30 June 2010). Leslie Howard: The Lost Actor. Vallentine Mitchell. ISBN 978-0-85303-971-6.
^ Jump up to:^a ^b “The British Film Industry”. The Times. 21 January 1948. p. 5.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
^ Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 61.
^ St. Pierre, Paul Matthew (31 May 2009). Music Hall Mimesis in British Film, 1895–1960: On the Hall on the Screen. Associated University Press. p. 79. ISBN 978-0-8386-4191-0.
^ Richard Allen; S. Ishii-Gonzalès (2004). Hitchcock: Past and Future. Routledge. ISBN 978-0-415-27525-5.
^ Burton, Alan; Chibnall, Steve (2013). Historical Dictionary of British Cinema. Lanham, MD and Plymouth, England: Scarecrow Press. p. 43. ISBN 9780810880269.
^ Alexander, Lou (2003–2014). “Associated British Picture Corporation (1933-70)”. BFI screenonline. Archived from the original on 24 September 2015. Retrieved 17 July 2015.
^ Warren (2001), pp. 57, 58.
^ Warren (2001), pp. 26, 28.
^ Mark Duguid, “Korda and Empuire” Archived 27 September 2012 at the Wayback Machine, BFI screenonline.
^ Michael Brooke, “Sabu (1924–1963)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ Stephen Bourne, “Robeson, Paul (1898–1976)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ “British Film Institute – GOV.UK”. Government of the United Kingdom. 31 March 2022. Archived from the original on 18 January 2013. Retrieved 18 April 2022.
^ Sarah Street British National Cinema, London: Routledge, 2009, p. 12.
^ Warren (2001), pp. 29, 119.
^ Leff, Leonard J., The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press, 1999, p. 16.
^ Jump up to:^a ^b ^c “Going to the pictures: British cinema and the Second World War” (PDF). School of Advanced Study. Archived (PDF) from the original on 20 October 2020. Retrieved 14 November 2020.
^ Jump up to:^a ^b Gerard Gilbert (3 September 2009). “Britain’s World War II films were more than just propaganda”. The Independent. Archived from the original on 2 September 2019. Retrieved 3 May 2012.
^ Warren (2001), p. 120.
^ “British film import duty 1948-49”. Archived from the original on 2 May 2015. Retrieved 27 February 2019.
^ “10-Day London Fest Films Preems Oct. 16”. Variety. 9 October 1957. p. 14 – via Archive.org.
^ Brooke, Michael. “School for Scoundrels (1959)”. Screenonline. British Film Institute. Archived from the original on 13 February 2013. Retrieved 12 May 2013.
^ Jump up to:^a ^b Tim O’Sullivan, “Dearden, Basil (1911-1971)” Archived 19 October 2019 at the Wayback Machine, BFI screenonline, citing the Reference Guide to British and Irish Film Directors.
^ Carl Daniels, “Pool of London (1950)” Archived 22 October 2019 at the Wayback Machine, BFI screenonline.
^ Ann Ogidi, “Sapphire (1959)” Archived 23 September 2012 at the Wayback Machine, BFI screenonline.
^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
^ “The 100 Best British Films Ever” Archived 23 July 2015 at the Wayback Machine. Empire. Retrieved 5 January 2013
^ Harris, Derek (5 September 1974). “The film industry seeks another reprieve”. The Times. p. 19.
^ “BFI Screenonline: Channel 4 and Film”. Archived from the original on 29 October 2019. Retrieved 15 January 2012.
^ “AMC CINEMAS® BRINGS THE MULTIPLEX TO THE UNITED KINGDOM”. Archived from the original on 4 January 2015. Retrieved 3 January 2015.
^ Hoad, Phil (11 November 2010). “How multiplex cinemas saved the British film industry 25 years ago”. The Guardian. Archived from the original on 6 May 2020. Retrieved 2 April 2020.
^ Michael Brooks, “HandMade Films” Archived 11 January 2013 at the Wayback Machine, BFI screenonline.
^ “BFI Screenonline: Puttnam, Lord David”. Archived from the original on 26 July 2013. Retrieved 15 January 2012.
^ “This week’s new theatre and dance” Archived 14 March 2016 at the Wayback Machine. The Guardian. Retrieved 19 July 2012.
^ Stern, Marlow, and in 1985 we saw the retirement of Roger Moore from the role of Bond after A View to a kill,at the age of 58.“Gary Oldman Talks ‘Tinker, Tailor, Soldier, Spy,’ ‘Batman’ Retirement” Archived 31 October 2014 at the Wayback Machine. The Daily Beast. 8 December 2011. Retrieved 10 December 2013.
^ Dyja, Eddie (ed.); ‘BFI Film and Television Handbook 1999’, London: BFI, 1998; p. 42.
^ Watson, Neil, “Hollywood UK”, in British Cinema of the 90s, London: BFI Publishing, 2000, p. 82.
^ Watson, “Hollywood UK”, p. 83.
^ “£200m film studio boost for UK”. The Independent. 7 November 1995. Archived from the original on 19 November 2012. Retrieved 29 June 2012.
^ “Studio Tour Casts Spells Just Like Harry”. The New York Times. 29 March 2012. Archived from the original on 23 May 2012. Retrieved 29 June 2012.
^ Peter Bradshaw (6 January 2006). “Match Point”. The Guardian. Archived from the original on 16 March 2014. Retrieved 29 June 2012.
^ “London Calling, With Luck, Lust and Ambition”. The New York Times. 28 December 2005. Archived from the original on 18 July 2012. Retrieved 29 June 2012.
^ “Warner Bros buys Harry Potter studios in £100m boost for UK films”. The Guardian. 9 November 2010. Archived from the original on 18 November 2022. Retrieved 18 November 2011.
^ “Warner to purchase and invest £100 million in film studio”. Reuters. 8 November 2010. Retrieved 18 November 2011.^{[dead link]}
^ Ben Beaumont-Thomas, “Only a small fraction of British films turn a profit, BFI study finds” Archived 3 January 2017 at the Wayback Machine, The Guardian, 3 December 2013.
^ “People Index – Actors: Total Gross”. Box Office Mojo. Archived from the original on 27 June 2019. Retrieved 6 May 2019.
^ “British film industry will suffer if the Government closes the UK Film Council” Archived 26 February 2017 at the Wayback Machine, 5 August 2010.
^ “Daniel Barber condemns UK Film Council abolition” Archived 23 July 2012 at the Wayback Machine, 29 July 2010
^ “Clint Eastwood writes plea to save UK Film Council”. BBC News Online. 9 August 2010. Archived from the original on 26 January 2011.
^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.
References
[edit]
^ Jump up to:^a ^b “Table 8: Cinema Infrastructure – Capacity”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 6: Share of Top 3 distributors (Excel)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
^ “Table 1: Feature Film Production – Genre/Method of Shooting”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 11: Exhibition – Admissions & Gross Box Office (GBO)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
^ Jump up to:^a ^b ^c “BFI Screenonline: UK Feature Films Produced 1912–2023”. Archived from the original on 4 March 2018. Retrieved 30 June 2008.
^ “The Directors’ Top Ten Directors”. British Film Institute. Archived from the original on 14 May 2011. Retrieved 2 November 2010.
^ “Powell, Michael (1905–1990)”. British Film Institute. Archived from the original on 16 October 2018. Retrieved 25 January 2011.
^ “Reed, Carol (1906–1976)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “Caine, Michael (1933-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Connery, Sean (1930-)”. British Film Institute. Archived from the original on 18 October 2018. Retrieved 11 December 2010.
^ “Winslet, Kate (1975-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Harry Potter becomes highest-grossing film franchise”. The Guardian. London. 11 September 2007. Archived from the original on 26 July 2013. Retrieved 2 November 2010.
^ “Scott, Sir Ridley (1937-)”. British Film Institute. Archived from the original on 26 September 2018. Retrieved 25 January 2011.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “UK film – the vital statistics”. UK Film Council. Archived from the original on 11 December 2011. Retrieved 22 October 2010.
^ “UK cinema box office”. Cinema Exhibitor’s Association. Archived from the original on 12 April 2013. Retrieved 18 March 2013.
^ “UK cinema annual admissions”. Cinema Exhibitor’s Association. Retrieved 18 March 2013.^{[permanent dead link]}
^ British Film Institute | The BFI 100 bfi.org
^ Jump up to:^a ^b “Baftas fuel Oscars race”. BBC News. 26 February 2001. Archived from the original on 26 July 2013. Retrieved 14 February 2011.
^ “Louis Le Prince”. Local Heroes. BBC Education. 28 November 1999. Archived from the original on 28 November 1999. Retrieved 14 August 2011.
^ Howells, Richard (Summer 2006). “Louis Le Prince: the body of evidence”. Screen. 47 (2). Oxford Journals: 179–200. doi:10.1093/screen/hjl015. ISSN 0036-9543.
^ “Who’s Who of Victorian Cinema”. www.victorian-cinema.net. Archived from the original on 5 November 2015. Retrieved 28 September 2016.
^ Davidson, Ewan. “Blackfriars Bridge”. BFI Screenonline Database. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
^ McKernan, Luke. “Booth, W.R. (1869-1938)”. BFI Screenonlinee. Archived from the original on 20 May 2016. Retrieved 24 April 2019.
^ Gifford, Denis. “Walter Robert Booth”. Who’s Who of Victorian Cinema. Archived from the original on 15 March 2012. Retrieved 24 April 2019.
^ “World’s first colour moving pictures discovered” Archived 14 September 2017 at the Wayback Machine. BBC News, 12 September 2012. Retrieved on 29 July 2013.
^ McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897–1925. University of Exeter Press. ISBN 978-0859892964.
^ Mills, Ted (31 March 2016). “The First Film Adaptation of Alice in Wonderland (1903)”. Open Culture. Archived from the original on 17 May 2017. Retrieved 19 May 2017.
^ “FDA – What We Do”. Film Distributors’ Association. Archived from the original on 27 March 2022. Retrieved 18 April 2022.
^ Estel Eforgan (30 June 2010). Leslie Howard: The Lost Actor. Vallentine Mitchell. ISBN 978-0-85303-971-6.
^ Jump up to:^a ^b “The British Film Industry”. The Times. 21 January 1948. p. 5.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
^ Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 61.
^ St. Pierre, Paul Matthew (31 May 2009). Music Hall Mimesis in British Film, 1895–1960: On the Hall on the Screen. Associated University Press. p. 79. ISBN 978-0-8386-4191-0.
^ Richard Allen; S. Ishii-Gonzalès (2004). Hitchcock: Past and Future. Routledge. ISBN 978-0-415-27525-5.
^ Burton, Alan; Chibnall, Steve (2013). Historical Dictionary of British Cinema. Lanham, MD and Plymouth, England: Scarecrow Press. p. 43. ISBN 9780810880269.
^ Alexander, Lou (2003–2014). “Associated British Picture Corporation (1933-70)”. BFI screenonline. Archived from the original on 24 September 2015. Retrieved 17 July 2015.
^ Warren (2001), pp. 57, 58.
^ Warren (2001), pp. 26, 28.
^ Mark Duguid, “Korda and Empuire” Archived 27 September 2012 at the Wayback Machine, BFI screenonline.
^ Michael Brooke, “Sabu (1924–1963)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ Stephen Bourne, “Robeson, Paul (1898–1976)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ “British Film Institute – GOV.UK”. Government of the United Kingdom. 31 March 2022. Archived from the original on 18 January 2013. Retrieved 18 April 2022.
^ Sarah Street British National Cinema, London: Routledge, 2009, p. 12.
^ Warren (2001), pp. 29, 119.
^ Leff, Leonard J., The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press, 1999, p. 16.
^ Jump up to:^a ^b ^c “Going to the pictures: British cinema and the Second World War” (PDF). School of Advanced Study. Archived (PDF) from the original on 20 October 2020. Retrieved 14 November 2020.
^ Jump up to:^a ^b Gerard Gilbert (3 September 2009). “Britain’s World War II films were more than just propaganda”. The Independent. Archived from the original on 2 September 2019. Retrieved 3 May 2012.
^ Warren (2001), p. 120.
^ “British film import duty 1948-49”. Archived from the original on 2 May 2015. Retrieved 27 February 2019.
^ “10-Day London Fest Films Preems Oct. 16”. Variety. 9 October 1957. p. 14 – via Archive.org.
^ Brooke, Michael. “School for Scoundrels (1959)”. Screenonline. British Film Institute. Archived from the original on 13 February 2013. Retrieved 12 May 2013.
^ Jump up to:^a ^b Tim O’Sullivan, “Dearden, Basil (1911-1971)” Archived 19 October 2019 at the Wayback Machine, BFI screenonline, citing the Reference Guide to British and Irish Film Directors.
^ Carl Daniels, “Pool of London (1950)” Archived 22 October 2019 at the Wayback Machine, BFI screenonline.
^ Ann Ogidi, “Sapphire (1959)” Archived 23 September 2012 at the Wayback Machine, BFI screenonline.
^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
^ “The 100 Best British Films Ever” Archived 23 July 2015 at the Wayback Machine. Empire. Retrieved 5 January 2013
^ Harris, Derek (5 September 1974). “The film industry seeks another reprieve”. The Times. p. 19.
^ “BFI Screenonline: Channel 4 and Film”. Archived from the original on 29 October 2019. Retrieved 15 January 2012.
^ “AMC CINEMAS® BRINGS THE MULTIPLEX TO THE UNITED KINGDOM”. Archived from the original on 4 January 2015. Retrieved 3 January 2015.
^ Hoad, Phil (11 November 2010). “How multiplex cinemas saved the British film industry 25 years ago”. The Guardian. Archived from the original on 6 May 2020. Retrieved 2 April 2020.
^ Michael Brooks, “HandMade Films” Archived 11 January 2013 at the Wayback Machine, BFI screenonline.
^ “BFI Screenonline: Puttnam, Lord David”. Archived from the original on 26 July 2013. Retrieved 15 January 2012.
^ “This week’s new theatre and dance” Archived 14 March 2016 at the Wayback Machine. The Guardian. Retrieved 19 July 2012.
^ Stern, Marlow, and in 1985 we saw the retirement of Roger Moore from the role of Bond after A View to a kill,at the age of 58.“Gary Oldman Talks ‘Tinker, Tailor, Soldier, Spy,’ ‘Batman’ Retirement” Archived 31 October 2014 at the Wayback Machine. The Daily Beast. 8 December 2011. Retrieved 10 December 2013.
^ Dyja, Eddie (ed.); ‘BFI Film and Television Handbook 1999’, London: BFI, 1998; p. 42.
^ Watson, Neil, “Hollywood UK”, in British Cinema of the 90s, London: BFI Publishing, 2000, p. 82.
^ Watson, “Hollywood UK”, p. 83.
^ “£200m film studio boost for UK”. The Independent. 7 November 1995. Archived from the original on 19 November 2012. Retrieved 29 June 2012.
^ “Studio Tour Casts Spells Just Like Harry”. The New York Times. 29 March 2012. Archived from the original on 23 May 2012. Retrieved 29 June 2012.
^ Peter Bradshaw (6 January 2006). “Match Point”. The Guardian. Archived from the original on 16 March 2014. Retrieved 29 June 2012.
^ “London Calling, With Luck, Lust and Ambition”. The New York Times. 28 December 2005. Archived from the original on 18 July 2012. Retrieved 29 June 2012.
^ “Warner Bros buys Harry Potter studios in £100m boost for UK films”. The Guardian. 9 November 2010. Archived from the original on 18 November 2022. Retrieved 18 November 2011.
^ “Warner to purchase and invest £100 million in film studio”. Reuters. 8 November 2010. Retrieved 18 November 2011.^{[dead link]}
^ Ben Beaumont-Thomas, “Only a small fraction of British films turn a profit, BFI study finds” Archived 3 January 2017 at the Wayback Machine, The Guardian, 3 December 2013.
^ “People Index – Actors: Total Gross”. Box Office Mojo. Archived from the original on 27 June 2019. Retrieved 6 May 2019.
^ “British film industry will suffer if the Government closes the UK Film Council” Archived 26 February 2017 at the Wayback Machine, 5 August 2010.
^ “Daniel Barber condemns UK Film Council abolition” Archived 23 July 2012 at the Wayback Machine, 29 July 2010
^ “Clint Eastwood writes plea to save UK Film Council”. BBC News Online. 9 August 2010. Archived from the original on 26 January 2011.
^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.
References
[edit]
^ Jump up to:^a ^b “Table 8: Cinema Infrastructure – Capacity”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 6: Share of Top 3 distributors (Excel)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
^ “Table 1: Feature Film Production – Genre/Method of Shooting”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 11: Exhibition – Admissions & Gross Box Office (GBO)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
^ Jump up to:^a ^b ^c “BFI Screenonline: UK Feature Films Produced 1912–2023”. Archived from the original on 4 March 2018. Retrieved 30 June 2008.
^ “The Directors’ Top Ten Directors”. British Film Institute. Archived from the original on 14 May 2011. Retrieved 2 November 2010.
^ “Powell, Michael (1905–1990)”. British Film Institute. Archived from the original on 16 October 2018. Retrieved 25 January 2011.
^ “Reed, Carol (1906–1976)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “Caine, Michael (1933-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Connery, Sean (1930-)”. British Film Institute. Archived from the original on 18 October 2018. Retrieved 11 December 2010.
^ “Winslet, Kate (1975-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Harry Potter becomes highest-grossing film franchise”. The Guardian. London. 11 September 2007. Archived from the original on 26 July 2013. Retrieved 2 November 2010.
^ “Scott, Sir Ridley (1937-)”. British Film Institute. Archived from the original on 26 September 2018. Retrieved 25 January 2011.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “UK film – the vital statistics”. UK Film Council. Archived from the original on 11 December 2011. Retrieved 22 October 2010.
^ “UK cinema box office”. Cinema Exhibitor’s Association. Archived from the original on 12 April 2013. Retrieved 18 March 2013.
^ “UK cinema annual admissions”. Cinema Exhibitor’s Association. Retrieved 18 March 2013.^{[permanent dead link]}
^ British Film Institute | The BFI 100 bfi.org
^ Jump up to:^a ^b “Baftas fuel Oscars race”. BBC News. 26 February 2001. Archived from the original on 26 July 2013. Retrieved 14 February 2011.
^ “Louis Le Prince”. Local Heroes. BBC Education. 28 November 1999. Archived from the original on 28 November 1999. Retrieved 14 August 2011.
^ Howells, Richard (Summer 2006). “Louis Le Prince: the body of evidence”. Screen. 47 (2). Oxford Journals: 179–200. doi:10.1093/screen/hjl015. ISSN 0036-9543.
^ “Who’s Who of Victorian Cinema”. www.victorian-cinema.net. Archived from the original on 5 November 2015. Retrieved 28 September 2016.
^ Davidson, Ewan. “Blackfriars Bridge”. BFI Screenonline Database. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
^ McKernan, Luke. “Booth, W.R. (1869-1938)”. BFI Screenonlinee. Archived from the original on 20 May 2016. Retrieved 24 April 2019.
^ Gifford, Denis. “Walter Robert Booth”. Who’s Who of Victorian Cinema. Archived from the original on 15 March 2012. Retrieved 24 April 2019.
^ “World’s first colour moving pictures discovered” Archived 14 September 2017 at the Wayback Machine. BBC News, 12 September 2012. Retrieved on 29 July 2013.
^ McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897–1925. University of Exeter Press. ISBN 978-0859892964.
^ Mills, Ted (31 March 2016). “The First Film Adaptation of Alice in Wonderland (1903)”. Open Culture. Archived from the original on 17 May 2017. Retrieved 19 May 2017.
^ “FDA – What We Do”. Film Distributors’ Association. Archived from the original on 27 March 2022. Retrieved 18 April 2022.
^ Estel Eforgan (30 June 2010). Leslie Howard: The Lost Actor. Vallentine Mitchell. ISBN 978-0-85303-971-6.
^ Jump up to:^a ^b “The British Film Industry”. The Times. 21 January 1948. p. 5.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
^ Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 61.
^ St. Pierre, Paul Matthew (31 May 2009). Music Hall Mimesis in British Film, 1895–1960: On the Hall on the Screen. Associated University Press. p. 79. ISBN 978-0-8386-4191-0.
^ Richard Allen; S. Ishii-Gonzalès (2004). Hitchcock: Past and Future. Routledge. ISBN 978-0-415-27525-5.
^ Burton, Alan; Chibnall, Steve (2013). Historical Dictionary of British Cinema. Lanham, MD and Plymouth, England: Scarecrow Press. p. 43. ISBN 9780810880269.
^ Alexander, Lou (2003–2014). “Associated British Picture Corporation (1933-70)”. BFI screenonline. Archived from the original on 24 September 2015. Retrieved 17 July 2015.
^ Warren (2001), pp. 57, 58.
^ Warren (2001), pp. 26, 28.
^ Mark Duguid, “Korda and Empuire” Archived 27 September 2012 at the Wayback Machine, BFI screenonline.
^ Michael Brooke, “Sabu (1924–1963)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ Stephen Bourne, “Robeson, Paul (1898–1976)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ “British Film Institute – GOV.UK”. Government of the United Kingdom. 31 March 2022. Archived from the original on 18 January 2013. Retrieved 18 April 2022.
^ Sarah Street British National Cinema, London: Routledge, 2009, p. 12.
^ Warren (2001), pp. 29, 119.
^ Leff, Leonard J., The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press, 1999, p. 16.
^ Jump up to:^a ^b ^c “Going to the pictures: British cinema and the Second World War” (PDF). School of Advanced Study. Archived (PDF) from the original on 20 October 2020. Retrieved 14 November 2020.
^ Jump up to:^a ^b Gerard Gilbert (3 September 2009). “Britain’s World War II films were more than just propaganda”. The Independent. Archived from the original on 2 September 2019. Retrieved 3 May 2012.
^ Warren (2001), p. 120.
^ “British film import duty 1948-49”. Archived from the original on 2 May 2015. Retrieved 27 February 2019.
^ “10-Day London Fest Films Preems Oct. 16”. Variety. 9 October 1957. p. 14 – via Archive.org.
^ Brooke, Michael. “School for Scoundrels (1959)”. Screenonline. British Film Institute. Archived from the original on 13 February 2013. Retrieved 12 May 2013.
^ Jump up to:^a ^b Tim O’Sullivan, “Dearden, Basil (1911-1971)” Archived 19 October 2019 at the Wayback Machine, BFI screenonline, citing the Reference Guide to British and Irish Film Directors.
^ Carl Daniels, “Pool of London (1950)” Archived 22 October 2019 at the Wayback Machine, BFI screenonline.
^ Ann Ogidi, “Sapphire (1959)” Archived 23 September 2012 at the Wayback Machine, BFI screenonline.
^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
^ “The 100 Best British Films Ever” Archived 23 July 2015 at the Wayback Machine. Empire. Retrieved 5 January 2013
^ Harris, Derek (5 September 1974). “The film industry seeks another reprieve”. The Times. p. 19.
^ “BFI Screenonline: Channel 4 and Film”. Archived from the original on 29 October 2019. Retrieved 15 January 2012.
^ “AMC CINEMAS® BRINGS THE MULTIPLEX TO THE UNITED KINGDOM”. Archived from the original on 4 January 2015. Retrieved 3 January 2015.
^ Hoad, Phil (11 November 2010). “How multiplex cinemas saved the British film industry 25 years ago”. The Guardian. Archived from the original on 6 May 2020. Retrieved 2 April 2020.
^ Michael Brooks, “HandMade Films” Archived 11 January 2013 at the Wayback Machine, BFI screenonline.
^ “BFI Screenonline: Puttnam, Lord David”. Archived from the original on 26 July 2013. Retrieved 15 January 2012.
^ “This week’s new theatre and dance” Archived 14 March 2016 at the Wayback Machine. The Guardian. Retrieved 19 July 2012.
^ Stern, Marlow, and in 1985 we saw the retirement of Roger Moore from the role of Bond after A View to a kill,at the age of 58.“Gary Oldman Talks ‘Tinker, Tailor, Soldier, Spy,’ ‘Batman’ Retirement” Archived 31 October 2014 at the Wayback Machine. The Daily Beast. 8 December 2011. Retrieved 10 December 2013.
^ Dyja, Eddie (ed.); ‘BFI Film and Television Handbook 1999’, London: BFI, 1998; p. 42.
^ Watson, Neil, “Hollywood UK”, in British Cinema of the 90s, London: BFI Publishing, 2000, p. 82.
^ Watson, “Hollywood UK”, p. 83.
^ “£200m film studio boost for UK”. The Independent. 7 November 1995. Archived from the original on 19 November 2012. Retrieved 29 June 2012.
^ “Studio Tour Casts Spells Just Like Harry”. The New York Times. 29 March 2012. Archived from the original on 23 May 2012. Retrieved 29 June 2012.
^ Peter Bradshaw (6 January 2006). “Match Point”. The Guardian. Archived from the original on 16 March 2014. Retrieved 29 June 2012.
^ “London Calling, With Luck, Lust and Ambition”. The New York Times. 28 December 2005. Archived from the original on 18 July 2012. Retrieved 29 June 2012.
^ “Warner Bros buys Harry Potter studios in £100m boost for UK films”. The Guardian. 9 November 2010. Archived from the original on 18 November 2022. Retrieved 18 November 2011.
^ “Warner to purchase and invest £100 million in film studio”. Reuters. 8 November 2010. Retrieved 18 November 2011.^{[dead link]}
^ Ben Beaumont-Thomas, “Only a small fraction of British films turn a profit, BFI study finds” Archived 3 January 2017 at the Wayback Machine, The Guardian, 3 December 2013.
^ “People Index – Actors: Total Gross”. Box Office Mojo. Archived from the original on 27 June 2019. Retrieved 6 May 2019.
^ “British film industry will suffer if the Government closes the UK Film Council” Archived 26 February 2017 at the Wayback Machine, 5 August 2010.
^ “Daniel Barber condemns UK Film Council abolition” Archived 23 July 2012 at the Wayback Machine, 29 July 2010
^ “Clint Eastwood writes plea to save UK Film Council”. BBC News Online. 9 August 2010. Archived from the original on 26 January 2011.
^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.
References
[edit]
^ Jump up to:^a ^b “Table 8: Cinema Infrastructure – Capacity”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 6: Share of Top 3 distributors (Excel)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
^ “Table 1: Feature Film Production – Genre/Method of Shooting”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 11: Exhibition – Admissions & Gross Box Office (GBO)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
^ Jump up to:^a ^b ^c “BFI Screenonline: UK Feature Films Produced 1912–2023”. Archived from the original on 4 March 2018. Retrieved 30 June 2008.
^ “The Directors’ Top Ten Directors”. British Film Institute. Archived from the original on 14 May 2011. Retrieved 2 November 2010.
^ “Powell, Michael (1905–1990)”. British Film Institute. Archived from the original on 16 October 2018. Retrieved 25 January 2011.
^ “Reed, Carol (1906–1976)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “Caine, Michael (1933-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Connery, Sean (1930-)”. British Film Institute. Archived from the original on 18 October 2018. Retrieved 11 December 2010.
^ “Winslet, Kate (1975-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Harry Potter becomes highest-grossing film franchise”. The Guardian. London. 11 September 2007. Archived from the original on 26 July 2013. Retrieved 2 November 2010.
^ “Scott, Sir Ridley (1937-)”. British Film Institute. Archived from the original on 26 September 2018. Retrieved 25 January 2011.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “UK film – the vital statistics”. UK Film Council. Archived from the original on 11 December 2011. Retrieved 22 October 2010.
^ “UK cinema box office”. Cinema Exhibitor’s Association. Archived from the original on 12 April 2013. Retrieved 18 March 2013.
^ “UK cinema annual admissions”. Cinema Exhibitor’s Association. Retrieved 18 March 2013.^{[permanent dead link]}
^ British Film Institute | The BFI 100 bfi.org
^ Jump up to:^a ^b “Baftas fuel Oscars race”. BBC News. 26 February 2001. Archived from the original on 26 July 2013. Retrieved 14 February 2011.
^ “Louis Le Prince”. Local Heroes. BBC Education. 28 November 1999. Archived from the original on 28 November 1999. Retrieved 14 August 2011.
^ Howells, Richard (Summer 2006). “Louis Le Prince: the body of evidence”. Screen. 47 (2). Oxford Journals: 179–200. doi:10.1093/screen/hjl015. ISSN 0036-9543.
^ “Who’s Who of Victorian Cinema”. www.victorian-cinema.net. Archived from the original on 5 November 2015. Retrieved 28 September 2016.
^ Davidson, Ewan. “Blackfriars Bridge”. BFI Screenonline Database. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
^ McKernan, Luke. “Booth, W.R. (1869-1938)”. BFI Screenonlinee. Archived from the original on 20 May 2016. Retrieved 24 April 2019.
^ Gifford, Denis. “Walter Robert Booth”. Who’s Who of Victorian Cinema. Archived from the original on 15 March 2012. Retrieved 24 April 2019.
^ “World’s first colour moving pictures discovered” Archived 14 September 2017 at the Wayback Machine. BBC News, 12 September 2012. Retrieved on 29 July 2013.
^ McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897–1925. University of Exeter Press. ISBN 978-0859892964.
^ Mills, Ted (31 March 2016). “The First Film Adaptation of Alice in Wonderland (1903)”. Open Culture. Archived from the original on 17 May 2017. Retrieved 19 May 2017.
^ “FDA – What We Do”. Film Distributors’ Association. Archived from the original on 27 March 2022. Retrieved 18 April 2022.
^ Estel Eforgan (30 June 2010). Leslie Howard: The Lost Actor. Vallentine Mitchell. ISBN 978-0-85303-971-6.
^ Jump up to:^a ^b “The British Film Industry”. The Times. 21 January 1948. p. 5.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
^ Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 61.
^ St. Pierre, Paul Matthew (31 May 2009). Music Hall Mimesis in British Film, 1895–1960: On the Hall on the Screen. Associated University Press. p. 79. ISBN 978-0-8386-4191-0.
^ Richard Allen; S. Ishii-Gonzalès (2004). Hitchcock: Past and Future. Routledge. ISBN 978-0-415-27525-5.
^ Burton, Alan; Chibnall, Steve (2013). Historical Dictionary of British Cinema. Lanham, MD and Plymouth, England: Scarecrow Press. p. 43. ISBN 9780810880269.
^ Alexander, Lou (2003–2014). “Associated British Picture Corporation (1933-70)”. BFI screenonline. Archived from the original on 24 September 2015. Retrieved 17 July 2015.
^ Warren (2001), pp. 57, 58.
^ Warren (2001), pp. 26, 28.
^ Mark Duguid, “Korda and Empuire” Archived 27 September 2012 at the Wayback Machine, BFI screenonline.
^ Michael Brooke, “Sabu (1924–1963)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ Stephen Bourne, “Robeson, Paul (1898–1976)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ “British Film Institute – GOV.UK”. Government of the United Kingdom. 31 March 2022. Archived from the original on 18 January 2013. Retrieved 18 April 2022.
^ Sarah Street British National Cinema, London: Routledge, 2009, p. 12.
^ Warren (2001), pp. 29, 119.
^ Leff, Leonard J., The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press, 1999, p. 16.
^ Jump up to:^a ^b ^c “Going to the pictures: British cinema and the Second World War” (PDF). School of Advanced Study. Archived (PDF) from the original on 20 October 2020. Retrieved 14 November 2020.
^ Jump up to:^a ^b Gerard Gilbert (3 September 2009). “Britain’s World War II films were more than just propaganda”. The Independent. Archived from the original on 2 September 2019. Retrieved 3 May 2012.
^ Warren (2001), p. 120.
^ “British film import duty 1948-49”. Archived from the original on 2 May 2015. Retrieved 27 February 2019.
^ “10-Day London Fest Films Preems Oct. 16”. Variety. 9 October 1957. p. 14 – via Archive.org.
^ Brooke, Michael. “School for Scoundrels (1959)”. Screenonline. British Film Institute. Archived from the original on 13 February 2013. Retrieved 12 May 2013.
^ Jump up to:^a ^b Tim O’Sullivan, “Dearden, Basil (1911-1971)” Archived 19 October 2019 at the Wayback Machine, BFI screenonline, citing the Reference Guide to British and Irish Film Directors.
^ Carl Daniels, “Pool of London (1950)” Archived 22 October 2019 at the Wayback Machine, BFI screenonline.
^ Ann Ogidi, “Sapphire (1959)” Archived 23 September 2012 at the Wayback Machine, BFI screenonline.
^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
^ “The 100 Best British Films Ever” Archived 23 July 2015 at the Wayback Machine. Empire. Retrieved 5 January 2013
^ Harris, Derek (5 September 1974). “The film industry seeks another reprieve”. The Times. p. 19.
^ “BFI Screenonline: Channel 4 and Film”. Archived from the original on 29 October 2019. Retrieved 15 January 2012.
^ “AMC CINEMAS® BRINGS THE MULTIPLEX TO THE UNITED KINGDOM”. Archived from the original on 4 January 2015. Retrieved 3 January 2015.
^ Hoad, Phil (11 November 2010). “How multiplex cinemas saved the British film industry 25 years ago”. The Guardian. Archived from the original on 6 May 2020. Retrieved 2 April 2020.
^ Michael Brooks, “HandMade Films” Archived 11 January 2013 at the Wayback Machine, BFI screenonline.
^ “BFI Screenonline: Puttnam, Lord David”. Archived from the original on 26 July 2013. Retrieved 15 January 2012.
^ “This week’s new theatre and dance” Archived 14 March 2016 at the Wayback Machine. The Guardian. Retrieved 19 July 2012.
^ Stern, Marlow, and in 1985 we saw the retirement of Roger Moore from the role of Bond after A View to a kill,at the age of 58.“Gary Oldman Talks ‘Tinker, Tailor, Soldier, Spy,’ ‘Batman’ Retirement” Archived 31 October 2014 at the Wayback Machine. The Daily Beast. 8 December 2011. Retrieved 10 December 2013.
^ Dyja, Eddie (ed.); ‘BFI Film and Television Handbook 1999’, London: BFI, 1998; p. 42.
^ Watson, Neil, “Hollywood UK”, in British Cinema of the 90s, London: BFI Publishing, 2000, p. 82.
^ Watson, “Hollywood UK”, p. 83.
^ “£200m film studio boost for UK”. The Independent. 7 November 1995. Archived from the original on 19 November 2012. Retrieved 29 June 2012.
^ “Studio Tour Casts Spells Just Like Harry”. The New York Times. 29 March 2012. Archived from the original on 23 May 2012. Retrieved 29 June 2012.
^ Peter Bradshaw (6 January 2006). “Match Point”. The Guardian. Archived from the original on 16 March 2014. Retrieved 29 June 2012.
^ “London Calling, With Luck, Lust and Ambition”. The New York Times. 28 December 2005. Archived from the original on 18 July 2012. Retrieved 29 June 2012.
^ “Warner Bros buys Harry Potter studios in £100m boost for UK films”. The Guardian. 9 November 2010. Archived from the original on 18 November 2022. Retrieved 18 November 2011.
^ “Warner to purchase and invest £100 million in film studio”. Reuters. 8 November 2010. Retrieved 18 November 2011.^{[dead link]}
^ Ben Beaumont-Thomas, “Only a small fraction of British films turn a profit, BFI study finds” Archived 3 January 2017 at the Wayback Machine, The Guardian, 3 December 2013.
^ “People Index – Actors: Total Gross”. Box Office Mojo. Archived from the original on 27 June 2019. Retrieved 6 May 2019.
^ “British film industry will suffer if the Government closes the UK Film Council” Archived 26 February 2017 at the Wayback Machine, 5 August 2010.
^ “Daniel Barber condemns UK Film Council abolition” Archived 23 July 2012 at the Wayback Machine, 29 July 2010
^ “Clint Eastwood writes plea to save UK Film Council”. BBC News Online. 9 August 2010. Archived from the original on 26 January 2011.
^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.
References
[edit]
^ Jump up to:^a ^b “Table 8: Cinema Infrastructure – Capacity”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 6: Share of Top 3 distributors (Excel)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
^ “Table 1: Feature Film Production – Genre/Method of Shooting”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Table 11: Exhibition – Admissions & Gross Box Office (GBO)”. UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 7 May 2019.
^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
^ Jump up to:^a ^b ^c “BFI Screenonline: UK Feature Films Produced 1912–2023”. Archived from the original on 4 March 2018. Retrieved 30 June 2008.
^ “The Directors’ Top Ten Directors”. British Film Institute. Archived from the original on 14 May 2011. Retrieved 2 November 2010.
^ “Powell, Michael (1905–1990)”. British Film Institute. Archived from the original on 16 October 2018. Retrieved 25 January 2011.
^ “Reed, Carol (1906–1976)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “Caine, Michael (1933-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Connery, Sean (1930-)”. British Film Institute. Archived from the original on 18 October 2018. Retrieved 11 December 2010.
^ “Winslet, Kate (1975-)”. British Film Institute. Archived from the original on 16 September 2018. Retrieved 11 December 2010.
^ “Harry Potter becomes highest-grossing film franchise”. The Guardian. London. 11 September 2007. Archived from the original on 26 July 2013. Retrieved 2 November 2010.
^ “Scott, Sir Ridley (1937-)”. British Film Institute. Archived from the original on 26 September 2018. Retrieved 25 January 2011.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 25 January 2011.
^ “UK film – the vital statistics”. UK Film Council. Archived from the original on 11 December 2011. Retrieved 22 October 2010.
^ “UK cinema box office”. Cinema Exhibitor’s Association. Archived from the original on 12 April 2013. Retrieved 18 March 2013.
^ “UK cinema annual admissions”. Cinema Exhibitor’s Association. Retrieved 18 March 2013.^{[permanent dead link]}
^ British Film Institute | The BFI 100 bfi.org
^ Jump up to:^a ^b “Baftas fuel Oscars race”. BBC News. 26 February 2001. Archived from the original on 26 July 2013. Retrieved 14 February 2011.
^ “Louis Le Prince”. Local Heroes. BBC Education. 28 November 1999. Archived from the original on 28 November 1999. Retrieved 14 August 2011.
^ Howells, Richard (Summer 2006). “Louis Le Prince: the body of evidence”. Screen. 47 (2). Oxford Journals: 179–200. doi:10.1093/screen/hjl015. ISSN 0036-9543.
^ “Who’s Who of Victorian Cinema”. www.victorian-cinema.net. Archived from the original on 5 November 2015. Retrieved 28 September 2016.
^ Davidson, Ewan. “Blackfriars Bridge”. BFI Screenonline Database. Archived from the original on 18 October 2022. Retrieved 18 October 2022.
^ McKernan, Luke. “Booth, W.R. (1869-1938)”. BFI Screenonlinee. Archived from the original on 20 May 2016. Retrieved 24 April 2019.
^ Gifford, Denis. “Walter Robert Booth”. Who’s Who of Victorian Cinema. Archived from the original on 15 March 2012. Retrieved 24 April 2019.
^ “World’s first colour moving pictures discovered” Archived 14 September 2017 at the Wayback Machine. BBC News, 12 September 2012. Retrieved on 29 July 2013.
^ McKernan, Luke (2018). Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897–1925. University of Exeter Press. ISBN 978-0859892964.
^ Mills, Ted (31 March 2016). “The First Film Adaptation of Alice in Wonderland (1903)”. Open Culture. Archived from the original on 17 May 2017. Retrieved 19 May 2017.
^ “FDA – What We Do”. Film Distributors’ Association. Archived from the original on 27 March 2022. Retrieved 18 April 2022.
^ Estel Eforgan (30 June 2010). Leslie Howard: The Lost Actor. Vallentine Mitchell. ISBN 978-0-85303-971-6.
^ Jump up to:^a ^b “The British Film Industry”. The Times. 21 January 1948. p. 5.
^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
^ Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 61.
^ St. Pierre, Paul Matthew (31 May 2009). Music Hall Mimesis in British Film, 1895–1960: On the Hall on the Screen. Associated University Press. p. 79. ISBN 978-0-8386-4191-0.
^ Richard Allen; S. Ishii-Gonzalès (2004). Hitchcock: Past and Future. Routledge. ISBN 978-0-415-27525-5.
^ Burton, Alan; Chibnall, Steve (2013). Historical Dictionary of British Cinema. Lanham, MD and Plymouth, England: Scarecrow Press. p. 43. ISBN 9780810880269.
^ Alexander, Lou (2003–2014). “Associated British Picture Corporation (1933-70)”. BFI screenonline. Archived from the original on 24 September 2015. Retrieved 17 July 2015.
^ Warren (2001), pp. 57, 58.
^ Warren (2001), pp. 26, 28.
^ Mark Duguid, “Korda and Empuire” Archived 27 September 2012 at the Wayback Machine, BFI screenonline.
^ Michael Brooke, “Sabu (1924–1963)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ Stephen Bourne, “Robeson, Paul (1898–1976)” Archived 8 August 2012 at the Wayback Machine, BFI screenonline.
^ “British Film Institute – GOV.UK”. Government of the United Kingdom. 31 March 2022. Archived from the original on 18 January 2013. Retrieved 18 April 2022.
^ Sarah Street British National Cinema, London: Routledge, 2009, p. 12.
^ Warren (2001), pp. 29, 119.
^ Leff, Leonard J., The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. University of California Press, 1999, p. 16.
^ Jump up to:^a ^b ^c “Going to the pictures: British cinema and the Second World War” (PDF). School of Advanced Study. Archived (PDF) from the original on 20 October 2020. Retrieved 14 November 2020.
^ Jump up to:^a ^b Gerard Gilbert (3 September 2009). “Britain’s World War II films were more than just propaganda”. The Independent. Archived from the original on 2 September 2019. Retrieved 3 May 2012.
^ Warren (2001), p. 120.
^ “British film import duty 1948-49”. Archived from the original on 2 May 2015. Retrieved 27 February 2019.
^ “10-Day London Fest Films Preems Oct. 16”. Variety. 9 October 1957. p. 14 – via Archive.org.
^ Brooke, Michael. “School for Scoundrels (1959)”. Screenonline. British Film Institute. Archived from the original on 13 February 2013. Retrieved 12 May 2013.
^ Jump up to:^a ^b Tim O’Sullivan, “Dearden, Basil (1911-1971)” Archived 19 October 2019 at the Wayback Machine, BFI screenonline, citing the Reference Guide to British and Irish Film Directors.
^ Carl Daniels, “Pool of London (1950)” Archived 22 October 2019 at the Wayback Machine, BFI screenonline.
^ Ann Ogidi, “Sapphire (1959)” Archived 23 September 2012 at the Wayback Machine, BFI screenonline.
^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
^ “The 100 Best British Films Ever” Archived 23 July 2015 at the Wayback Machine. Empire. Retrieved 5 January 2013
^ Harris, Derek (5 September 1974). “The film industry seeks another reprieve”. The Times. p. 19.
^ “BFI Screenonline: Channel 4 and Film”. Archived from the original on 29 October 2019. Retrieved 15 January 2012.
^ “AMC CINEMAS® BRINGS THE MULTIPLEX TO THE UNITED KINGDOM”. Archived from the original on 4 January 2015. Retrieved 3 January 2015.
^ Hoad, Phil (11 November 2010). “How multiplex cinemas saved the British film industry 25 years ago”. The Guardian. Archived from the original on 6 May 2020. Retrieved 2 April 2020.
^ Michael Brooks, “HandMade Films” Archived 11 January 2013 at the Wayback Machine, BFI screenonline.
^ “BFI Screenonline: Puttnam, Lord David”. Archived from the original on 26 July 2013. Retrieved 15 January 2012.
^ “This week’s new theatre and dance” Archived 14 March 2016 at the Wayback Machine. The Guardian. Retrieved 19 July 2012.
^ Stern, Marlow, and in 1985 we saw the retirement of Roger Moore from the role of Bond after A View to a kill,at the age of 58.“Gary Oldman Talks ‘Tinker, Tailor, Soldier, Spy,’ ‘Batman’ Retirement” Archived 31 October 2014 at the Wayback Machine. The Daily Beast. 8 December 2011. Retrieved 10 December 2013.
^ Dyja, Eddie (ed.); ‘BFI Film and Television Handbook 1999’, London: BFI, 1998; p. 42.
^ Watson, Neil, “Hollywood UK”, in British Cinema of the 90s, London: BFI Publishing, 2000, p. 82.
^ Watson, “Hollywood UK”, p. 83.
^ “£200m film studio boost for UK”. The Independent. 7 November 1995. Archived from the original on 19 November 2012. Retrieved 29 June 2012.
^ “Studio Tour Casts Spells Just Like Harry”. The New York Times. 29 March 2012. Archived from the original on 23 May 2012. Retrieved 29 June 2012.
^ Peter Bradshaw (6 January 2006). “Match Point”. The Guardian. Archived from the original on 16 March 2014. Retrieved 29 June 2012.
^ “London Calling, With Luck, Lust and Ambition”. The New York Times. 28 December 2005. Archived from the original on 18 July 2012. Retrieved 29 June 2012.
^ “Warner Bros buys Harry Potter studios in £100m boost for UK films”. The Guardian. 9 November 2010. Archived from the original on 18 November 2022. Retrieved 18 November 2011.
^ “Warner to purchase and invest £100 million in film studio”. Reuters. 8 November 2010. Retrieved 18 November 2011.^{[dead link]}
^ Ben Beaumont-Thomas, “Only a small fraction of British films turn a profit, BFI study finds” Archived 3 January 2017 at the Wayback Machine, The Guardian, 3 December 2013.
^ “People Index – Actors: Total Gross”. Box Office Mojo. Archived from the original on 27 June 2019. Retrieved 6 May 2019.
^ “British film industry will suffer if the Government closes the UK Film Council” Archived 26 February 2017 at the Wayback Machine, 5 August 2010.
^ “Daniel Barber condemns UK Film Council abolition” Archived 23 July 2012 at the Wayback Machine, 29 July 2010
^ “Clint Eastwood writes plea to save UK Film Council”. BBC News Online. 9 August 2010. Archived from the original on 26 January 2011.
^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.
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^ “Statistical Yearbook 2018” (PDF). BFI. British Film Institute. Archived (PDF) from the original on 28 May 2022. Retrieved 7 May 2019.
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^ British Film Institute | The BFI 100 bfi.org
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^ “Chaplin, Charles (1889–1977)”. British Film Institute. Archived from the original on 8 August 2012. Retrieved 11 December 2010.
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^ Warren (2001), pp. 29, 119.
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^ Mark Duguid, “Victim (1961)” Archived 6 October 2012 at the Wayback Machine, BFI screenonline.
^ See also David Thomson A New Biographical Dictionary of Film, London: Little, Brown, 2002, p. 213, and (for a defence) Brian McFarlane (ed.), The Encyclopedia of British Film, 2003, London: Methuen/BFI, p. 168.
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^ Shoard, Catherine (9 August 2010). “Clint Eastwood joins fight to save UK Film Council”. The Guardian. Archived from the original on 22 September 2016. Retrieved 11 December 2016.
^ Online campaign to save the UK Film Council Archived 23 July 2012 at the Wayback Machine, 27 July 2010.
^ child, Ben (11 August 2010). “Michael Winner berates UK Film Council supporters”. The Guardian. Archived from the original on 7 March 2016. Retrieved 11 December 2016.
^ Fellowes, Julian (12 August 2010). “Cut the Film Council and end this 1970s navel-gazing”. The Telegraph. Archived from the original on 12 January 2022.
^ Clarke, Donald (20 August 2010). “Pros and cons of dumping UK film council”. Irish Times. Archived from the original on 21 October 2012. Retrieved 23 August 2012.
^ Ben Child, “Fade out from the UK Film Council … to the British Film Institute” Archived 1 December 2016 at the Wayback Machine, The Guardian, 1 April 2011.
^ Geoffrey Macnab, “King’s Speech: BFI gets king’s ransom?” Archived 20 July 2014 at the Wayback Machine Screen Daily, 24 February 2011.
^ “Christopher Nolan on ‘Interstellar’ Critics, Making Original Films and Shunning Cellphones and Email (Q&A)”. The Hollywood Reporter. 3 January 2015. Archived from the original on 17 January 2018. Retrieved 5 May 2020.
^ “Warner Bros opens revamped UK film studio”. BBC. 12 June 2012. Archived from the original on 25 June 2012. Retrieved 2 July 2012.
^ Statistical Yearbook 2011: 7.3 UK directors Archived 15 June 2012 at the Wayback Machine. UK Film Council. Retrieved 19 July 2012.
^ “PM backs ‘dynamic and entrepreneurial’ UK film industry”. Number 10. 11 January 2012. Archived from the original on 30 October 2012. Retrieved 23 August 2012.
^ Hines, Dominique (7 November 2022). “‘I am not sure we are great film-makers,’ Danny Boyle slams the British film industry”. Yahoo News. Yahoo. Archived from the original on 30 November 2022. Retrieved 1 December 2022.
^ “Official 2022 statistics reveal a record £6.27 billion film and high-end television production spend in the UK”. BFI. 2 February 2023. Archived from the original on 30 June 2024. Retrieved 30 June 2024.
^ “Hollywood strikes: UK film industry workers hit by US dispute”. BBC News. 25 September 2023. Archived from the original on 19 June 2024. Retrieved 30 June 2024.
^ Nick Roddick, “Tim Webber: the man who put Sandra Bullock in space” Archived 22 January 2014 at the Wayback Machine, Evening Standard, 17 September 2013. Retrieved 17 January 2014.

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Pinewood Studios Unveils New Facilities for Budget-Friendly Films

Pinewood Studios Unveils New Facilities for Budget-Friendly Films